Hi Pulp fans. New member here, looking for feedback on an idea if I may?
There are a few bands i have a soft spot for from that period of my life and Pulp are one of them, I'd love to be involved in creating a box set for them, IF there is interest a) from the fans, b) from the band, and c) from the relevant record labels.
I recently designed a 25 disc box set for Mansun (another of my favourites bands from the late 90s) and am wondering if there would be enough interest in one of these for Pulp, what do you all think? Maybe for the 40 year anniversary of the release of 'It' in 2023 - I did spend two years on the Mansun project, so it would have to be a year or two in the making?
Pulp have a much longer story than Mansun, and I think it would be an interesting one to tell, and give the band the box set they deserve (in my opinion).
The Mansun box was a career restrospective with pretty much all of their released material plus 10 unreleased live concerts, a previously unreleased live DVD from Brixton Academy when the band were at the top of their game, BBC sessions, rare tracks, demos, 160 page hardback book written by renowned music journalist Peter Doggett, 112 page fanzine replica book, 48 page studio notes book, art prints, postcards and a signed sheet of handwritten lyrics. This was a limited edition, never to be repressed.
Due to the size of the box and scale of the project this box sold for £160, which isn't band per item, but is a chunk of cash obviously.
So my question first to you all is - would you buy one of these if there was one for Pulp?
I'm surprised there hasn't been one yet (maybe there's a reason for that?), if everyone is into the idea then maybe we can make it happen?
Well done on the Mansun box. I'm not a fan but it is incredibly comprehensive.
Unfortunately, Pulp were on different record labels throughout their career so a full retrospective of all eras in one box is unlikely. Also, I presume the rights to Mansun's music reverted to the group, allowing them to create something special and generous in terms of content. As far as I know, Universal hold the rights to Pulp's output from 1992 onwards and I assume that lasts for many more years if not in perpetuity so any homespun, charming reissue chock-full of rare material is unlikely, unfortunately.
I understand there are numerous record labels involved, but if they have no plans for the catalogue then they may be interested in licensing the albums for a box release like this. I have been involved in several box sets like this at Snapper Music (The Pretty Things, Small Faces, Steve Hillage, John Mayall, Wishbone Ash), they all have different agreements but if labels are willing it can happen.
Snapper bought the rights for Mansun's catalogue from the sell off at Warner Music to reissue on the Kscope label alongside their support of Paul Draper's solo output.
Well you have a lot more clout than the average reader on here, me included! I don't know if you are aware of the Pulpwiki website but some years ago, around the time of Pulp's reunion (a bloody decade already...Jesus..), there was a petition for a We Love Life deluxe edition. Nothing really led to it, but I think it got over a thousand people signing it albeit over a long period of time.
We've discussed the wishlist of new Pulp reissues many times on here. Given Pulp's fame/name/reputation, I'm sure there is a market for one of these super-deluxe music boxsets that have carved out a niche in the back-catalogue market. I think once people in early middle age (ie 40 and over) stop buying physical products of acts from their youth; glossy and expensive reissues may well disappear. The peak of it can't be too far off (the rest of this decade, maybe?).
I don't know if you have any idea on how many boxes Mansun had to sell to make it commercially viable but presumably it has managed that (Supergrass similarly issued a career-spanning box last year which I think is out of print).
It is strange though. Bands like Mansun and Suede, while not having the popularity of Pulp (compare the Spotify/YouTube hits of each band's biggest songs) which is no doubt heightened by Jarvis' "celebrity"; they (Mansun/Suede) seem to be far bigger cult bands than Pulp.
Didnt they used to have Mansun conventions, years after the band split?! And I know Suede have a huge online community who even create regular fanzines (yeah, fanzines in 2021!). Maybe tapping into the purchasing power of 2,000(?) of those fans is all it takes to commission expensive reissues as those uber-supporters will buy almost anything the band put out.
I hope but am less sure that Pulp have that rabid, captive market.
Do you know if Snapper have a good relationship with Universal?
-- Edited by Eamonn on Tuesday 9th of March 2021 08:42:30 PM
Well, this could be interesting. If you manage to get the nod from the band and need an archive/trainspotting consultant, hit me up. I know where (some of) the bodies are buried....
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"Yes I saw her in the chip shop / so I said get yer top off"
So my question first to you all is - would you buy one of these if there was one for Pulp?
I'm surprised there hasn't been one yet (maybe there's a reason for that?), if everyone is into the idea then maybe we can make it happen?
Almost inevitably I would buy one if released as I have bought everything else, some umpteen times, but I do quite admire Pulp for not making a cheap buck with box set reissues. The current Bowie Live Adventures set is something I wish I never started on. Getting stressful having to check dig website every day in case I miss the 6th and final release. Resorted to US website to get one of them, with a £15 p&p cost.
