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Post Info TOPIC: My Lighthouse


Master Of The Universe

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Now since Jarvis probably reads this: play Love Love and DO A FRICKIN GIG IN PARIS. Ok ? Great.

:D

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The Only Way is Down

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Saw, I didn't think the reaction to My Lighthouse was that great. Jarvis would have been very aware of the front row bellowing out all the words to everything...but less so to Birds in Your Garden and then even less again to Like a Friend...but hardly anyone sang during My Lighthouse. The applause at the end was polite, but nothing like the roars that greeted The Hits.

Given how Jarvis felt a need to be apologetic about playing things like Countdown or Sex City in Brixton, I think he's too nervous to risk dragging out any other songs that aren't populist, which is a shame. But even at Brixton, these two didn't meet with anything like the approval that the hits did.

What followed TIH btw? I noticed a lot of people leave their seats at that point, presumably to head to the bar...

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Quantum Theorist

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Sunrise followed This Is Hardcore as usual. I thought they's lost the room with 'Like A Friend' but everyone came back when the the song kicked in half way though. Everything sounded quite well polished so I'm guessing they've been doing a fair bit of rehearsing a bit in the last 6 months and I'm really looking forward to seeing what else they pull out of the bag in America. I can't see them doing 'My Lighthouse' again as I don't think Saskia & Jill are at every show!

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The Only Way is Down

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Oh, that's a pity about Lighthouse. I suppose it was the reaction of the people who were videoing I was picking up on.

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Quantum Theorist

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Stephen wrote:

Obviously it was a great gig and all, but following Brixton and Glastonbury...well...it just didn't compare. 


I wasn't at Glastonbury, but it was on a par with Brixton and Hyde Park.  I think that given there are 8 songs that always get played, and another 2 or 3 that are played mostly you are only ever likely to get half a dozen unexpected songs unless the gig runs a little longer than expected ala Brixton.  At Glastonbury, the only set differences were two His 'n' Hers songs and a Different Class song.  Ok seeing Pulp in their spiritual field is probably more important than what they played.

I had expected an extra song or two from Hardcore at the Albert Hall with Russell no longer present, but was delighted with I Spy and Birds in your Garden which weren't performed at Brixton, and am particularly pleased that Razzmatazz has re-established itself in the set after not hearing it at a Pulp gig since the Theatre Royal in 1994.

The Albert Hall gig was a resounding success in that there were certainly many people sat near (or more accurately jumping around), who would not be Pulp fans, but thoroughly enjoyed the concert.    The talk from people leaving was more excited than I heard at either Brixton or Hyde Park.



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Quantum Theorist

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You're right there ArrGee. Glastonbury was more about the general atmosphere than how well they played. The sound on the Park stage is never that great unless you are right in the focal point of the speakers - which had have been a difficult task as there were so many people crammed in that little field!

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Quantum Theorist

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weed wrote:

I thought they'd lost the room with 'Like A Friend' but everyone came back when the the song kicked in half way though. 


 A few people sat down around me, but I think they were just glad of a respite.  Bad Cover Version and Birds in Your Garden which preceded it were both well received from my vantage point, which was superb for songs that were probably totally unfamiliar to the most of the audience.



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Quiet Revolutionary

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From where I was sitting My Lighthouse had a pretty good reaction. People seemed genuinly interested in listening rather than chatting all the way through like some of those at Hyde Park and Brixton. It was easily the highlight of the night for me, 3 minutes of pure joy. As I said they really improved the song over the original version too. I'd love to hear a re-recording!

A few did walk out during Like A Friend though. Must have just been casual fans getting dragged there by someone

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Quantum Theorist

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shotoki wrote:

People seemed genuinly interested in listening rather than chatting all the way through like some of those at Hyde Park and Brixton.

 For this reason alone, the Albert Hall gig was great.  I didn't have anyone near me on their mobile or chatting to the person next to them all the way through which I was a bit fearful of sat in the stalls.  I didn't really experience the chat at Hyde Park nor Brixton as I was far too close to the stage and simply concentrating on staying upright (and I has nothing stronger than water to drink at them).



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Quantum Theorist

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Apart from the mad couple right beside me (who in fairness were having an absolute whale of a time) everybody around me was bopping away to the hits and very attentive during the lesser known stuff. Personally, I thought 'Sorted' was possibly best I've ever heard it with the big noisey bash after the choruses really booming & reverbing around the vast hall. My Lighthouse I think was greeted with great warmth from where I was. I noticed a group of people dancing throughout right at the back of the standing area who I thought might be forum members. I was pleased in the end I didn't get standing tickets as it looked a bit claustophobic in there & had a great view where I was.

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Someone Like The Moon

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From where I was stood My Lighthouse went down well - I did look around at some of the people next to me to see if they were singing along, which they weren't but they did seem genuinely interested and focused

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The Boss

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From the clip I saw it looked to go down well. Let's face it, unless you're a hardcore fan like us it's probably not going to get a huge reaction, it's just a lovely slight song and only massive fans will probably realise the significance of a live performance of it.

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Professional

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Are you kidding Mr.Sturdy? Hurry up Harry as in a Sham 69 cover?



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The Only Way is Down

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Yes! Michael Paramore told me about it. He remembered Russell walking out in a strop because he thought they'd undermined the integrity of the gig by coming back on and doing this cheesy cover. Maybe it was the other time they played Rockwells then - which is good news cos there's a tape of that!

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The Only Way is Down

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The Hatter Tape? Not sure how full any copy of this is, sadly. Certainly Mr. Mills seems to think that those five tracks is all he ever had. He's contacting someone who both he and Mr. Hatter used to know in order to see if the latter ever copied gigs for anyone else.

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Professional

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Oh i see. the Hatter tape? thats the one including the incredible version of Tunnel? The one from July i have a poster of which is on pulpwiki.



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The Only Way is Down

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Yeah, a chap named Clyde Hatter recorded it. Apparently he recorded a lot of mid 80s Pulp gigs, but although we tracked him down, he doesn't think he has any anymore.

That poster is a nice keepsake to have!

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Legendary

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Sturdy wrote:

There's (yet) another vid of it on YouTube where he can be clearly heard announcing "Saskia Cocker and Jill Taylor" at the end.


Just discovered this tweet from last Saturday lunch time! 

http://twitter.com/#!/JillTaylorX/status/186050248307785729



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The Only Way is Down

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Is Jill the friend of Saskia's that Jarvis was in lust with at that time?

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