I was fading fast until I got the email about Brixton Academy - have now gone hyper again!
Fuss Free - just read what you said about helping people over to security, and am wondering if you were the guy stood right behind me all night? Big chap, glasses, beard (I think).
-The setlist was a little too heavy on Different Class, almost the entire album got played (exceptions being Pencil Skirt, Live Bed Show and Monday Morning). Not a bad thing but I would have gladly traded a few DC songs for some more earlier material.
Agreed
-Being at the very front was a harrowing and thrilling experience. I had to help security guards lift several people over the fence. A word of advice: if you don't have the constitution to handle thousands of people smashing together, you probably shouldn't stand anywhere near the front.
Agreed - always amazed at how people moan when someone stands in front of them, a couple of minor squabbles occured near me.
-Grace Jones was great fun, as were 'The Hives'. It's a shame 'TV of The Radio' had to go muck things up.
The Horrors were good in a Ramones meets Echo & The Bunnymen weird way, and I suspect I'll check their albums out. The Hives were very entertaining, although I did come away with the feeing that the one single I have is probably represenatative of them as a whole. But I did endure TV on the Radio and Grace Jones just to keep my spot.
Ultimately, it was a great show but would have been even better with some more Intro and HnH era songs. Perhaps Brixton Academy then?
Yeah! Considering there is a pre-sale to the more hardcore fans, it may be a bit more wide ranging. Just have to check my holiday dates. Highly unlikely to be away on Wednesday 31st August, but as we are awaiting the kids' passports we may go later than planned.
Russell didn't seem to be doing much. The violin only came out for Common People. Well, actually, he might have been playing the violin on Pink Glove but I didn't get a good look.
He had it for Pink Glove, and it was in and out of his case a few times. He did tend to drift off to the extreme right at times, and he was more subdued than say 15 years ago, but he did seem to be enjoying it. At one point he took off his glasses/shades and just looked out over the masses as if he was trying absorb it all in.
Set lists are one of these things that are never going to be able to please all the people all of the time. I think it's especially difficult when a band has a vast back catalogue spanning many years. If they play too many hits. the hardcore fans feel cheated, and if they play too many obscure songs, the nostalgia crowd get bored and start chatting and ruining it. And even amongst the hardcore fans everyone has their own preferred 'era'. I've got my own list of songs I'd love to hear again (or even for the first time), but yesterday was the first time I'd seen them in 8 and a half years and they could have played hey diddle diddle and I'd have been beaming.
... If they play too many hits. the hardcore fans feel cheated, and if they play too many obscure songs, the nostalgia crowd get bored and start chatting and ruining it.
Agreed. Was interesting that there seemed to be general bemusement near me when they played Sunrise and even Hardcore. I suspect that for many, Pulp are Different Class plus a couple of other early hits (DYRTFT? + Babies). The rest is a mystery to the less committed (however Pink Glove went down well).
I guess I really want Pulp to do every track from Separations onwards, and don't care if they have to spend all day doing it . Well, there's no need for any remixes if that will save a bit of time.
It was brilliant! Sadly the crush was too much for me & I had to backpeddle early on, but once I found some space it was amazing. A more varied set would have been nice tho'. & Jarvis messing up the timing on I Spy & the TIH intro was more than slightly jarring lol. Oh, & an encore would've been nice...
I loved the setlist, it was pretty much what I was expecting, but yeah an encore would have been nice. After straining to make out the band at Glasto it was great to finally see them all on stage together. Loved the work that has gone into the show as well. And when Jarvis kissed Russell on the head at the end I nearly bawled!
... If they play too many hits. the hardcore fans feel cheated, and if they play too many obscure songs, the nostalgia crowd get bored and start chatting and ruining it.
Agreed. Was interesting that there seemed to be general bemusement near me when they played Sunrise and even Hardcore. I suspect that for many, Pulp are Different Class plus a couple of other early hits (DYRTFT? + Babies). The rest is a mystery to the less committed (however Pink Glove went down well).
I guess I really want Pulp to do every track from Separations onwards, and don't care if they have to spend all day doing it . Well, there's no need for any remixes if that will save a bit of time.
I'm not complaining.
Still, for instance, I think they could have switched out Underwear for Lipgloss or Razzmatazz to give the set a little more diversity without alienating anyone.
I think the perception that DC is the only popular album is just incorrect. There are a lot of casual fans who think Pulp peaked with His n' Hers.