I would like to get Intro on vinyl, but that aside I have most of all I could ever want by Pulp. So whilst I would buy it, I am not going to make it happen.
For me personally, 25 discs in one go is maybe a bit much, and considering the length of Pulp's career I can see it going over and above that (depending on what you can get hold of, of course). How about doing it in 2 volumes - say, '81-'91 and '92-2002? That probably splits quite neatly into two halves, and perhaps also gets round the issue of most of the '80s stuff being owned by Fire, and all the '90s/2000s stuff being owned by Universal.
In terms of content, I don't know how much you've already delved into the possibilities here, but there is quite a lot of unreleased studio material from the '80s, some of which has been bootlegged, some of which hasn't. There's also a reasonable amount of live stuff, and (from what I can gather) quite a bit more locked away in the band's own archives. Very little video material though, most of which is already in circulation - although I certainly wouldn't say no to the Fire-era videos finally appearing on DVD. There are also semi-professionally filmed concerts from 1985 and 1988 (neither of which has been seen in full, and you'll deserve a medal if you manage to unearth them), and apparently some camcorder stuff in the band's archive.
For the Island era, as you probably know the vaults were raided for the 2006 deluxe editions of His'n'Hers / Different Class / This Is Hardcore, so there aren't really any unreleased songs for that period - until you get to We Love Life, for which there's about 2 albums' worth of stuff that no one's heard! Other than that though, it's more a case of demos and alternative versions of known tracks. And there's obviously no end of radio sessions, live broadcasts, TV stuff etc etc - not all of which has made it into circulation (eg Hit the North 1991, which exists in awful AM broadcast quality, but the band apparently have a pre-broadcast DAT).
Do the studio albums need to be on there? Surely everyone's got those, several times over in some cases. This isn't something you're going to buy if you just wanna hear Disco 2000, right?
On the whole I think there could be scope for something really worthwhile here, and something that all us nerds would undoubtedly lap up. All depending on whether you can persuade the band and the labels, of course...
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"Yes I saw her in the chip shop / so I said get yer top off"
I'm surprised there hasn't been one yet (maybe there's a reason for that?), if everyone is into the idea then maybe we can make it happen?
Just on this - I think there are a couple of reasons.
For the early stuff, a combination of VERY icy relations with Fire Records, and also Jarvis' ambivalent feelings toward some of that material. I think both those things have softened to some degree more recently (eg, Jarvis apparently helped with the reissue of the Fire albums a few years ago, and also gave the nod to the 1981 Peel Session being put out) so you may have more luck.
For the later stuff, I think it's mostly down to Universal not being arsed! There was talk of a career retrospective around the time of the band reforming in 2011. Firstly a 2CD best-of, then a box set focusing specifically on Different Class. Both of these, I think, were seriously looked at for a time, but I think plans foundered because there just wasn't the drive from either side to make it happen. Again, maybe a third party like yourself, if you can convince everyone, is just what something like this needs...
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"Yes I saw her in the chip shop / so I said get yer top off"
Mark, didn't you say the band were interested in a WLL deluxe around reunion time ? And there was talk of a DC:25 box last year which may or not have been ko'd by Covid.
I'll have to look back through my old emails, but I'm sure Mark W told me that they would have been in favour of a deluxe WLL - the fact it didn't happen was to do with the original album selling poorly i think. So Universal just decided to focus on the 'big three'. There was a certain degree of exasperation that they wanted to revisit DC *again* at the time of the reunion, at the expense of the rest of their back catalogue.
I'm not sure the DC25 box set was much more than a rumour on here, was it?
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"Yes I saw her in the chip shop / so I said get yer top off"
I think the former. An online acquaintance has a pal who owns a record shop and he hears stuff from sales reps. Indications were that a DC 25th edition was being planned (possibly vinyl only - but I think a lot of us would have pounced on the chance to own an aperture cover edition) but was suddenly pulled.
And it was almost certainly remastered during summer 2019 when Abbey Road put up that pic on their Facebook page of Steve/Jarvis and one of the DC engineers (they would have done the 2019 vinyl version of HnH at the same time).
it was almost certainly remastered during summer 2019 when Abbey Road put up that pic on their Facebook page of Steve/Jarvis and one of the DC engineers (they would have done the 2019 vinyl version of HnH at the same time).
I thought it was, but because of COVID wasnt released. Odd to have His n Hers 25 LP and not have Different Class 25 LP. Suspect there will be a release of it at some point in the next couple of years, but given all the reissues that have occurred in the last 12 months, surprised it didnt happen.
