Sorry Eamonn, quite enjoying the hypotheticals here!
VoxPop, I know Song 2 was massive at the time, but surely it's more of a novelty hit?
Also, in Blur's defence, plenty of songs start out with a drum beat, I don't really think we can accuse Blur of nicking it from Pulp. Songs that start out that way have existed from at least the 60's, I'm sure. And Sunday Sunday has more of a jaunty, almost shuffly feel than the (wonderfully) awkward & jutting Love Is Blind. Pushed, I'd have to choose Love Is Blind as the better song, but they aren't two songs I'd've even thought to compare without reading this thread!
Sorry Eamonn, quite enjoying the hypotheticals here!
VoxPop, I know Song 2 was massive at the time, but surely it's more of a novelty hit?
Also, in Blur's defence, plenty of songs start out with a drum beat, I don't really think we can accuse Blur of nicking it from Pulp. Songs that start out that way have existed from at least the 60's, I'm sure. And Sunday Sunday has more of a jaunty, almost shuffly feel than the (wonderfully) awkward & jutting Love Is Blind. Pushed, I'd have to choose Love Is Blind as the better song, but they aren't two songs I'd've even thought to compare without reading this thread!
In a TV interview from Italy (maybe Spain) in '95, I think, both Jarvis and Russell explicitly accuse Blur of ripping off the intro to Love is Blind for Sunday, Sunday.
It's probably a coincidence, like a lot of other in the history of music.
Plus Modern Life is Rubbish was recorded between 91 and early 93. So there's a definite possibility that Sunday Sunday was recorded even before Separations was released. There's also a possibility they heard the track as well, but Damon isn't the kinda guy who rips off contemporary artists. there's an obvious ripp off on their 97 self titled, but it's lifted from an old bowie's song.
Did Blur even listen to that record in 92 ? Or mention Pulp in interviews back then ?
Pulp played with Blur on their first tour outside of the UK in autumn 1991 so the timing would fit perfectly. Russell talked about it in (I think it was) the Mojo Britpop edition a couple of years back. He mentioned Graham Coxon complimenting the band to his face and something about nicking their ideas. It's only the drumbeat intro but there is a definite resemblance there so I don't think it's a stretch to say Blur lifted it.
Interesting that tonight and next Tuesday both bands pick-up the same 'Outstanding Contribution' award, one at the Brits, the other at the NME. Although the Brits one is more mainstream I think Pulp's long-standing association with the NME makes that one a better fit for them (the kickstart given to their career with My Legendary Girlfriend getting 'Single of the Week' in 1991 will probably get a mention next week) regardless of not being ''well-known'' enough to get one at the Brits. I suppose Jarvis burnt his bridges with them anyway! (Not that they could give a fuck). And Blur are going to close the Olympics ceremony I hear, crikey.
The Blur Bowie rip-off is from Boys Keep Swinging isn't it? Actually on Jarvis' radio show the other week to mark Bowies 65th birthday he played that Blur song (from the 'Blur' album, can't think of the name) and Suede's New Generation, commenting how they were influenced by Bowie (which he admitted he has been himself).
How great would it be to have a year dominated by them and Pulp. Back to the good old days.
In many ways it would be sad if that happens. I'm happy to have Pulp back in their own right, but I'm not looking forward to the return of Britpop and Madchester. Been a few years since some good indie bands came through, would be good if some new bands made a name for themselves (and there are some promising acts out there).
Well i disagree, i dont really like english music nowadays, US bands emerging are much more interesting... England's struggling to find something new. (Or what bands do you think of ?)
Bring back the grey haired dudes with the good tunes.
Well i disagree, i dont really like english music nowadays, US bands emerging are much more interesting... England's struggling to find something new. (Or what bands do you think of ?)
Bring back the grey haired dudes with the good tunes.
Well i disagree, i dont really like english music nowadays, US bands emerging are much more interesting... England's struggling to find something new. (Or what bands do you think of ?)
Bring back the grey haired dudes with the good tunes.