-- Edited by Fuss Free on Monday 4th of July 2011 11:11:09 AM
that was absolutely amazing! for those interested I filmed most of the songs (quite bad quality except at the beginning of I spy where his face is basically in the camera) also voice recorded it sound is alright as well so I'll find some way of sharing that. Was right at the front in the middle and Jarvis came down to the audience with a torch and shone it in my mouth (for some reason) am still completely hyped up!! was brilliant! shame they didn't play countdown but can't complain - especially when mile end was played!
I got 6 on my camera phone: DYRTFT Mile End Babies Sorted Sunrise and Common People. Pretty good, except the bits where I stuck my fingers over the lens. . New phone, didn't want to drop it!
Truth is that I had a SPLITTING headache by the time the band came on and was pretty low on energy, so when the pushing and crushing verged into "this is getting stupid now" territory I decided to make my exit. No way to move back, so I pretended that I had sustained a minor injury so that I could persuade people to let me through and over the barrier.
Had a much better time watching from the back and actually getting to listen. :)
Chuffed about Brixton, mind. That will be THE show. If I had known that was coming then I probably would have given Wireless a miss to be honest...but then that's the genius of marketing isn't it? :-/
Jarvis Cocker hails from Sheffield, but as he admitted at this reunion, a Pulp show in London is "a bit like a hometown concert" because this is where many of their classic songs were written.
The Britpop veterans wrapped up Wireless in front of more than 45,000 fans...
And worringly, especially given the comments of seeing everyone in three years time...
It was all the more special given that Pulp appear to be quitting while they're ahead.Reading Festival and a newly announced August 31 Brixton date may be the last chance to see them for some time
Quitting while they are ahead! They've only just come back
-- Edited by ArrGee on Monday 4th of July 2011 01:53:03 PM
Nooo! I didn't make that much of a fuss. Not surprised that ended up happening to someone though...surprised there weren't more in fact. Saw quite a few distressed looking faces in the crowd.
I was at the right of the stage a good distance back but could see the screen and hear the band perfectly. Russells Violin on Mile End was amazing and although it was pretty heavy on Different Class Era songs I think no matter what they played it would have been a brillant show regardless. Now that I am back In Dublin will have a very long nap and thank god I was not close to the stage for Grace Jones (nightmare!)
Great gig, what really struck me is how different the setlist was to the Glastonbury setlist last week. Was quite surprised that in the end they only played 15 songs as opposed to the 14 at Glastonbury (considering this was a headline set and that was a special guest evening slot), but I'm sure that wasn't down to the band.
As I said to a few of the others at the meetup last night didnt quite hit the heights of Glastonbury for various reasons, but then Wireless had the sense of big occasion, the pyrotechnics etc that the Park Stage didn't have. Definitely a bit too DC heavy which was fine for me because it meant I heard songs like Underwear, Bar Italia and I Spy which I didnt hear last time out, but I guess for the others it might have been a very minor issue.
Was great to meet people off here, we had a bizzare time afterwards which involved getting lost around Marble Arch, going to Bar Italia, walking through the streets of London all the way to Queensway looking for somewhere to drink, and eventually having to register with a casino just to get a rum and coca cola. Was all good fun though!
Fantastic stuff. Sorry I never got chance to hang out with any of you, only managed to get to the site about half an hour before Pulp played. It was a very DC heavy set, but then why not... if I'd been following them around on tour through 95/96 I'd probably be a bit sick of hearing those same songs every night, but enough time's passed for it to be a bit of a thrill getting to see them do all that stuff again.
In reply to Fuss Free, I thought there was quite a lot of violin from Russell - Mile End, Underwear, Bar Italia, start of Feeling Called Love and obviously Common People. It was nice seeing him hit his stride on the likes of Babies and Common People - the theatrical violin bow twirling on the latter took me right back to Heineken '95, the first and last time I saw this version of Pulp. After all this time it really did feel like coming home.
Other highlights... Jarvis was on top form throughout, leaping around possibly more than I've ever seen him do before. Lots of amusing daftness between songs too, notably the "back to the days of eighty niiiiiiiiiiiiinee!" sci fi intro to Sorted. This Is Hardcore has aged well too and provided a welcome flipside to the Britpop triumphalism of the DC stuff.
They clearly didn't want to leave the stage at the end, with Jarv left alone trying to entice the others back to applaud the audience, eventually succeeding with a cry of "Russell y'bastard! Get back ere!". The touching sight of him with an arm round Russ's shoulder and giving him a kiss on the forehead was an unlikely, slightly Spinal Tap moment and a fantastic note to end it all on. See you at Leeds...
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"Yes I saw her in the chip shop / so I said get yer top off"
keithc1thank god I was not close to the stage for Grace Jones (nightmare!)
