Going through the Wiki, there are nine songs that are so obscure that barely even the names are known:
Darren, M'Lady, Performance of a Lifetime, St. Just, Love You Baby, Six String, Last Song in the World, Medieval Owl, Dream Galaxy
But there are also eight songs that do exist in some form or other:
Yesterday (B Side), Quiet Revolution (live), Cuckoo Song (live), Got To have Love (instrumental), After You (leaked), Grandfather's Nursery (obscure, but exists!), Chordy/My Mistake (leaked), Forever in my Dreams (B-Side)...
I suppose that, given they were played live, Duck Diving and Road Dahl could also be added to this list from a bootleg.
Has anyone already compiled all of this as a ten track album or is there another leaked track or two out there that I've not accounted for...? Or are 'My Body May Die'/'Born To Cry' considered to be WLL era...?
Has anyone already compiled all of this as a ten track album or is there another leaked track or two out there that I've not accounted for...?
Just a few. Demos for "Cuckoo", "Quiet Revolution", "Wickerman" and "Yesterday" are floating around.
Are you including remixes in that? Here are the ones I can think of:
Sunrise (Fat Truckers Remix) Sunrise (All Seeing I Middle of the Road Remix) Sunrise (ALT / Dynamics Remix) Sunrise (Remake) The Trees (Felled by I Monster Remix) The Trees (Lovejoy No Jazz Remix)
Have I missed any? Radio edits exist for both of those as well as "Bad Cover Version" but I'm not sure if they are of any interest.
As for "My Body May Die" and "Born to Cry", they weren't b-sides but they weren't on the "This is Hardcore" deluxe CD either so I am guessing we can call them "We Love Life" era songs.
-- Edited by Ian on Thursday 14th of July 2011 04:00:42 PM
Stephen wrote:Or are 'My Body May Die'/'Born To Cry' considered to be WLL era...?
'My Body May Die' was Pulp's first collaboration with The Swingle Singers and one of their first experiments with the glass harmonica, so I consider it the first release of the WLL period.
I once corresponded with a member of the Swingle Singers who to me they recorded quite a lot of songs with Pulp. This was before Scott Walker got involved, so I wonder if any were lost with Chris Thomas' recordings.
-- Edited by Fuss Free on Thursday 14th of July 2011 04:39:52 PM
The appearance of Grandfather's Nursery was a particularly weird one, I remember.
Appeared out of nowhere on Amazon one day as a free MP3 on the album page if I remember correctly...?
Actually, did anyone ever get to the bottom of exactly how/why that happened? I vaguely remember reading a quote from a band member (Mark Webber?) about it, but can't think what he said.
Sturdy...?
-- Edited by LeoVK on Thursday 14th of July 2011 06:29:07 PM
Seriously, we have to do something about contacting Universal about a WLL deluxe (or at least digital downloads of the unreleased demos).
Anyone got contact details? I did a search on their website for the people who worked on the three previous reissues 5 years ago but nothing came up. If we got 50+ or whatever signatures off users on this forum and sent them a petitioning letter it might be a start anyway.
The drummer from the Seattle band Screaming Trees is putting out their never-released final album on his own label. It would be cool if someone in the band or Rough Trade could do this with the WLL outtakes if Universal can't be bothered.
-- Edited by Mike on Friday 15th of July 2011 04:35:16 PM
Ooh, I'll have to do a search for it later. Thanks!
Haha just realised my previous post sounded a bit abrupt! I THINK it may be on one of the baritalia accounts, but probs best to search on here as it was literally a few weeks back as far as I can remember.
is the decision really up to the band though? since WLL wasn't exactly a bestseller why would people pay double for the deluxe edition (referring to the majority of people here, clearly not the people of this forum)
is the decision really up to the band though? since WLL wasn't exactly a bestseller why would people pay double for the deluxe edition (referring to the majority of people here, clearly not the people of this forum)
Since WLL wasn't exactly a bestseller why would people pay double for the deluxe edition (referring to the majority of people here, clearly not the people of this forum)
Because it would be the best value of the lot - containing far more lost songs in demo form than the previous three reissues.
