I always thought This Is Hardcore is more about overcoming desperation and the 'darkness' than the desperation and the darkness itself*. It's think it's kind of like an album themed around the saying "The darkest hour is before dawn", with the emphasis definitely on overcoming the crap and how to move forward - so TheDev's opening comments really resonated with me. It's more about coping with crap than crap itself.
And it's still my absolute country-mile favourite album ever, and I would be a terribly happy fellow to find something that could better it in my eyes.
* no, not dark as an album (though let me say at risk of becoming a pariah: yes, it's fairly dark c.f. Different Class and His & Hers... it's not the wrist-slitting elegy it's painted as, but it's no picnic and pancake party) but there are undeiniably bleak themes. The album certainly addresses some sombre topics, but in a bloodyfucking gorgeous way.
Like someone in this thread said earlier, it's hang over album. A hangover from DC, and it starts to get better and better towards the end. It's definitely the best Pulp album and the only one I really love. The tracks are fantastic, although I Am A Man or TV Movie could be considered a filler. I would have put The Professional and Like A Friend on it, but a re-ordering of the songs? Pfff, that would be hard.
Not all the songs on the second disc of the reissue are good, like Modern Marriage. But, there was a potential double album there. The first disc would have been the worst stages of the hangover: double vision, pounding headache. The second disc would be the period of the hangover where you are starting to feel better, but still feel this alcoholic night in the back of your body.
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This is the sound of someone losing the plot, making out that they are okay when they are not. You're gonna like it, but not a lot.
Wow, I'm quite surprised with some views on This Is Hardcore; I think it is my favourite Pulp album. It doesn't really contain any filler for me, I love TV movie e.g. just because it's slower and semi-acoustic unlike most of their songs.
And I'm even more surprised that a lot of you seem to find Sylvia a filler or even worse. I don't dare say it but.. That's my favourite Pulp song from all their songs, bar none
I can't stand the production on TIH, especially the guitars, but I do think it's a great album. Just not as great as the previous two, although it easily could have been their perfect record.
It is difficult to say why This Is Hardcore is so important to me. I mean, I loved Pulp before it came along, I would still have loved Pulp if it had never been released or was different in some way.
But I just connected so much with that album. When you hear an album that starts with the lyrics, 'This is our music from a batchelors den, the sound of loneliness turned up to ten' then shortly afterwards comes, 'This is the sound of someone losing the plot, making out that they're ok when they're not' and you think to yourself, yeah that pretty much sums up my existence, you know you are about to experience an album that will move you, depress you, help you and in some ways even shape you.
So This Is Hardcore doesn't have the unique sound of His n' Hers, Intro or the Sisters EP. It doesn't have the consistency or singles potential of Different Class. But it does have moments that in my opinion peak above all that came before and afterwards.
My favourite Pulp album changes every week, but if really pressed, the first record that comes to mind in answering that question is always This Is Hardcore. It took my love of Pulp to another level, and as my friends who had previously been into Pulp moved onto newer, perhaps more exciting music, I stayed with Pulp because of This Is Hardcore, and each record I have heard since has failed to match the emotions that album stirred in me.
I'd agree Like a Friend should have been on the album. Hell it should be on every album, it is such a magnificent song. I would however defend A little Soul, TV Movie, Glory Days, The Day After the Revoltion and Sylvia from all the above criticism.
On the subject of TIH can I ask something that has long bugged me, and may be common knowledge amongst Pulp fans for all I know, but what is said at the very end of The Day After the Revolution, after all the 'is overs', bye bye and the lingereing note. It seems to end with, 'I call these bands scum', is this correct and what comes immediately before?
I work as a Kitchen Porter/Kitchen Skivvy, so "Dishes" has a lot of significance for me now. Listening to the Flux performance moves me almost to tears. I know they probably won't, but part of me hopes they play this at Brixton.
On the subject of TIH can I ask something that has long bugged me, and may be common knowledge amongst Pulp fans for all I know, but what is said at the very end of The Day After the Revolution, after all the 'is overs', bye bye and the lingereing note. It seems to end with, 'I call these bands scum', is this correct and what comes immediately before?