I don't understand how any Pulp fan could not love Grace Jones. She is the essence of everything Pulp stands for.
Grace Jones is glamorous and trashy. She's good bad sex. She's old enough to know better but she just can't help herself. She's a relic that can never be replicated. She's the red light district in Disneyworld. God, I love her so much.
Just got in, and it was an amazing gig. Loved every minute of it. Managed to get somewhere near the tent with the video camera in it, which was about as close as I could get. Good times, met some quality people (don't know if any are on here, if so hello).
-- Edited by salmon92 on Monday 4th of July 2011 03:28:06 PM
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Hush, keep very still, for the strangest things are about to happen.
Just back home and I feel like I could sleep for a week but it was well worth it. On the set itself I agree with what others have said that it would have been nice to hear a few earlier songs but again like Barcelona the atmosphere and buzz more than made up for this.
Jarvis called Russell a 'miserable...pause as if to think did he really want to say this...bastard' at the end for not following his instructions to applaud the crowd, but moments later they were hugging. Tickertape galore was an unusual addition to this performance.
Just a word to say it was lovely to meet quite a few off here at the Phoenix Pulp club night on Saturday and then at Hyde park and later at Bar Italia on Sunday. You are all beautifull people and helped make my weekend better than it would have been. Abs, put that photo up from Bar Italia if you can!
haven't got round to uploading all my videos yet but here is I Spy : pretty blurry after the intro but great close up footage of Jarvis - he was literally staring right at me! unbelievable
Having a bit of a mare uploading at the moment. Modem at home is too slow and I can't find a consistant wi-fi. Don't worry I will prevail. Picture should be easier even if I can only post to twitpic or something.
i like the bits you're not supposed to see. For Hardcore Russell left the stage only to come scurrying back a few moments later to pick up a tatty plastic chair
Anyone know of any good photo uploading sites? Will put them on facebook eventually but want to put up a few for the forum - photos are over 5MB each so imageshack won't allow them!
Well then! Got home about two hours ago and this is the first chance I've had to read all your posts and write one of my own, so, some thoughts and reminisicing...
>> My girlfriend and I arrived around 12.30pm and before we could get to the stage Live Nation decided they wanted to interview me! The woman said I looked like a big Pulp fan - she must've noticed the t-shirt - so I talked bollocks for five minutes. I mentioned this forum but I don't think they'll use any of it...
>> When we did arrive at the front, it was fairly quiet, mostly young girls. We were on the right hand side of the ramp. The people around us were all nice enough. A couple of people attempted to move forward and in front of us towards Pulptime, but we managed to keep them at bay - I wasn't waiting eight hours just for some cheeky git to turn up and get past!
>> I was very lucky enough to win one of the Barclaycard competitions - my name came up on the screen so I went off to collect a £20 lanyard (debit card) to spend on whatever I wanted! I later discovered I should've been given two of them - damn! - but I may e-mail Wireless to see if I can do anything about it. I used the one I received to buy one of the His N' Hers t-shirts, which is a lovely memento of the day.
>> I didn't bring a camera with me, there was no point, I'd never have been able to keep it still, and it would have distracted me. I just wanted to enjoy the moment.
>> The other acts: Vintage Trouble were great and I'd like to hear more. I missed most of Devotchka (see above) and I was indifferent to Metronomy - it didn't help that I had some young teenage girl right behind me screaming 'I love Metronomy' every few minutes... The Horrors were just boring. Long dull songs and a singer who looked bored shitless and angry with a cameraman, throwing his mic lead round his equipment a couple of times. The Hives were the best - bags of energy, humour, exactly what the festival needed. I'd not seen them live for 8 years, so I was pleased to see they're just as they were! Following them were the terminally dull TV On The Radio who received a rather subdued response, but nothing like poor Grace Jones. I had to laugh - the people on the front all looked confused or bored. I thought she was brilliant, myself, because she was a real change of pace, and visually striking. She tried her best to get everyone going, and eventually won the audience over when she came down to the front during 'Pull Up To The Bumper' - I managed to shake her hand on her way round. She deserved a much better response, but I appreciate she was a very odd choice to support Pulp.
>> I'm agreed with Fuss Free about the Pulp setlist - they played everything from DC except Monday Morning and Pencil Skirt, and just three songs from HnH which really disappointed me. But Mile End was a great moment. Totally confused at the end when Jarvis indicated they'd be back for an encore in 15 minutes, when nothing happened and the security began to move us out. My girlfriend was lucky to grab a setlist though, and there was no encore on there... confusing.
