I missed the start of the track but it seemed to me Jarvis had recorded the vocals, in his "Jarvis doing spoken word in a Seductive Barry/Wickerman-type-way", and then Beardyman built a song up around it, like only he can, live. Very impressive. And he spoke about how it was supposed to be a Pulp track originally afterwards. It wa about fifty-fifty five minutes in.
-- Edited by liltman on Sunday 28th of April 2013 08:11:41 PM
I'm not sure I really understand what is meant by 'Jarvis got Beardyman to put some music to it'. Did Jarvis do a recital/spoken word thing over the music?
I'd like to think Pulp have been trying it out in the studio but I get the impression he's just had a quick flick through 'Mother, Lover, Brother' & thought he'd give this one a bash.
I'm just popping my head round an imaginary door here to say: ooooh! that was excellent, Jarv sounded right happy with it at the end didn't he? wonder if it's given him a little idea...
If anyone's interested, I finally got round to editing this version of Quiet Revolution with Beardyman from the Sunday Service archive. It is on the 2007 account.
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