Actually i read a bit in the 90s, i think that was in 98, where Jarvis said something like he never really liked the Beatles... What stuck in my mind was that he said he didn't relate to the characters they were singing about.
So Jarvis changed his mind, it seems.
-- Edited by andy on Thursday 11th of October 2012 10:30:08 AM
"Fifty Years of the Rolling Stones", "Fifty Years of 007", "Fifty Years of the Beatles" as a 49 year-old I feel a little resentful of the latest round of anniversaries. They might as well write: "Hey, something really exciting and important happened here and you just (but only just) missed it.
We, the children of the echo, should get a life. We, the children of the echo, should know better.
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I enjoyed this article - I identify with all this in quite a similar way. I'm 46 now and was 14 when John Lennon was killed, so got a big dose of "Look what you missed" at that time. The whole nostalgia thing must be occupying quite a bit of Jarvis' attention at the moment. There's a balance to be found somewhere between celebrating the best bits of the past and getting on with your life, but where is that?
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We'll use the one thing we've got more of, that's our minds.
What a brilliantly written article, thanks for the link. I don't think I've ever read or heard Jarvis on the Beatles before so it was actually a very refreshing piece, clearly extremely heartfelt too. I think every generation grows up having been born just on the cusp of something they often perceive to have 'been better' whether it be Jarvis just after 1962, me just as punk broke in '76 or even Jazza who was born around the time of Common People. The problem is that these events actually come to define your habits even though you never actually experienced them.
It is a great article. I remember he was on a programme around the time of the Anthology releases saying they were great but on the other hand if we hasn't had them we probably wouldn't be suffering Phil Collins now. He's played Beatles tracks on his show before.
According to the introduction to Mother, Brother, Lover it was the Beatles film 'Help!' that made him interested in becoming a pop star.
I think every generation grows up having been born just on the cusp of something they often perceive to have 'been better' whether it be Jarvis just after 1962, me just as punk broke in '76 or even Jazza who was born around the time of Common People. The problem is that these events actually come to define your habits even though you never actually experienced them.
That's very true but I don't think it's a bad thing living in the past or letting the thing that you missed out on define you. If I didn't like any music that was from before I was born then I wouldn't like very much music and it seems silly to confine yourself to things you experienced first-hand. I think people can only stop trying to" get as close as we can to the moment of that Big Bang" when there is another revolution in music, because the majority of music now is pretty bland and same-y
Completely unrelated: Speaking of the Big Bang there was a really interesting Horizon on tonight about the Big Bang theory and what came before it.
That's the best thing he's written in years. Excellent stuff.
Are you comparing it to his lyrics?
Really good read though, yeah. Probably not so good for hopes of a continued Pulp reunion, future retrospective anthologies etc.
Well they wouldn't be considered a "past band" if they released new material. If they keep on touring on old stuff, however...
It's a great article, and i hate anniversaries as well, but heritage is an important part of what makes humanity. The Beatles are what made a lot of nowadays music possible so i don't think we should move on. If the Beatles hadn't been a big deal to people in the 90s, maybe i would have never heard of them until now. But i did discover them when i was 9 or 10 and they helped, along contemporary music, to shape what i am today and what i am proud to be today. So maybe, somewhere, some 10 year old kid will hear about that silly auction and wonder what the fuss that was all about. Maybe that kid will then love the Beatles, pick up a guitar and change the world of his generation. Music shouldn't live in the past, but it should always remember what was in the past...
I'm more troubled by the thought that The Beatles will be made irrelevant in another generation or two. In a way, the time is right for a new sensation that will emerge and overshadow them.
The Beatles grew out of an era of narcissistic youth: the youth of the 60's rejected their parents' ideals and scorned their culture and history (sounds cliche, but it's kind of true). The youth of the day were looking for flag-bearers to represent their dreams and ideals. The Beatles fit the bill.
I think today's youth are really very similar to the youth of the 60s, at least in terms of self-interest. Speaking generally about today's teens and early 20s, I think they are an incredibly self-assured generation. They believe that they are special. And who knows: maybe they are. They certainly like themselves a lot. They idolise their own; they follow celebrities that are their own age and act and look like them. (See Taylor Swift, One Direction, Justin Beiber, pretty much any major pop sensation since Britney Spears).
I sound like such an old man saying this, but when I was a kid we didn't idolise other kids, that would have been incredibly embarrassing. We looked to the generation that was 10-15 years older than us for our fashion cues and our ideas and to help us define our own nascent philosophies. Maybe you worshipped Madonna, or Kurt Cobain, or The Beastie Boys, or in my case Jarvis, or maybe you were so cool you were listening to The Beatles back when nobody else your age did. Regardless, our idols were always older and cooler and smarter and more talented than us, and we aspired to be more like them and less like ourselve. I think this was the generational echo chamber that Jarvis refers to in his article.