>> I was pretty calm until the intro started - then the realisation dawned on me: I was about to see Pulp live for the first time. And wow. Pink Glove was a real highlight - Jarvis came down the stairs onto the ramp and looked right into my eyes as he sang one of the lines... it felt like years... brilliant. If anyone recorded that I'll treasure it till the day I die
>> The pushing and crushing - this really pissed me off, I'm afraid. Of course I expected it to be a bit rowdy, and being a big guy I just about managed to protect my girlfriend from the weight of the crowd, but it was really uncomfortable at times - Disco 2000 was mental - but I wouldn't have wanted to be anywhere else but the very front, the atmosphere was electric. Sadly, there were about half a dozen young girls who had to be pulled out during the gig, it was that bad. I'm glad Leo is OK - I think I saw you at the front actually. A couple of people were also stretchered off too. It would've only taken a quick word from Jarvis to tell people to stop moving forward, to stop people being crushed against the barrier...
>> Sunrise. I was disappointed - not by the band, not by the song, but the crowd. People around me were singing all the DC-era songs throughout the gig, but when Sunrise came, nobody seemed to know it. They were all quiet! Was WLL that poorly-received? Just a load of fairweather fans, I guess. Such a pity, as it was utterly brilliant. I made up for their ignorance by singing along loudly and headbanging during the instrumental section
>> Was lucky to see Sarah on the way out - sorry I couldn't stay to chat, but my girlfriend was tired and had sore feet, we just wanted to get back to the hotel. It was lovely to make your acquaintance though, and I hope you said hello to the others for me
So yeah, a great day. I hope to be at Brixton - fingers crossed...
-- Edited by Pip on Monday 4th of July 2011 08:43:23 PM
Heehee - that was before getting crushed, drenched in sweat and wandering the streets into the early hours!
Would also like to point out that although it was very jammed in and rowdy down the front, I don't believe anyone was in any serious danger of getting hurt. I can completely understand people getting panicky and not liking being pushed around and squished and wanting to get out of it, also maybe the combination of heat and alcohol effecting some people. But I weigh just seven stone and was right down the front the whole time, and not once did I get hurt. Squashed and pushed around yeah, so tightly that at one point I had both feet off the ground and was being suspended by the forces of all the bodies aorund me, but at no point did I get hurt. The only bruise I sustained was inflicted upon myself by clapping too vigorously (can't believe I did that!).
-- Edited by anet on Monday 4th of July 2011 08:21:21 PM
Re the pushing, as you can tell from the picture I'm not a big guy so wouldnt have been responsible for any of it...but it wasn't any worse than I thought it would be. Usually at gigs you get the new material which calms the crowd down but every song was a hit (well, I guess stuff like Sunrise wasnt as popular), so it meant the pushing was more intense. I've been in worse gigs for that although at times it was quite hard keeping upright!
Would also like to point out that although it was very jammed in and rowdy down the front, I don't believe anyone was in any serious danger of getting hurt. I can completely understand people getting panicky and not liking being pushed around and squished and wanting to get out of it, also maybe the combination of heat and alcohol effecting some people. But I weigh just seven stone and was right down the front the whole time, and not once did I get hurt. Squashed and pushed around yeah, so tightly that at one point I had both feet off the ground and was being suspended by the forces of all the bodies aorund me, but at no point did I get hurt. The only bruise I sustained was inflicted upon myself by clapping too vigorously (can't believe I did that!).
-- Edited by anet on Monday 4th of July 2011 08:21:21 PM
My missus has a big black bruise on her thigh, so I guess you were lucky! She was glad she was right at the front though - the things we do for Pulp eh? :)
Call me weird, but I love the intensity of the pushing and crushing. I honestly feel it adds to the excitement, knowing all these people are so desperate to get close up to the band and express their joy, that all the usual social boundaries go straight out the window. If I was going to be really romantic, I'd say it was like electricity flowing through the crowd, as opposed to a load of rude, inconsiderate oiks trampling over everyone. Guess opinion is divided on this one.
My missus has a big black bruise on her thigh, so I guess you were lucky! She was glad she was right at the front though - the things we do for Pulp eh? :)
Pip. I think you and your missus might have been standing directly to the left of me.
And Deebs and I were definitely rubbing shoulders. I have his fist-pumps on camera. I did not know this until after seeing Abs' group photo.
Speaking of bruises, my missus had at least a half-dozen people lifted right over her. I was really worried that the guards kept fishing people out over her without letting her get out of the way, but in the crush there wasn't much I could do. She somehow managed to get through the show without injury, and proved quite the trooper.