I recall seeing on an "upcoming releases" list that there was a This Is Hardcore pressing for last year - I presume this also didnt come to light due to Covid. Im in agreement that I think to rehash the albums within this type of release is a bit of a pointless thing considering so many reissues exist. There is so much content under lock and key - its so frustraiting knowing what exists, and yes granted I know that Jarvis doesnt want certain things for "public consumption" - however WE are fans, and are willing to pay as such for something like this to come out.
hearing properly mastered versions of all those odds and ends from the 80's would be lovely. so much randomness laying about. just the thought of getting a hold of the earlier versions of separations gets me salivating. but 25 discs in one big go seems a bit excessive
This would be an AMAZING feat if this was released, albeit there are quite a few gaps in the bridge that is Pulp's history. I.E. Most of the 81 - 82 demos, ANY It era recording aside from what has been officially released, other recordings from 87 - 89 aside from FON and Separations itself, many demos of His 'n' Hers tracks in the singles session, etc. A LOT of this stuff remains with the band and the band alone so if you are planning to release anything we haven't found yet, it'd be with them or their contacts.
Aside from that, good luck on your quest if you pursue it!
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Oh yeah, imagine it's a film and you're the star And pretty soon we're coming to the part Where you realise that you should give your heart Oh, give your heart to me
If relationships with Fire have 'cooled' that's good news. Universal not being arsed to do anything with what they have is also potentially good news, if they have no plans, they're likely to be open to discussions, as essentially they'd get a pay day on stuff they're sitting on, as well as allowing a deluxe box set to come out which would bring the band back into the limelight. If the band play along too then even better, it could be a pay day for them too, especially post-covid when touring comes back on the agenda.
I haven't delved into potential content yet, but all this talk of unheard live stuff is exactly what we like to hear, some of the old Mansun stuff sounds unbelievable after a modern day master and polish.
Re: studio albums being in there - if it's to be a completist set then I would advise it, it doesn't add a cost to the manufacture and wouldn't be a big sales point, although a 2021/2/3 remaster would interest plenty of people I'd have thought, going on previous sets we've worked on, maybe even 5.1 mixes.
Re: video content - we could certainly collate music videos onto DVDs, or even Blu-Ray alongside high-res audio files, for best quality digital audio. If there's concert footage on tapes we could encode and put out a proper HD concert - DVDs are an inferior output, but they serve a purpose, and most people can play them at least.
The content side of this could be really exciting as so many of you are bring forth ideas, but like you say, it's now about the band and the labels. Is there management in place for the band these days? If anyone has a contact please do let me know, I'm happy to drop them a line and see if this is a potential goer. I'm sure my colleague could get Yes, No, Maybes from the labels, but it would be good to get management and band ok to do this properly.
According to Wiki, in terms of labels, it looks like we've got; It (Red Rhino, now PIAS) Freaks (Fire) Separations (Fire) His n Hers (Island, Universal) Different Class (Island, Universal) This is Hardcore (Island, Universal) We Love Life (Island, Universal)
Fan interest is key - a petition telling the labels there is demand is great, this is how Paul Draper (Mansun) stayed so relevant in the minds of his fans, he had an album mostly written straight after the demise, and the fans were desperate for it, which inevitably led to Snapper signing him for his solo record, and then tapping to the Mansun catalogue, which has sold very well.
I don't know how many Mansun boxes were sold before it breaking even, but there are good margins to be made on these - without taking the p*ss out of the fans though!
I saw Supergrass's box but I thought it was pretty disappointing tbh, it was mostly repackaging what had been out, novelty picture discs (which sound awful), a thin book, not what I would want as a career defining box. The fact that Pulp are still (as far as I know) on good terms, they could play some shows, do some decent press and give 'a' box a real push everywhere - Mansun may be cult, but they don't have that on their side.
Yes there were a few Mansun conventions, the leader of the convention helped me out a lot on the box stuff, and even edited the concert for us. Knowing those fans are out there and keen was crucial to that box happening. Which is why I'm testing the waters here for Pulp.
I imagine the minimum number of boxes for an order would be 1000 (although that figure may not be announced in a press release), I wonder if this could get there?
Yes Snapper have a good relationship with Universal, so that would be an easy avenue to gauge interest from, the others would possibly take more persuading, but like I said on the other post just now, if there's a payday for labels who are sitting on catalogue they are doing nothing with - why wouldn't they want it to happen?
Fire have always been a bit of a strange creature in regards to the release of newer material. However, their most recent reissues appear to have changed their approach a little. "It" appeared with a track that was unreleased before in the form of Sink Or Swim, an alternate mix of Blue Girls, a track from the Spice Demo called "Please Dont Worry" and the My Lighthouse 7"mix.
Freaks got reissued with all the singles and b-sides included too.
Separations was possibly the most annoying reissue - with two b-sides, an extended Countdown mix that was already on its single, and the most glorious and neglected Pulp track ever, Death Comes To Town.