I didn't say they had to be English. I like a number of US bands at the moment. Foster The People, Black Keys and Real Estate come to mind, but Band of Skulls sound promising, and The xx will be returning at some point. I'd just like some new exciting bands. Seems to have been a good few years since Arctic Monkeys, Arcade Fire et al broke through.
Re: bands ripping each other off, either Bernard Butler accused Blur of ripping off early Suede ideas, or else Coxon/Albarn accused Butler of ripping stuff off. Butler remained good friends with Justine following her exit from Suede/Brett, and thus was friends with Blur around this time.
Yeah, that is mentioned in John Harris' book (which gives warts and all accounts on practically all of Pulp's britpopping contemporaries but not much on Pulp, though that may have been down to their slight removal from the whole thing). Alex James (who else?!) talked about Bernard housesitting for Albarn and Frischmann when they went on holiday and rifling through Blur demos to nick ideas. Suede's first album would indicate not. I think Bernard was far more interested in listening to Johnny Marr than Graham Coxon.
As a slight aside, one thing that Harris arguably got spot-on in that book was his assertion at the end that Albarn was the movement's star talent and innovator. At the time (circa 2003) I would have said not and personally I think he is hit and miss. But after the book was written Albarn was hugely successful with Gorillaz' second album, did the Mali music and Good, Bad and The Queen things aswell as writing a music opera among sundry other interesting things. If Jarvis wasn't so lazy he could probably have given him a better run for his money over the past decade!
As a slight aside, one thing that Harris arguably got spot-on in that book was his assertion at the end that Albarn was the movement's star talent and innovator. At the time (circa 2003) I would have said not and personally I think he is hit and miss. But after the book was written Albarn was hugely successful with Gorillaz' second album, did the Mali music and Good, Bad and The Queen things aswell as writing a music opera among sundry other interesting things. If Jarvis wasn't so lazy he could probably have given him a better run for his money over the past decade!
Very arguable. He has been jumping from bandwagon to bandwagon from the Stone Roses impersonation on their debut LP. I am impressed with the eclectic nature of Albarn and I like a lot of what he does, but there is sometimes a lack of heart and passion in his work.
Obviously I think Jarvis is far more interesting, and I agree he appears to have been lazy. What he has done outside Pulp (All Seeing I, Relaxed Muscle) has been more interesting than Albarn's side projects, though sadly there hasn't been the quantity of material to truly bear comparison. Albarn, in my opinion, is the Britpop McCartney. Jarvis is more like Lennon (Well at the very least he's not Ringo)
James Blake Measurements SBTRKT Wildfire (feat. Little Dragon) Nicola Roberts Beat Of My Drum Katy B Katy On A Mission Teeth See Spaces Rustie Surph Wild Beasts Two Dancers (ii) - Jon Hopkins Remix Zomby/Reark Natalias Song Stay+ Fever - Fever Friendly Fires Hawaiian Air Mogwai Mexican Grand Prix Tom Vek Seizemic Django Django Default Errors Pleasure Palaces Metronomy The Look Kate Bush Wild Man Burial Street Halo Blanck Mass Chernobyl Forest Swords Rattling Cage Gil Scott-Heron & Jamie xx Im New Here This Will Destroy Us Black Dunes (Holy Others Woman in the Dunes Mix) Luke Abbott A Caucus Race PJ Harvey The Words That Maketh Murder Bill Wells The Copper Top Emmy The Great Trellick Tower Laura Marling The Beast Slow Club Never Look Back Lanterns on the Lake Lungs Quicken Veronica Falls Misery WU LYF L Y F Radiohead Lotus Flower The Twilight Sad Sick Hey Sholay The Bears The Clocks The Bees The Maccabees Pelican The Kills Nail In My Coffin The Horrors Dive In Factory Floor (R E A L L O V E) 93MillionMilesFromTheSun Before You Leave Yuck Get Away Mazes Go Betweens Frightened Rabbit Swim Until You Can't See Land
If you constantly think of British music as "not as good as the 90s" or whatever, you're always going to be disappointed. But the 90s happened, music like Pulp, Blur and Suede happened- we don't really need that to happen again. Great pop songs can still be written, they just sound a little different. You should definitely give the stuff on that playlist a chance.