Sarah, Anet, Me, Stella from Germany (someone I'd met in the crowd and brought along), Josh and his mate who lurk on here apparently (and his mate knows Fuss Free?), and Deebs.
Sarah that video captures the atmosphere in the crowd near us brilliantly.
Pip, to maybe clear up the confusion about the encore that never happened I think I heard Jarvis joke at the end, 'See you all again...probably in about fifteen years'. Is that maybe where you took the fifteen minutes from?
Certainly most of the crowd stayed waiting for more and I'm sure the band would have happily played on but festivals like Wireless are so strict on timings unfortunately.
Well now im back to the normality and not a mobile phone qwerty keyboard, I can now write properly! Only got to see a few acts - which were good, and poor........
Poor - The Horrors (lead singer seems a right tosser), TV on the Radio were just dull......., Grace Jones.....yawn
Good - Cut Copy on the unwind stage - full tent, I have never heard of them - and when everyone in the crowd but for me and my mate were singing along and going bonkers I knew I have missed something down the line...... The Hives were just outstanding, the lead is a true frontman not quite to jarvis's standards but fuck they were amazing. Pulp were as good as their DC era hayday if not BETTER.
The Horrors are excellent, their second album and their recently leaked third album are both very, very good. I can see why they wouldnt come across that well if you didnt know the material though, but well worth checking out. Especially if you're into The Jesus and Mary Chain and bands like that. First album was shit but they play nothing from that album anymore.
I got right to the front, in the middle at about 2pm and stayed there the entire day. At about 7pm quite a few girls started pushing through the crowd- they were Spanish or Italian, obviously this makes absolutely no difference to anything, I just say it so others who were down the front know who I'm talking about. Then one girl (wearing a Jarvis mask) pretends that she's ill and that she needs to speak to the bouncers just so she can push in and get a place at the barrier, taking the place of someone who had literally been there since half 12. She then starts repeatedly asking me (I'm right behind her) to let her friends stand in front of me, to which I obviously reply "no". And so during Pulp's set, as 'revenge' for not letting her friends through, she tries to get the bouncers to throw me out THREE TIMES by completely lying to them that I'm "kicking and punching" her, which is obviously insane. The bouncers don't do anything, but after the third time she says this I should at her "what the fuck do you think you're doing?!"- a bouncer sees me do this and then comes over and shouts at me, so I spend the rest of the gig absolutely terrified that if she says any other lies to the bouncers then they'll believe her and throw me out!
It very nearly ruined the gig for me- I really don't care how much of a "mega fan" someone is, how wealthy they are or how far they've travelled, no-one has the right to act like that just in order to be at the front of a gig.
Luckily it DIDN'T ruin the gig for me- Pulp were AMAZING even though they didn't play for long, I was RIGHT at the front and Jarvis looked me right in the eyes during Pink Glove when he was down on the catwalk! Mile End amazing obviously, Sunrise was an unexpected highlight for me. Very jealous of my friends Aunt who was backstage and at the after party as apparently she's friends with the Banks!
Tv on the Radio were amazing I thought, a proper radge set but class nontheless, Horrors new stuff is awesome, I can't believe how popular the Hives STILL are, Metronomy were quite good, Grace Jones was a bore for me personally but I can see why people would like her.
My friend Ross was saying he bumped into you lot at Bar Italia later on, too!
I haven't read any of the above posts yet. I have only just walked into my house an hour ago! I still can't believe I have seen Pulp twice in 2 weeks. After soo soooo long- It's an amazing feeling! Thank you to some of the peeps on this forum/message board for making the pill easier to swallow... (All of my 10 mates went as mental for Pulp as I did! - some of them old fans.. some of them new!)
To all of the peeps on here I managed to meet... You are all really really beautiful people!
All those who were there who I did not manage to meet.. Meh?! Another day...
Sarah, Anet, Me, Stella from Germany (someone I'd met in the crowd and brought along), Josh and his mate who lurk on here apparently (and his mate knows Fuss Free?), and Deebs.
Yeah his mate is my mate Ross! What a guy. Didn't know he knows Fuss Free though.
Sarah, Anet, Me, Stella from Germany (someone I'd met in the crowd and brought along), Josh and his mate who lurk on here apparently (and his mate knows Fuss Free?), and Deebs.
Yeah his mate is my mate Ross! What a guy. Didn't know he knows Fuss Free though.
Don't think he does actually - think we were getting forum members mixed up!
keithc1thank god I was not close to the stage for Grace Jones (nightmare!)
I don't understand how any Pulp fan could not love Grace Jones. She is the essence of everything Pulp stands for.