It is a recording from the radio - "God called the expanse "sky"". I've got Jarvis' comments somewhere, I'll copy and paste them here later.
"A very strange thing happened when we were recording The Day After The Revolution which ought to have, you know, converted me. We knew we wanted it to be quite busy at the end, with a few different voices talking on it, and I got this radio to put a bit of radio noise on it. I couldn't really hear it when we recorded it, so i just stuck it behind the song. When we listened back to it on the radio it was like some religious broadcast. I honestly hadn't heard it. It's about the creation of the world. Just as the song fades out it says something like "And God called the expanse sky". And that's it. It was a weird coincidence. And because the song's about maybe a sense of rebirth and this speech is about the creation of the universe, it seemed a bit..."
I remember the first time I listened to The Day After the Revolution I was concerned by the latter part of the song, the finality of it all with all the 'is over's' and the 'bye bye'. Particularly with it being the last track on the album I convinced myself for a while that this was a clear indication that This is Hardcore would be Pulp's last release.
Thankfully I was wrong but maybe at the time the band were planning to stop at this album.
I have a love hate relationship with this album. This is Hardcore (along with Closer by Joy Division), is one of my 'red flag' albums - meaning I know I'm not in a good state of mind if I find myself reaching for it - and then I have to stop and ask myself 'is this really a good idea?'. I honestly love this album to bits, but NEVER feel the urge to listen to it during happier times. A question I often find myself pondering is whether listening to 'dark' music makes you feel worse? In which case should I step away from TIHC and reach for Babies instead?Or is it something like a comfort blanket when you are down, maybe even a necessity, by giving you an outlet for despair and depression?
Sorry if this post is a bit depressing - if it is then you can all go and listen to This is Hardcore again!
This is Hardcore is perfect if your feeling down. It has its fair share of misery and seedyness to wallow in, but by the end, especially with 'The Day After the Revolution' there is hope for positive change, although maybe only if we change ourselves a little first.
I forgot to add, I think the reason I love TIH so much is that around the time I discovered it I was going through a pretty depressive period involving a girl and unrequited love and another guy...
Although none of the lyrics bar TV Movie really touch upon the theme of unrequited love they really struck a chord with me, that feeling of hopelessness, emotional fatigue and self analysis, trying to figure out how one's self allowed it to all go wrong and I ended up interpreting the lyrics in a way that fit the situation. They just rang true. And listening to it a lot really helped me cope and eventually - either directly or indirectly - led me to getting over her. So Jarvis's little speech at the end of TDATR had a whole different perspective for me
Usually when I listen to dark albums in a period when I'm feeling down records such as The Holy Bible, OK Computer and Closer, as brilliant as they all are, I just can't quite relate to them. But my discovery of TIH during one of the emotionally lowest periods of my life felt like a catharsis. And even listening to it now just reminds me of how much it helped me get through the situation.
Really I wouldn't have thought Pulp would be the band to help me get over depression but there you go.
(Apologies if this is a depressing read for any of you!)
Anyone think This is Hardcore could have been a double album ? i do, and here is how i imagine it...
First disc, 10 tracks, perfect from start to finish really, just remove two tracks at the end
The Fear Dishes Party Hard Help the Aged This Is Hardcore TV Movie A Little Soul I'm a Man Seductive Barry Sylvia
Second disc, a bit darker but still with pop elements:
Tomorrow Never Lies We Are the Boyz You Are the One It's a Dirty World The Professional Ladies' Man Street Operator Glory Days Like A Friend The Day After The Revolution ending with This is Hardcore (end of the line) more than with the silly 15 mins ending.
B sides: Laughing Boy, That's Boys Evil, Modern Marriage, Cocaine Socialism, Can I Have My Balls Back, Please?
What's yours ?