Im sure its claimed somewhere that all these albums got the remastered treatment, is this right? I am normally on the ball for hearing differences - the only things ive noticed really are the change in volume gain levels on certain tracks.
Previous to this, there was just half arsed efforts in regards to releasing stuff from the Fire catalogues - and there was plenty of them too, so the album re-releases were a big surprise to many, and had to be bought.
scottrobinson wrote:
If relationships with Fire have 'cooled' that's good news. Universal not being arsed to do anything with what they have is also potentially good news, if they have no plans, they're likely to be open to discussions, as essentially they'd get a pay day on stuff they're sitting on, as well as allowing a deluxe box set to come out which would bring the band back into the limelight. If the band play along too then even better, it could be a pay day for them too, especially post-covid when touring comes back on the agenda.
Without even having to use my brain, I can tell you of so many concerts that are in the public domain which have been broadcast by the likes of BBC, France Inter etc - that could all be tarted up and polished. V96 for example, to hear that in full would be amazing - it does exist.
With your experience of compiling on of these type sets before, you have the upper hand of experience over us all - and if you think the albums should be included, then thats fine. Different Class could have sounded far better production wise, it just sounds so flat - so the remaster that got postponed was actually quite a let down to many on here. 5.1 mixes sounds pretty good.
Video content - possibly my weakest area - I know that there is certainly one song out there that we all want to see the video for, and that is Death Comes To Town. It exists, and a small clip was included on the "Hits" dvd - so as to has it, I dont honestly know. I presume Mark Webber would have it.
Geoff Travis at Rough Trade was the guy to speak to, I dont know if he still is? He is certainly the one responsible for our recent purchases in auctions.
scottrobinson wrote:
I haven't delved into potential content yet, but all this talk of unheard live stuff is exactly what we like to hear, some of the old Mansun stuff sounds unbelievable after a modern day master and polish.
Re: studio albums being in there - if it's to be a completist set then I would advise it, it doesn't add a cost to the manufacture and wouldn't be a big sales point, although a 2021/2/3 remaster would interest plenty of people I'd have thought, going on previous sets we've worked on, maybe even 5.1 mixes.
Re: video content - we could certainly collate music videos onto DVDs, or even Blu-Ray alongside high-res audio files, for best quality digital audio. If there's concert footage on tapes we could encode and put out a proper HD concert - DVDs are an inferior output, but they serve a purpose, and most people can play them at least.
The content side of this could be really exciting as so many of you are bring forth ideas, but like you say, it's now about the band and the labels. Is there management in place for the band these days? If anyone has a contact please do let me know, I'm happy to drop them a line and see if this is a potential goer. I'm sure my colleague could get Yes, No, Maybes from the labels, but it would be good to get management and band ok to do this properly.
According to Wiki, in terms of labels, it looks like we've got; It (Red Rhino, now PIAS) Freaks (Fire) Separations (Fire) His n Hers (Island, Universal) Different Class (Island, Universal) This is Hardcore (Island, Universal) We Love Life (Island, Universal)
Without wanting to be a knobhead Scott..
A couple of corrections concerning those 'it' extras..
I have a pre-release tape of those first sessions, the version of blue girls was partially redone because Jarv had fluffed the lyrics.
This version of please don't worry was part of these sessions but as we know for whatever reason wasn't included on the final release.
And of course sink or swim (taking the plunge) was indeed a demo..
Management is still Rough Trade - I would assume still Jeannette Lee/Geoff Travis.
It is with Fire, not PIAS - it came out on Red Rhino originally but there were various legal anomalies in the 90s which meant it ended up with Fire, in perpetuity I think.
5:1 remixes would be really interesting. For Different Class/Hardcore I suspect they'd want Chris Thomas to be involved though, which could be expensive!
I believe Alan Smyth (producer) still has the multitracks for Separations, or he did. Jarvis *may* have the ones for It. The Freaks ones were lost, although there is apparently an unreleased alternative mix of the whole album.
I think you may be reaching a bit with the reformation thing. They did all that 9/10 years ago and haven't shown any interest in revisiting it since. And tbh they could do it whenever they wanted, so I don't think something like this would really make a difference either way.
Good luck with it all, and if you get the green light, please do drop me a line - I could give you a lot of pointers and would love to be involved.
Mark
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"Yes I saw her in the chip shop / so I said get yer top off"
Fan interest is key - a petition telling the labels there is demand is great, this is how Paul Draper (Mansun) stayed so relevant in the minds of his fans
Well, that and those incessant bloody Facebook ads! Or was that just me?