Grace Jones is glamorous and trashy. She's good bad sex. She's old enough to know better but she just can't help herself. She's a relic that can never be replicated. She's the red light district in Disneyworld. God, I love her so much.
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Her house was very small with woodchip on the wall
the hives - why were they there? they haven't done anything relevant to anyone since 2002-3 ish... they were kind of an interesting gimmick back then, unfortunately that's worn off a bit in 2011. it was unbelievable that they put these jokers on after the horrors meaning i missed 95% of the horrors set.
tv on the radio - great band, great performance as expected
grace jones - surprisingly very entertaining, top marks on the hula hooping!
pulp - i thought this was a dream setlist really. haven't heard Mile End since v96, pretty sure i've never heard Bar Italia live and I Spy is obviously a highlight of any set. i had to tell a pete doherty looking twat to "shut the fuck up" during the intro to the latter because he insisted on singing "Our House" by Crosby Stills, Nash and Young (why?!?) with a bunch of screaming harpies during the opening section. luckily he accepted his mistake and shut up.
Oops, sorry I was trying to reply to Fuss Free. I love Grace Jones too and I think you've summed her up brilliantly!! (sorry, Ross it was me standing next to you who asked you to keep it down while she was playing) I thought she was brilliant and it brought back lots of happy memories of hanging out at the Fridge at Brixton in the late 80s. And I was pleased she played a couple of songs from Hurricaine, which is an amazing album.
I was following all the posts yesterday on the train back from Cornwall but kept losing my signal so I couldn't reply. I realise now that as well as meeting Sarah I saw a few of you: Calum (standing to the right if me), Deebs, Ross and his mate were beside me for a while. I loved every minute but the pushing and shoving freaked me out at the beginning but I'm very glad I held out as I had a great view. Surprised, like others, that not many of crowd seemed to know words for TIH and Sunrise but it was nice to actually be able to hear Jarvis singing. I've always regretted missing out on Pulp first time round and can't quite believe I've seen them live now. Hopefully, I'll get tickets for Brixton.
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Her house was very small with woodchip on the wall
Surprised, like others, that not many of crowd seemed to know words for TIH and Sunrise
It's as if Pulp finished up in 1995...
I have never heard anything post 1995 by Pulp played on XFM London whereas Babies and DTRTFT? do the the odd airing.
Anyone who came to Pulp casually in the last ten years or so, has probably not gone beyond Different Class and His 'n' Hers. And the wireless festival is festival-lite for those who aren't too convinced of the benefits of a weekend of mud (self included).
I'm still hoping Pulp do albums in their entirety as concerts. I'd skip Different Class, but Hardcore would be an essential gig.
Freaks would be an interesting one! (Probably for them as much as us, too...)
Were people not singing along to Sunrise and TiH because they didn't know them? Or because they're slower, less singalong-y kind of songs to start with? Maybe a bit of both? Personally I was surprised that so many people were word-perfect even on a lot of the lesser-known Different Class tracks.
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"Yes I saw her in the chip shop / so I said get yer top off"
Good point that, people still seemed to enjoy those tracks around me, and the crowd had literally shouted word for word every song where I was stood until that point, so you can't blame them for having a breather!
I was belting out all the words!! Did get some funny looks.
They're having a Pulp night at Feeling Gloomy (in Angel) this saturday, last time they gave away loads of free shit, I got a copy of Freaks on vinyl! Shame I don't have a record player but still looks awesome on my wall!
Is anyone else here going to this one? There's a facebook event: http://www.facebook.com/event.php?eid=216484821716065
Let me know! Would be cool to have a big crew of hardcore fans there!
Help The Aged would have been pretty well-known/received I think. And Russell has played it before (albeit 15 years ago at V96!). I've heard it on 6 Music and a couple of other alternative stations quite a bit over the past few months. And the Ali G spoof would have ingrained it a bit more on many general punters.
Actually, that got me thinking - I've just checked to see if Russell has a writing credit for on TIH for Help The Aged. He doesn't which is a bit odd considering it was written on tour in '96.
Maybe Jarvis wrote it but (in Pulp democratic fashion) credited the whole band as it's line-up then was, once it finally came out? Otherwise it seems a bit strange that all other members of Pulp except Russell had a hand in writing it together. Sturdy?
Freaks would be an interesting one! (Probably for them as much as us, too...)
Were people not singing along to Sunrise and TiH because they didn't know them?
I just couldn't do It nor Freaks live.