But it's clear that today's youth aren't hamstrung by the cultural echo chamber. They are inventing themselves and rejecting the past, and I can see where a great new force in pop culture, a pop monster like The Beatles, but distinctly different, could emerge. In 30 years time everyone will be talking about that group or artist with the same reverence that we talk about The Beatles today. And The Beatles won't mean a damned thing. I fully expect it to happen, maybe it's already begun (N'Sync? Lady Gaga? Jessie-fucking-J?).
Mind you, I have a creeping feeling that whatever it is will turn out to be utter shite, and I would much rather we just stick to worshipping The Beatles instead.
-- Edited by Fuss Free on Sunday 14th of October 2012 10:28:17 AM
Why not? They are sort of regarded as the kings of the boy bands. They had record sales to rival The Beatles. As boy bands go, their songs are pretty good. Justin Timberlake is actually genuinely cool. The fact the band has completely disappeared from the radar and that their time has come and gone doesn't help, but maybe they are just due for a revival.
-- Edited by Fuss Free on Sunday 14th of October 2012 10:52:14 AM
I disagree Fuss Free, the beatles will remain in people's mind for the next hundred years. They belong to the past for like what, 40 years now. 40 YEARS, that's almot a life, and they're still selling shitloads of records, posters, books, movies, you name it.
New bands never managed to stay in the pop culture like the Beatles did. Everyone know at least a couple of Beatles songs, i cant say i know any NSync, Justin Timberlake, lady gaga or Bieber songs. Who will remember Justin Bieber as a musical artist in 10 years ? He'll probably become an actor or something. His fans will probably be ashamed to have been a fan of his once. Like That that in the 90s, or Wham. People like the odd song, but it's like "good times, yeah let's go to their reunon gig for fun, but then we move on". The beatles are the origin. the big bang of pop music (maybe next to pelvis resley).
Those new "artists" are not made to last. The beatles werent made to last either but managed to become a cultural phenomenom as well as a musical phenomenon. They created a new music genre. Only rap and techno music was created since then, but who can name any of those creators ? You gotta have those two elements to surpass them.
Britpop as a whole had that, but not a single band emerged like the beatles. And i cant think of any recent musical act that managed to stay that much in the spotlight : the Strokes ? Nirvana ? Oasis ? U2 ? Radiohead ? they all have a huge fanbase, but they dont mean something in pop culture (though U2 and Nirvana came close for a few years). On the other side, Lady Gaga ? Madonna ? Lana del rey ? Rihanna ? hugely popular, but dont mean anything music wise... Those artists are hugely relevant now, but they wil end up like george Michael or Madonna... sad and old.
ok add this one to the list but jacko was a massive beatles fan so in a way, its back to my theory. + Jackso is fashionable again since he died, how long will that last ? it's been only 4 years.
so the beatles, presley, jacko... what else. Not the stones, not the kinks, pink floyd, punk ? Queen ?, new wave ?, madonna ? disco ?, Coldplay ? mumford & son ? the libertines ? Pink ? Keisha ? David Guetta ? the spice girls ?
i cant remember who was fashionable in 1999, 2004, in 2008, hell even in 2011, i can't... can you ?
i cant remember who was fashionable in 1999, 2004, in 2008, hell even in 2011, i can't... can you ?
This is a really excellent question. For a time in the late 90's early 00's I was frightened that a band like Busted or McFly may be the new Beatles. They wrote their own material and were fresh faced young cheeky chappies who were incredibly popular with teen girls. What concerned me was that I had become too old and jaded to realise this fact as well (plus I thought that they were crap). was I like an older person who cast scorn on the Beatles when they first appeared unable to truly see the effect they were having. My fears turned out to be unfounded but only history can really judge.
On consideration the whole thing is a moot point really. The way that music is produced, desseminated and consumed has altered beyond all recognition since the Beatles broke in '62. Look at what was in the charts before Love Me Do, it was nothing but soft pop pap crap I mean really terrible stuff. If the most dangerous man in the charts is Cliff Richard then you've got troubles. The historical context in this discussion is often forgotten. No one can have the same impact as the beatles had because we live in a world that is post-Beatles world. The amount of music that is available now, and I truly believe that there is far more niche music available now than there ever was when even I was a teenager twenty years ago, means that an all conquering seismic shift will never happen again, never. It truly has become the nicheification of music, that's how post 2000 music should be classified.
On consideration the whole thing is a moot point really. The way that music is produced, desseminated and consumed has altered beyond all recognition since the Beatles broke in '62. Look at what was in the charts before Love Me Do, it was nothing but soft pop pap crap I mean really terrible stuff. If the most dangerous man in the charts is Cliff Richard then you've got troubles. The historical context in this discussion is often forgotten. No one can have the same impact as the beatles had because we live in a world that is post-Beatles world. The amount of music that is available now, and I truly believe that there is far more niche music available now than there ever was when even I was a teenager twenty years ago, means that an all conquering seismic shift will never happen again, never. It truly has become the nicheification of music, that's how post 2000 music should be classified.
It's a fair point.
Anyway, I think the next great social revolution is going to happen on the side of the globe, and trying to predict the shape of it by using the english/american model is probably foolish. When it happens, it is going to look and sound and feel very different from anything we've ever seen.