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"Yes I saw her in the chip shop / so I said get yer top off"
Without wanting to be a knobhead Scott.. A couple of corrections concerning those 'it' extras.. I have a pre-release tape of those first sessions, the version of blue girls was partially redone because Jarv had fluffed the lyrics. This version of please don't worry was part of these sessions but as we know for whatever reason wasn't included on the final release. And of course sink or swim (taking the plunge) was indeed a demo..
Knobhead ! ;) Thats interesting to know about Blue Girls, its my favourite song on It - the school piano is a great touch!
According to Wiki, in terms of labels, it looks like we've got;
It (Red Rhino, now PIAS) Freaks (Fire) Separations (Fire) His n Hers (Island, Universal) Different Class (Island, Universal) This is Hardcore (Island, Universal) We Love Life (Island, Universal)
Also need to add Masters of the Universe (Fire) and Intro (Island/Universal) as they both gather together singles releases pre-Island that in the main are not on LPs.
Fire have always been a bit of a strange creature in regards to the release of newer material. However, their most recent reissues appear to have changed their approach a little. "It" appeared with a track that was unreleased before in the form of Sink Or Swim, an alternate mix of Blue Girls, a track from the Spice Demo called "Please Dont Worry" and the My Lighthouse 7"mix.
Freaks got reissued with all the singles and b-sides included too.
Separations was possibly the most annoying reissue - with two b-sides, an extended Countdown mix that was already on its single, and the most glorious and neglected Pulp track ever, Death Comes To Town.
I thought the last set of releases were good and as much as I ever want pre-Separations. What else is there from Separations era that is unreleased?
In terms of studio recordings? Not a huge amount from 87-89 but some of it would be very interesting to hear -
- Early version of Don't You Want Me Anymore, done at the same time as Rattlesnake (this is in circulation, but always with the last few seconds cut off!)
- At least one alternate mix of Death Comes to Town
- '200% and Bloody Thirsty' a song recorded by Jarvis and Jon Avery in 1988
- A 6-song demo done shortly before starting work on the album
- Potentially, rough/alternate mixes of most if not all the songs on the album (there's definitely a significantly different version of This House Is Condemned)
- Supposedly, a studio version of Going Back to Find Her - but I don't know how complete this would be, if it exists
There are at least two rehearsal recordings from Jarvis' garage (one given to Dave Taylor in 1987, one to Alan Smyth in '89). No doubt some live stuff that we don't know about as well.
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"Yes I saw her in the chip shop / so I said get yer top off"
Ha! It wasn't just you mate, everyone saw those non-stop! But I'm talking about maintaining fan interest way before that, when he was not in the limelight and had nothing to sell
The Go-Betweens boxset/s are super nice. And the best thing was the first volume /anthology was shipped with a book from Grant McLennan's personal library which was quite significant. The 2 volumes I kind of consider the bench mark for boxsets for fans.
The first one came with a previously unreleased double live album ; contained the first five albums on vinyl ; five compact discs and an extensive 112-page book featuring archival photos, extensive historical liner notes from Robert Forster, along with additional pieces from guest essayist, fans and contemporaries.
I have just gone through the recording sessions to work out what is still unreleased. By "unreleased" I mean that the band have never released it (so it includes those songs on obscure compilations). You're easily talking 10 CDs here:
Ken Patten Demo 07/08/1981 What Do You Say? Please Don't Worry Wishful Thinking Turkey Mambo Momma
Rotherham Demo 18/04/1982 How Could You Leave Me? Why Live? Teen Angst Barefoot in the Park
Spice Demo 22/08/1982 The Heat of the Day
It LP Sessions 27/11/1982 - 10/12/1982 Sink or Swim Mr. Morality (both left unmixed)
Bad Maureen Demo Jan-84 I Want You Coy Mistress Maureen Little Girl (With Blue Eyes)
Sudan Gerri Demo 08/05/1984 Don't You Know Anorexic Beauty Take You Back The Will To Power Simultaneous Little Girl (with Blue Eyes) Srpski Jeb Cousins Maureen Blue Glow Silence
Ping Pong Jerry Demo 11/11/1984 Mark of the Devil Simultaneous Maureen Anorexic Beauty
The Lost John Nicholls Demo' 1984 or 1985 Mark of the Devil Being Followed Home and possibly others
Freaks LP Sessions Sep-86 Master of the Universe (alt version) and possibly others
Fon Sessions 1987 Rattlesnake Don't You Want Me Anymore?