I believe so. It wasn't even the lack of singing, it was more the not realising the changes in tempo/mood, particularly in Sunrise that seemed to indicate a lack of awareness. People were in modo di marcia funebre when they should have been con brio.
(no not a musician, I looked this up, as I wasn't entirely sure if tempo was exactly what I meant)
-- Edited by ArrGee on Tuesday 5th of July 2011 10:57:36 AM
Yes, and the fact that some of the very rude people who barged to the front didn't seem to know much bar the hits. Oh well, I think I'm too old for this kind of festival...
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Her house was very small with woodchip on the wall
Pip, to maybe clear up the confusion about the encore that never happened I think I heard Jarvis joke at the end, 'See you all again...probably in about fifteen years'. Is that maybe where you took the fifteen minutes from?
Certainly most of the crowd stayed waiting for more and I'm sure the band would have happily played on but festivals like Wireless are so strict on timings unfortunately.
Yes I think I must have misheard him then. I was just expecting Razzmatazz, but never mind... they can make it up to us at Brixton
Loads of great videos (with great sound) by one guy on youtube. The whole show is there, if anyone is gifted enough to rip an mp3 boot out of it, would be highly appreciated! :D
In my dreams, I was drowning my sorrows, but my sorrows they learned to swim
Waves of regrets, Waves of joy
I reached out to the one I tried to destroy
You, you said you'd wait
Until the end of the world
I've got an awesome video of Jarvis at the start of I Spy, where he's literally directly in front of me, I nearly hit him on the head with my phone! Sadly my phone is rubbish and won't let me get videos off it.
awesome gig as everyone else has said & not a lot to add
(also enjoyed the naked & the famous, clock opera, devotchka (featuring a banana solo) tvotr & grace jones)
but one thing that surprised me was the messages on the screen before the gig - were they not proof read? "make some niose" being the most obvious error
HELLO! It's me, Ross who is Josh's friend. It's Weed who I know, Martin. I got mixed up with forum names haha. What a night! Lovely to meet you all! Hopefully see you all at Brixton. Anyone going two nights in a row?
-- Edited by RossLionheart on Tuesday 5th of July 2011 03:06:40 PM
So I got back to Australia this morning and what an amazing journey home - thinking that I finally after 13 years got to see the band that means the world to me!
I thought Wireless was fantastic. We had a great time in the bar area and The Horrors, Cut Copy and Grace Jones were brilliant. As the black curtain fell away I had a few tears in my eyes. 3 days later my voice is still shot after the singing and screaming! Was a pleasure to meet a few of you also at Acrylic on Saturday night. Had a ball...
xxx Now I have Perth, Sydney, Melbourne and Splendour to look forward too.
What was that bit with Jarvis saying warm your hands by the fire, was it a video image of an old fake coal fire? Can't remember properly and it was mentioned in another thread
they had an electric fire on stage and Jarvis was saying that if we are too cold he can put the heat up and to reach out and warm our hands on the fire
spent the last few days trying to recover. My feet are still killing me from walking around London for 3 days having not really recovered from walking around Glastonbury. We nearly got to Bar Italia afterwards but by the time we got to Piccadilly it was about 11:40 and we were just so tired we ended up jumping in a taxi. Oh well back to work and reality today. Happy memories all round... (Btw, yeah it is me who knows Ross from outside in the real world!)
I did a sound recording of the entire concert and listening over it isnt bad quality either, any ideas of websites that I could share an hour and a half recording?
Reading the beginning of this thread, I wish I'd discovered this site sooner! Would have been brilliant to meet more Pulp obsessives on Sunday!!!!!! :D
Actually, that got me thinking - I've just checked to see if Russell has a writing credit for on TIH for Help The Aged. He doesn't which is a bit odd considering it was written on tour in '96.
Maybe Jarvis wrote it but (in Pulp democratic fashion) credited the whole band as it's line-up then was, once it finally came out? Otherwise it seems a bit strange that all other members of Pulp except Russell had a hand in writing it together. Sturdy?
Songwriting credits are a slippery thing to start with, and the one-size-fits-all group writing credit is inevitably even more so. Obviously it doesn't mean that every member of the band wrote one-sixth (or one-fifth) of the music on every single thing they've ever done. There might be some that came about that way, give or take; there are definitely some that one or two members of the band pretty much cooked up on their own, the shared credit being a cosmetic gesture; I'm sure there will be some where it might be a Jarvis composition that nonetheless has a guitar/keyboard/bass/violin part that's become so much a part of the song that the person who came up with it deserves a credit, even though they didn't 'write' the song as such; and there'll doubtless be plenty of songs that either came out of a jam type situation or had such a protracted genesis that it's ultimately impossible to say who actually wrote it.
