This autumn Michael Clark Company present new works choreographed to specially commissioned music, continuing Clark's history of close collaboration with contemporary artists, designers and musicians. This double bill will include music by Relaxed Muscle and Scritti Politti, and these performances will feature live music from Relaxed Muscle.
An iconic British dancer, choreographer and artist, Michael Clark first came to prominence in the early 1980s with daring work that combined his classical integrity with a more complex, contemporary sensibility.
Clark's eagerly-awaited return to the Barbican stage, as Artistic Associate, follows the company's residencies in Tate Modern's immense Turbine Hall in 2010 and 2011, and the Whitney Museum of American Art for the Whitney Biennial 2012.
Only just found out about this and I happen to be in London next week. So I have booked a ticket or the first night. Fingers crossed that Relaxed Muscle are there for all the performances. Looking forward to it as I'm a Michael Clark fan - saw him do I am Curious Orange with The Fall in 1988...
__________________
Her house was very small with woodchip on the wall
I prefer academies/smaller venues to arenas, I think an academy is a harder place to perform in as there's a limit to the 'show' you can put on (you have to rely on your ability to perform). You also feel a better atmosphere in an academy/smaller venue too as a fan! Ironically I was watching the Pulp Live @ Brixton 1995 show earlier, and it looked brilliant! Clips of the Smiths in the 80s look amazing too! It also struck me that Jarv may actually be better as a frontman now than he was at Pulp's height.
I would like to see Relaxed Muscle live, it's just London is a long way to go for these things, £8 ticket sounds a bargain though. Maybe a new RM album is what we're getting next...
-- Edited by PulpBristol on Sunday 14th of October 2012 12:40:57 AM
Really looking forward to this. I'm going to the show a week on Tuesday. I'm hoping for Beastmaster, this would be amazing. Any thoughts on who will be involved, I imagine Steve will be there rocking the bass as usual.
If it's every night for 9 in a row it'll probably the most consecutive set of gigs Jarvis has ever done. Hopefully he won't be flagging by the time the run finishes. 40 minutes for the set so it should be doable for a sprightly 49 year old.
Tempted to go but can't see the £16 ones. Cheapest I can find are £26 + booking fee which is a bit steep for me.
£26 seems quite reasonable for jarvis doing some more obscure songs from his repertoire in a more intimate setting presumably with no 'common people' there (people there only to hear common people and disco 2000). I could never understand why it costs more to see someone in an arena rather than in a theatre/academy/hall. Surely smaller venues should cost more?
There's usually higher production values for arena gigs as there's more of a "it's not just a music gig, it's a show" vibe to them. But I think some of the extra cost is for the very reason that they can - if you're big enough to fill an arena (or even sell it out in minutes like in Pulp's case) chances are people will pay a premium for a ticket.
£26 for the whole Michael Clark thing probably isn't unreasonable; I just meant personally, I've to watch the pennies now with moving to London.
Amazing. Brilliant acoustics - the music pulses right through you - spectacular lighting and visual effects. The whole thing only lasts just over an hour, including the interval, but what an hour. I loved the dancing in the first half to Scritti Politti's album White Bread Black Beer. Second half opened with F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. with dystopian futuristic dancers (to a recording). The morphs into Relaxed Muscle via electronic sounds and projected words to a nightmarish effect. The backdrop rises and there are Relaxed Muscle. I have to say I lost interest in the dancing as I couldn't keep my eyes off Jarvis (I was in the 2nd row) I won't say any more for now as don't want to spoil to those who are going other to say that I loved it.
__________________
Her house was very small with woodchip on the wall
Eamon who knows when RM will play again? You may only get 3 songs but the acoustics are brilliant and the performance is electrifying. Apparently there are still tickets left. Go for it!
__________________
Her house was very small with woodchip on the wall
Relaxed Muscle sounded great and Jarvis was obviously enjoying the chance to brush off these songs. Their set was very short though: The Heavy, Beastmaster and 3 Way Accommodator, plus two new RM compositions "Joyce" and "James", which were ambient tracks akin to Brian Eno's stuff. B-Real provided the exit music, and it's also included on the programme, so I suspect there might be an encore waiting for the right audience.
The dancing was interesting, but Jarvis clearly out-staged them once he came in late in the programme. The whole event was all rather high-brow, and the audience was full of grey-haired Barbican patrons. It was strange seeing Relaxed Muscle in this context. There were many moments when I would have liked to clap or cheer, but the stuffy atmosphere wasn't conducive to the party vibe Relaxed Muscle was kicking out. Perhaps people were having more fun in the upper-tiers, but I was seated down in front with the gentry.
I left feeling that I'd really like to see a proper Relaxed Muscle show. The songs are quite well-suited to a big room, and surprisingly they filled the Barbican Theatre much better than F.E.E.L.I.N.G. did.
Photos were prohibited, but I did sneak a quick snap on my phone when Jarvis came down from the stage. He tried to hand out sweets rather unsuccessfully. I think most of the folks in the front row were annoyed with him as they were more focused on the dancers on stage. Anyway without a flash I'm afraid the photo didn't turn out so well, but here goes anyway:
-- Edited by Fuss Free on Saturday 20th of October 2012 04:16:30 AM
doesn't look like he has a beard in that photo - has he shaved?
He was in black-face and his beard was dyed rusty red. He wore a day-glo green headband and a grey venesian mask pulled back to his forehead. He had a beige leather jacket with "Relaxed Muscle" painted in day-glo green on the back, dark blue jeans and rust red boots. Under the jaket he wore a black fish-net shirt over a skelaton ribcage shirt, again in day-glo green. There was something that might have been a tail hanging off his back. For some reason I kept thinking of Nightcrawler from The X-Men.
The rest of the band were set way in the back of the stage and very dimly lit. There was a blonde girl in sweats beating a drum and a dude in sunglasses and a wig who didn't look like Jason Buckle noodling on a guitar. Although Jarvis was definitely singing live I think the music might have been pre-recorded. From where I sat it looked like the girl wasn't actually hitting the drums.
-- Edited by Fuss Free on Saturday 20th of October 2012 01:21:19 PM
There's a good review here: http://www.telegraph.co.uk/culture/theatre/dance/9620655/Michael-Clark-Company-Barbican-review.html
The audience weren't po-faced when I was there on Tuesday and there was a great mix of ages. Michael Clark has always had quite a cult following and is known for his collaborations with artists such as Leigh Bowery and musicians such as The Fall so I wouldn't say it was an ordinary dance "highbrow" audience. Jarvis' sweeties went down well and there was a very enthusiastic standing ovation at the end.
__________________
Her house was very small with woodchip on the wall
My god this sounds amazing - am tempted to just go and worry about the financial consequences later. Very irresponsible of me but the reports so far are just making me want to jump in my car immediately ...thanks for the reviews guys....