The Demo 17/07/1989 She's Dead Down By the River Love is Blind Death II Death III (Countdown) Separations
Separations LP Sessions Aug - Dec 1989 This House is Condemned (alt version) Going Back to Find Her (unfinished)
OU Session 28-30 Jan 1992 Live On Babies OU (alt version)
Island Demo 07/05/1992 Razzmatazz Happy Endings Styloroc (Nites of Suburbia) Your Sister's Clothes (then known as Glass)
Razzmatazz Session Oct-92 Razzmatazz (at least 1 different version)
Le Roi Des Fourmis Session May-93 Lipgloss
Lipgloss Session Jul-93 She's a Lady Have You Seen Her Lately? Lipgloss (Ian Broudie Remix)
His 'n' Hers LP Demos Joyriders Do You Remember the First Time? David's Last Summer Razz II (unfinished)
His 'n' Hers LP Sessions Oct 1993 - Feb 1994 Live On Pink Glove (Ed Buller Remix)
Different Class LP Demos 5-12 June 1995 Mis-Shapes Sorted for E's & Wizz Something Changed F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. Disco 2000 (then known as Gloria) Live Bed Show I Spy
Abortive Album Session Nov-96 Help the Aged Northern Souls (backing track only)
This is Hardcore LP Demos Jan-Feb 1997 I'm a Man The Fear We Are the Boyz TV Movie Party Hard Grown-ups (instrumental) Seductive Barry (then known as Sex Symbols)
Wessex Demos (1) 23-24 Oct 1999 The Birds in Your Garden Darren Bob Lind Sunrise Yesterday The Quiet Revolution Wickerman Cuckoo Song Got To Have Love (instrumental version)
Wessex Demos (2) 13-14 Jan 2000 After You M'Lady Grandfather's Nursery The Performance of a Lifetime St Just Got to Have Love (vocal version)
Depot Demos Mar-00 Love You Baby Six String Chordy / My Mistake Playground (probably an instrumental version of Grandfather's Nursery) Last Song In The World Medieval Owl Forever in My Dreams Candy's Spectre (became Bad Cover Version) Disco too Disco (probably an instrumental version of After You) Jungle Rumble (became The Night that Minnie Timperley Died) Dream Galaxy (all instrumentals)
Abortive Chris Thomas / Howie B Sessions April-May 2000 Weeds Sunrise Bad Cover Version (Chris Thomas) The Birds in Your Garden Yesterday Forever in my Dreams Bad Cover Version (Howie B) and possibly others
Hits Session Sep-02 Another song was apparently started but left unfinished.
My Mistake was recorded with vox as we know so the question is whether there was a further, hitherto undocumented recording session with vocals (and if so, which further songs were demo'd?) OR if the information above taken from the Pulp website (and provided by Mark Webber? Or had he stopped giving a fcuk by then? He had by 2002!) is wrong and they/at least some of the songs such as My Mistake, were actually done at the Depot studios with vocals.
It's possible that one of the songs from the second Wessex demo is an alternative title for "My Mistake". If I remember rightly, it was leaked around the same time as the "After You" demo so it would make sense if the two were from the same recording.
A retrospective boxset is a great idea, and I'd definitely buy it if it meant the members of Pulp (past and present) being contacted and the archive been fully opened up to get to those unreleased gems - both audio and video.
In terms of any unreleased tracks being included on a boxset, what are the legalities of that? Would it have to be restricted to only be tracks that had been worked on in a studio environment via a record company? Would live recordings be viable for those songs that never got to the studio? Of course, once you get to the 90s, there are soundboard recordings out there, but for the 80s stuff we only have audience recordings, some of which are very dubious quality (in terms of the recording) which wouldn't normally be acceptable for an official release.
A really exciting project, if it can get off the ground properly!
Just bumping this thread up to see if there has been any movement on this boxset? I realise it's early days though. The possible tracklist of rare unreleased stuff that Ian compiled above looks amazing, and would be an immediate purchase for me!
I agree that to get more sales (and be a proper retrospective) the box would have to include re-releases of everything we already have too. In terms of live content, I'd give up those discs if it meant getting more of the rare stuff. Of course, we'd have to have live tracks for those songs that didn't ever get demo or professional recordings, but for all the rest, maybe there could be a separate live boxset? I like the idea about a Glastonbury boxset too.
Sturdy / Scottbloodyfrazer / others with encyclopedic knowledge - Are you all in touch with Scott Robinson about this away from this board? You guys really need to be involved in the project to help with negotiations and to get everything included that the die-hard fans want!
-- Edited by sbazb on Saturday 17th of April 2021 11:49:57 AM
Just spoke to the lad on facebook - he has tried to reach to Jarvis on Instagram but no luck so he is putting a plan together to labels and management to see if there is any interest . Not much going on here then at the mo. He said he would keep me updated.
When you see that every little album gets a deluxe edition, heck some are on their third or more iteration, to not have a lovely two disc WLL is a real shame. I'd go for a deluxe Intro as well. In fact, it's been a long time since I've heard it so I'm gonna give it a spin.
Yes but can you devise a 2CD tracklist for it without using live gigs ?