-- Edited by andy on Thursday 1st of December 2011 06:42:18 AM
Yeah i never quite understood the hate for it. Tv Movie is the perfect follow up to the grandiose TIH, it's simple acoustic, touching. I love it. As for Little Sould, it's a classic track for me. One of the best Pulp ever recorded, musically and lyrically.
...but by the end, especially with 'The Day After the Revolution' there is hope for positive change, although maybe only if we change ourselves a little first.
I don't think of it as a depressing album, just a deeper more emotional and engaging album than any of the other Pulp albums. As I am of a similar age to Jarvis and seem to have a very similar world view, the album struck a chord with me, more so than any other album I have ever heard. Dishes, Help The Aged, Glory Days and A Little Soul resonated very strongly.
As for the positive change, I did get married three or four months after the album came out, but my wife would probably be the better judge of how positive that change was .
...but by the end, especially with 'The Day After the Revolution' there is hope for positive change, although maybe only if we change ourselves a little first.
I don't think of it as a depressing album, just a deeper more emotional and engaging album than any of the other Pulp albums. As I am of a similar age to Jarvis and seem to have a very similar world view, the album struck a chord with me, more so than any other album I have ever heard. Dishes, Help The Aged, Glory Days and A Little Soul resonated very strongly.
As for the positive change, I did get married three or four months after the album came out, but my wife would probably be the better judge of how positive that change was .
It's not a depressive album at all, rather postive i'd say although its tone can be dark sometimes. I was 17 when it came out and it had a huge impact on me, my life and the way i saw/see things. It was more or less "i'm not the only one" although the guy singing was in his mid 30s. To me its the best Pulp record coz it's musically huge and lyrically very profound and meaningful.
saw119 wrote:
I've found that I can't stop listening to the bonus CD on the deluxe edition. I love it all, in fact more than the actual album!
It's definitely strong, thats why i thought about a double album. Makes you wonder how those songs would have been finished. If you listen to the 2 Tomorrow Never... there's a huge gap inbetween. So you may suppose the rest would have been really really special.
-- Edited by andy on Thursday 1st of December 2011 03:30:31 PM
Anyone think This is Hardcore could have been a double album ? i do, and here is how i imagine it...
First disc, 10 tracks, perfect from start to finish really, just remove two tracks at the end
What's yours ?
-- Edited by andy on Thursday 1st of December 2011 06:42:18 AM
yes, yes, yes! But I'dont think I would like to remove anything from the first disc..maybe "I'm a man" (or maybe do a re-recording off it) and no 15-min at "the ending at the day of the revolotion"....it's just annoing.
But " Can I Have My Balls Back, Please", " Street Operator" and "My Erection" would go. But I would like a non-vocoder version of "Laides man".
-- Edited by Perfect on Thursday 1st of December 2011 03:31:30 PM
I don't think I'll ever be able to forgive the group for leaving Its A Dirty World off the final album. After This Is Hardcore (the song) it may be the most mindblowing track they ever recorded.
My favourite bit in Owen Hatherley's book Uncommon is when he critiques TIH and makes an alternative tracklist with a lot of songs that didn't make the cut. I've always struggled to create an improved tracklisting but I think he nails it with pretty persuasive reasoning (though I disagree with his dissing of certain songs).
I just have the book beside me here, his choices seem to be:
The Fear The Professional (instead of Dishes) Party Hard Help The Aged This Is Hardcore Like A Friend (TV Movie dropped) A Little Soul
Ladies Man My Erection (Both of these in place of Seductive Barry)
It's A Dirty World (Sylvia makes way) We Are The Boyz (I'm A Man goes bye-bye) Cocaine Socialism (no Glory Days) The Day After The Revolution
He retains some criticism (and praise) for Help The Aged and The Day After The Revolution but offers no substitutes in their place. Even if you don't agree with all the choices his arguments are very-well laid out.
According to the author though; "The careering glam of We Are The Boyz puts across the same men-are-scum line as I'm A Man (a rethread of Misshapes that ends up sounding more like Meatloaf) with vastly more aplomb and considerably less clutter''.