Help the Aged then - yes, it apparently came out of soundcheck noodling during the '96 tour, and if Russell had still been in the band when it was released it would presumably have been credited to all six members as you'd expect. However, he's confirmed himself that he didn't really contribute to the writing of that particular song (he wrote a guitar part which was nothing special and doesn't feature on the recording - see if you can spot it on the V96 recording where he's playing guitar alongside both Mark and Antony Genn - I can't!), so presumably when the split came it was part of the agreement that he wouldn't get a credit on either that or Cocaine Socialism (which was also started around the same time). If he'd had an active part in writing either song then presumably things would be different and he'd have a songwriting credit.
-- Edited by Sturdy on Wednesday 6th of July 2011 11:59:09 PM
__________________
"Yes I saw her in the chip shop / so I said get yer top off"
Actually, that got me thinking - I've just checked to see if Russell has a writing credit for on TIH for Help The Aged. He doesn't which is a bit odd considering it was written on tour in '96.
Maybe Jarvis wrote it but (in Pulp democratic fashion) credited the whole band as it's line-up then was, once it finally came out? Otherwise it seems a bit strange that all other members of Pulp except Russell had a hand in writing it together. Sturdy?
Songwriting credits are a slippery thing to start with, and the one-size-fits-all group writing credit is inevitably even more so. Obviously it doesn't mean that every member of the band wrote one-sixth (or one-fifth) of the music on every single thing they've ever done. There might be some that came about that way, give or take; there are definitely some that one or two members of the band pretty much cooked up on their own, the shared credit being a cosmetic gesture; I'm sure there will be some where it might be a Jarvis composition that nonetheless has a guitar/keyboard/bass/violin part that's become so much a part of the song that the person who came up with it deserves a credit, even though they didn't 'write' the song as such; and there'll doubtless be plenty of songs that either came out of a jam type situation or had such a protracted genesis that it's ultimately impossible to say who actually wrote it.
Help the Aged then - yes, it apparently came out of soundcheck noodling during the '96 tour, and if Russell had still been in the band when it was released it would presumably have been credited to all six members as you'd expect. However, he's confirmed himself that he didn't really contribute to the writing of that particular song (he wrote a guitar part which was nothing special and doesn't feature on the recording - see if you can spot it on the V96 recording where he's playing guitar alongside both Mark and Antony Genn - I can't!), so presumably when the split came it was part of the agreement that he wouldn't get a credit on either that or Cocaine Socialism (which was also started around the same time). If he'd had an active part in writing either song then presumably things would be different and he'd have a songwriting credit.
-- Edited by Sturdy on Wednesday 6th of July 2011 11:59:09 PM
This is pretty interesting, and seems completely plausible. Also- have there actually been any interviews or anything where a member of Pulp have said "we split all the money evenly between each member"- cause I'm constantly reading in articles that this is what Pulp did, but there doesn't seem to be any evidence other than every band member being credited on the sleeve.
I did a music business course last year, and a music publisher told us that very, very few bands actually split everything when it comes to songwriting- the way something is credited on the sleeve needs have no relation to where the money goes. For a start, lyrics are counted as 50% of a song, so that would all go to Jarvis. Also apparently lots of bands split the rest between whoever happens to be in the band at the current time, but if someone leaves or the band ceases to exist then it reverts back to the original songwriters (eg. Jarvis and Candida for bad cover version), with the sleeve credits just being the way that the band wants to represent themselves. I'm not saying this is the case with Pulp or anything, it's just interesting, I thought.
I did a sound recording of the entire concert and listening over it isnt bad quality either, any ideas of websites that I could share an hour and a half recording?
One up on dimeadozen for those registered with it:
... a music publisher told us that very, very few bands actually split everything when it comes to songwriting- the way something is credited on the sleeve needs have no relation to where the money goes. For a start, lyrics are counted as 50% of a song, so that would all go to Jarvis. Also apparently lots of bands split the rest between whoever happens to be in the band at the current time
I have seen in the tab books that the songs are generally credited Words by Cocker, Music by Pulp (often broke down by individual members).
I find it odd that 50% goes on the lyrics. No wonder other members of a band get hacked off
I find it odd that 50% goes on the lyrics. No wonder other members of a band get hacked off
I know what you mean, in a band like, I dunno Coldplay or something, where the lyrics are just total blandness it must be a real gutter, but I think with Pulp it's fair enough- the lyrics are at least 50% of what makes the band!! And Jarvis has written enough lyrics over the years, too...