I'd include all the radio sessions that are contemporary with the material. Hit The North (both if possible), Mark Goodier etc. If you wanted a live set the Sheffield Sound City is perfect. Plus who knows what tapes of demos Jarvis has from the period?
OU radio edit
Sheffield Sex City instrumental
Razzmatazz early mix
OU original mix
Live On demo
Babies demo
Styloroc instrumental
Happy Endings demo
Razzmatazz demo
Glass demo
(Would also include Watching Nicky and The Boss here but that's maybe cheating if they're already on the deluxe His n Hers)
Hit the North session '91 and 93 (5 songs each)
Goodier session '92 (4 songs)
There also may or may not be an early She's a Lady from the Babies sessions...
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"Yes I saw her in the chip shop / so I said get yer top off"
pretty much what Sturdy said, although the first two tracks would take up unnecessary (for me) space. Instead Le Roi de Fourmis and the Lipgloss demo from that session would be welcome too
-- Edited by Freek on Thursday 27th of January 2022 01:03:12 AM
-- Edited by Freek on Thursday 27th of January 2022 01:03:29 AM
Oh, and there's The Night from the Black Session of course. Maybe a few other tracks from that too, although I guess you wouldn't want to go down the route of too much duplication of the same songs.
Wonder if there's any other really well-recorded 1992 show in the vault? Loads of audience bootlegs obviously.
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"Yes I saw her in the chip shop / so I said get yer top off"
The full Black Session officially released would be possibly the best slice of Pulp at their live peak in 92. The rendition of Separations for example is stupendous.
Think our Jason is responsible for a lot of the live boots from that era. Can't remember which had the most interesting setlist.
I also wonder when/how often the band made recordings of live shows for their own reference. The 1999 Venice Biennale one is the first that springs to mind. WLL could easily be a five disc box affair with that, all the demos and Auto, plus the full Brum Halloween 2001 BBC Radio 1 live show.
Ah yes, the black session '92, proper ace..their version of 'the Night' is magic, i think we can all agree that our Jarv sounds a bit strained and out of his depth with the vocal, but crikey, Valli is somewhat falsetto and probably foolish to attempt, but i maintain the Pulpy rendition has an accomplished soundtrack and favourable against Le quatre seasons..
Separations remains my fave Pulp song of all time, that's been an unwavering love now for over 30 years!!!
I was just looking through the gigs i recorded '91-'92 and i suppose the most interesting set list would be the Christmas Leadmill '91 show?
With the inclusion of an early 'O.U' and a rare outing for 'She's dead'..
Is that a presumption or based on something concrete? I realise Covid went and messed up a load of things since the idea was first mooted on here, but the only thing stopping a decent retrospective project getting off the ground would be if the band or record labels reject the idea. ... Ok, I realise those are massive things standing in the way of it getting off the ground, but I suppose I still live in hope. It would be great to have all the unreleased tracks (from live sets or studio sessions) from prior to His n Hers, plus those from the We Love Life era, and I know that the only way it'll get done without glaring omissions is if the fans with encyclopaedic knowledge are involved from the start.
I think that the key to getting this off the ground is somehow catching the attention of the band. I remember Paul Draper saying that he was pleasantly surprised by the demand for the unfinished album and despite not being as big as Pulp, nor having an album out in a similar timeframe and not doing a reunion tour, they released a great box-set. Again, Paul knew that there was demand for it.
I understand that Jarvis seems to view Pulp as a thing of the past but I'm sure he wouldn't turn down the extra money (and potentially raising the profile of whatever solo material he is doing at the time) if he knew there was demand. Pulp conventions probably wouldn't be as successful as the Mansun ones but I think if, as fans, we made enough noise, someone would hear us. And even then, they may tell us it's never going to happen. At least that would provide closure.
This forum presumably only represents a small number of fans who would buy a box-set. There are quite a few Facebook groups for Jarvis/Pulp and Nick Banks is on Twitter so should we come up with a plan to start making some noise on social media?
The Blur box set from a few years back was mind blowing, and another example of how good these things can be. Yes we already had deluxe editions of the 3 big records a few years ago, but to kinda do something similar to that with an extra disc per record full of b-sides and demos would be so good.
Bumping this one again in the wake of Steve's comment yesterday that Pulp's "entire" 1992-2002 output with Island has been remastered by him and Jarvis. He said that it happened "just over two years ago" but those pictures of them at Abbey Road and indeed the HnH vinyl reissue (the only commercial output from this project to date) came out before then (2019 I think?), so I wonder did they do it over a longer period rather than it being a lockdown endeavour.
Anyway, studio time at Abbey Road doesn't come cheap, so you'd imagine Universal have plans to do something with the remastering sooner rather than later. Selling "product" labelled as a 2019/2020 master will obviously itself look dated the more the years pass.