Is there any evidence to support the Steve/Alex love triangle or is this just tabloid fodder? All news to me. I thought Steve had been with Katie Grand, the fashion journalist since Different Class-era? He seemed too mild-mannered to me to be 'shagging other bloke's birds.' (in my best cockney accent)
Is there any evidence to support the Steve/Alex love triangle or is this just tabloid fodder? All news to me. I thought Steve had been with Katie Grand, the fashion journalist since Different Class-era? He seemed too mild-mannered to me to be 'shagging other bloke's birds.' (in my best cockney accent)
the only 'evidence' i've seen is a quote from Alex in some book about britpop where he says a lot about how "snidey" pulp were. Steve's been with Katie for at least 14 years but I don't know what time period Alex James was explicitly referring to when he accused Steve of having sex with his girlfriend
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The trees, those useless trees, produce the air that I am breathing
Nah, Pulp should tour with Adele. Then they'll get six grammys .
Must admit, I wasn't too impressed with blur tonight. They should have just done Song 2 & Tender, the Parklife songs sound very dated. Pulp shouldn't consider playing second fiddle to them.
Albarn sounded out of breath. Vocally those songs have a lot of energy in them, a lot easier when you're in your mid-20's rather than early-40's I guess.
His speech went on a bit didn't it?! And poor Adele being cut-off by Corden...are ITV that restricted by advertising rules that they couldn't let it run on for an extra few minutes?
James Blake Measurements SBTRKT Wildfire (feat. Little Dragon) Nicola Roberts Beat Of My Drum Katy B Katy On A Mission Teeth See Spaces Rustie Surph Wild Beasts Two Dancers (ii) - Jon Hopkins Remix Zomby/Reark Natalias Song Stay+ Fever - Fever Friendly Fires Hawaiian Air Mogwai Mexican Grand Prix Tom Vek Seizemic Django Django Default Errors Pleasure Palaces Metronomy The Look Kate Bush Wild Man Burial Street Halo Blanck Mass Chernobyl Forest Swords Rattling Cage Gil Scott-Heron & Jamie xx Im New Here This Will Destroy Us Black Dunes (Holy Others Woman in the Dunes Mix) Luke Abbott A Caucus Race PJ Harvey The Words That Maketh Murder Bill Wells The Copper Top Emmy The Great Trellick Tower Laura Marling The Beast Slow Club Never Look Back Lanterns on the Lake Lungs Quicken Veronica Falls Misery WU LYF L Y F Radiohead Lotus Flower The Twilight Sad Sick Hey Sholay The Bears The Clocks The Bees The Maccabees Pelican The Kills Nail In My Coffin The Horrors Dive In Factory Floor (R E A L L O V E) 93MillionMilesFromTheSun Before You Leave Yuck Get Away Mazes Go Betweens Frightened Rabbit Swim Until You Can't See Land
If you constantly think of British music as "not as good as the 90s" or whatever, you're always going to be disappointed. But the 90s happened, music like Pulp, Blur and Suede happened- we don't really need that to happen again. Great pop songs can still be written, they just sound a little different. You should definitely give the stuff on that playlist a chance.
Well i know most of those bands and they dont really do anything for me.
There's nothing wrong with thinking a decade is better than others. The 60s were amazing, the 70s ok, the 80s shit bar a few bands, the 90s amazing, the 00s okay and the 10s are okay at best so far.
There's nothing wrong with dont liking the sound of these bands, it's always subjective, but that's how music is, you feel it or you dont. I know 70% of the bands in your playlist and they dont do anything for me, what can i do about it.
Plus, those "old britpop bands" are coming back with new material, they're not recreating the past, they belong to that era, it's not because they are in their 40s that they should be considered old news.
-- Edited by andy on Wednesday 22nd of February 2012 08:43:00 AM
...are ITV that restricted by advertising rules that they couldn't let it run on for an extra few minutes?
ITV are useless with live events. They missed the England goal in the last World Cup, and cut a Merseyside derby with minutes to go when the winning goal was scored.
Ironically, one of the first advertisements shown after the Brits ended was, err, Adele!