It was recorded in Jan'09 during the FC sessions with Steve Albini but not released.
Jarvis and his band only played it live once in Paris during those loose jam-sessions that they performed during a week of non-concerts - more like "street-entertainment" in Paris (playing Angela to a a yoga-group etc.) in May of that year. I think they streamed an afternoon of jamming, live at the time and someone captured it but don't expect high quality.
It's more of a loose performance and I'm not sure if the whole track was performed. I don't have it on this computer but I think it'll be either in the Yahoo acccount/FEELING CALLED LIVE/or wherever Fran got it from.
Plus, a lot of discussion on the song "Grown-Ups". It feels like some of the lyrical ideas have been recycled from the unreleased song he recorded for Further Complications, "The Night They Left Me Out Of The Home"
thanx ! Yeah it could have made a nice bside. You can clearly hear its a rough take here. But with a studio sound, could sound great.
-- Edited by andy on Sunday 25th of May 2025 03:29:27 PM
Yes - it would have been great to have heard the studio version. The other 'spare' song finished in those album sessions was Apparently, which eventually crept out on the Japanese release.
It must have been a late decision to remove The Night They from the album, as it was mentioned in a few interviews in the weeks before the release.
thanx ! Yeah it could have made a nice bside. You can clearly hear its a rough take here. But with a studio sound, could sound great.
-- Edited by andy on Sunday 25th of May 2025 03:29:27 PM
Yes - it would have been great to have heard the studio version. The other 'spare' song finished in those album sessions was Apparently, which eventually crept out on the Japanese release.
It must have been a late decision to remove The Night They from the album, as it was mentioned in a few interviews in the weeks before the release.
Nice info thanx ! i suppose it was either this or Disco Song. I do have the japanese version and Apparently. I really love that song and also Found Myself Looking for God. It's such a great album even though most Pulp fans dont like it.
Crazy that he left Girls Like It Too off the album as well.
Veering off topic a bit but I've edited the Wiki page for The Night... to add more of the lyrics. There are just a few lines I can't get, in fairness because he seems to get a bit lost at one point. Feel free to add more!
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"Yes I saw her in the chip shop / so I said get yer top off"
This review is similar to the Uncut one. Reviewer unconvinced by Spike Island but likes pretty much everything else. The point about Spike Island falling short of its anthemic leanings is valid to a degree, I think? Production, bass and synths and phrasing on verse lyrics are great but the chorus doesn't say much, isn't melodically that memorable and Jarvis gets perilously close to the cry/sing straining territory that I can imagine putting people off who have never been convinced by him as a singer. I mean **** them but you get the point...
Pretty sure Richard Jones isn't Candida Doyle's brother but it seems an odd statement to pluck from nowhere!
I'll also be reviewing for The Student, Edinburgh's uni paper (I reviewed the Hogmanay gig for it too). Will link here when done. Russell interview also on the way!
-- Edited by lipglossed on Friday 30th of May 2025 11:32:09 PM
Hope you don't mind Eamonn, I clicked it so others don't have to... Just about... here
-- Edited by Ste on Friday 30th of May 2025 10:35:47 PM
Thanks for the public service Ste. Jeez, is Adrian Thrills still writing for the Mail? That must be 30 years now, which must be about 6 times as long as he wrote for the NME. Talk about selling your soul to the devil.
(Good review though. Despite the slight research fail on the band photo....)
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"Yes I saw her in the chip shop / so I said get yer top off"
"With themes of lust, love, parenthood, growing, and belonging More pays homage to a new era for Pulp that weighs heavy in nostalgia, but also feels timeless. Through tackling the intricacies of acceptance and naming feelings, this new work explores the privilege of growing older and wiser, while also staying true to the classic sound and finesse that Pulp fans adore."
I suspect the critic to have listened to the recent radio sessions only, not the complete album as she never mention other important songs like Hymn of the North or Grown Ups... but I could be wrong.
"Is More a worthy addition to the Pulp canon? Absolutely. It doesnt rewrite the bands history. It doesnt need to. It lives alongside it; a seasoned, beautifully flawed older sibling to that near-perfect trilogy from the 90s. Its a reminder that growing up isnt about having your **** together. Its about learning to say the thing you were always too clever to say."
This one feels more complete
-- Edited by Bookmark on Sunday 1st of June 2025 09:55:47 AM
I don't think any of them are understanding "My Sex" fully.
And yeah, newspaper reviews are liable to spend three-quarters of the article talking about the artist and giving context to their initial success. All the ****e we've heard before but they want to broaden the article to casual music fans.
Edit: This word-filter is getting out of hand. I understand c0Ck being asterisked but s.hite? C'mon, we're all "Grown-Ups" here...
-- Edited by Eamonn on Monday 2nd of June 2025 03:48:34 PM