You could also interpret the comment as both Steve saying "Look, Pulp still mean a lot to me even though I'm not taking part in the shows next year" as well as "Expect new/old Pulp releases in the future".
Either way, thanks for throwing us a bone, Steve! He'll be missed next year.
And fair play to him for not being tempted by the touring £££s (well over £100k you'd assume) if his heart isn't in it.
-- Edited by Eamonn on Saturday 29th of October 2022 09:28:41 PM
You could also interpret the comment as both Steve saying "Look, Pulp still mean a lot to me even though I'm not taking part in the shows next year" as well as "Expect new/old Pulp releases in the future".
That is some interpretation
Different Class and This Is Hardcore will almost certainly be reissued with Abbey Road mixes in the next 12 months. We Love Live is a different matter as it was the fourth best selling LP by a margin and unlikely to shift many copies, but may also be reissued albeit in smaller numbers. There is probably a similar situation with Intro.
I suspect that there will be a revamped Hits. It never had a vinyl release and omits Mis-shapes. A new Hits could address this and add in After You.
Also there are a number of unreleased songs that could be packaged up, though it would mainly be for fans. A bit like Suedes See You in the Next Life. Though for Pulp, that could be a box set in its own right.
Unlike the last reunion, there has been some work done remastering, so it will be interesting to see what gets released.
Well if they remastered the whole catalog, it's not to leave it hanging in a Universal closet right.
Box set could be likely, a bit like the one Divine Comedy did a few years ago, that was packed with unreleased stuff.
There's a market for it, many 90s band are reissuing their back catalog for die hard fans. The price is usually high, so it dont need to sell by wagons.
10.000 copies at 100 is still 1 million
Maybe it was planned for 2020 or something then postponed because of Covid.
There is hope !
-- Edited by andy on Sunday 30th of October 2022 11:28:40 AM
Box set could be likely, a bit like the one Divine Comedy did a few years ago, that was packed with unreleased stuff.
That would be nice, but not sure how deep the Pulp archives post-1992 are. Essentially it is four LPs, three of which have already had the deluxe treatment. Most of the unreleased stuff is We Love Life era.
There's room for a complete remix / remaster of DC though. It sounds very poor on modern equipment. So maybe only that. and a remix of TIH which suffers sometimes too on some of my gear.
I'm sure they can find alternate mixes to sell as well, that WLL demos should be enough to sell a full box set.
-- Edited by andy on Monday 31st of October 2022 04:42:19 PM
It's time to do it. They're all approaching 60, whats the point of releasing a box set in 10 years. The demand is here, open the vault and let the demos out ! :D
Don't know if there are any plans for a box set, but apparently there will be *something* we've not heard emerging next year. Don't ask me what because I have no Idea!
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"Yes I saw her in the chip shop / so I said get yer top off"
Maybe another "After You" - a late-era song like Cuckoo, remixed and released on its own and played live. Jarvis clearly rates this song as we've seen this year. But if Steve isn't involved, it suggests they haven't done any new writing amd recording so I'd be surprised if it's anything more.
Finally recording "Snow" and releasing it for Christmas would be nice!
There has to be really, im not being funny but another reunion after a reunion would serve no purpose
I agree with this. Whilst I don't think that a new album is completely out of the question, I do think that it would be unlikely.
My money is on full blown reissues of the Island albums with all the demos and rarities. And yes, that includes "We Love Life". Some of the Suede reissues had 60-odd tracks each so I'd certainly settle for something like that.
60 each? Not on the most interesting records (the first two). A lot of the Coming Up stuff was reissued multiple times as they scraped the barrel for shitty monitor mixes of crap songs, barely distinguishable from other versions.
Nah, for Pulp, everything unreleased that's documented in the Recording Session section of Pulpwiki, would do nicely.
Unlikely I guess, but you never know.
Maybe another "After You" - a late-era song like Cuckoo, remixed and released on its own and played live. Jarvis clearly rates this song as we've seen this year. But if Steve isn't involved, it suggests they haven't done any new writing amd recording so I'd be surprised if it's anything more.
He's not involved *in the gigs*. No one's saying he's left the band...
(This is purely an observation on my part by the way, I'm not hinting at any more insider knowledge!)
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"Yes I saw her in the chip shop / so I said get yer top off"
Had a dream the other night (not about a young fella in dungarees catching his hand in the doors of a Paris metro...) that for RSD 2023, Pulp issued a Double A-Side vinyl single. It featured newly recorded/mixed versions of Live On and Cuckoo.
Jarvis had updated the lyrics of Live On to say "The mirror says I'm fifty NINE years old..."
Don't know if there are any plans for a box set, but apparently there will be *something* we've not heard emerging next year. Don't ask me what because I have no Idea!
I haven't thought about this for a while, but am still curious about what it was/still might be!