Deluxe editions are targeted at the likes of us anyway (of which there is an increasing number), the outlay is minimal and given Pulp's return to the spotlight it makes sense to do it now.
Everything from the 90s is rereleased as a deluxe edtion. Sebadoh, JaMC, Nick Cave, The Cure, Boo Radleys, Smashing Pumpkins, Pavement, Suede. Even Mansun.
I dont think WLL sold worse than Munki or A New Morning.
Everything from the 90s is rereleased as a deluxe edtion. Sebadoh, JaMC, Nick Cave, The Cure, Boo Radleys, Smashing Pumpkins, Pavement, Suede. Even Mansun.
I dont think WLL sold worse than Munki or A New Morning.
There's no point comparing it though, cause in the context of Pulp, We Love Life is a completely unessential album for many people- there were no hits from it, and the band had quite a different sound to the one most people associate with them.
Suede released ALL of their albums as deluxe editions- the inclusion of Head Music and A New Morning was pretty much only for completists, would have been manufactured in relatively small quantities compared to the other three, and there would have been no way that re-releasing those two albums would have been financially possible if it wasn't for the fact that the first three records were also getting re-released/a huge promotional push.
Most people, even ones who are really quite into Pulp and know most of their albums, don't care THAT much about unreleased demos, sadly, and therefore I really can't see Island bothering to release a deluxe edition of WLL. That is, unless, they do a Suede and release ALL the albums again, maybe include a dvd and some live tracks too (re-releasing Intro too would be quite interesting).
Otherwise, a general Pulp 'Island years' rarities album? That would be pretty good.
-- Edited by calumlynn on Saturday 16th of July 2011 06:51:01 PM
Saint Etienne did a reissue programme recently with albums being individually released in stages over a couple of years which included their last studio album (which originally came out as recently as 2005) so there's many cases of ''unessential'' albums being remade/remodelled on their own.
Admittedly in the case of Etienne and Suede they did their reissues independently after the copyright on their catalogue reverted to them from the majors. I don't think that is the case/will ever be with Pulp.
But it's not expensive to do so ultimately it comes down to whether Universal are arsed. And they probably use logic like yours so it may not be likely.
If not just sell the demos on itunes and other sundry digital stores in their current state and it's all profit.
Saint Etienne did a reissue programme recently with albums being individually released in stages over a couple of years which included their last studio album (which originally came out as recently as 2005) so there's many cases of ''unessential'' albums being remade/remodelled on their own.
Admittedly in the case of Etienne and Suede they did their reissues independently after the copyright on their catalogue reverted to them from the majors. I don't think that is the case/will ever be with Pulp.
But it's not expensive to do so ultimately it comes down to whether Universal are arsed. And they probably use logic like yours so it may not be likely.
If not just sell the demos on itunes and other sundry digital stores in their current state and it's all profit.
I know what you're saying, but ultimately it IS expensive to do a re-release, it's not just a case of opening the Island record vaults, sticking the album and extra tracks on a disc and then just releasing it. Firstly the demos would have to be remastered, along with the whole album really as is usual for a re-release, then there is marketing and advertising costs, extra graphic design and artwork, manufacture costs- all in all we really can't expect it to be in Islands interests to put all that effort into re-releasing an album that is neither popular nor thought of as a classic.
I'd LOVE a WWL re-release for the extra tracks, but I can't see it happening any time soon, though I'd love to be proved wrong. However, I'm absolutely sure that those demos will get a release at some point. I'm not a massive fan of the 're-release' format anyway, I don't really want to buy an album I already own.
I'm not really sure what you mean by "logic like yours" mind, that's a bit of an arsey comment. I'm just being realistic.
-- Edited by calumlynn on Saturday 16th of July 2011 07:51:36 PM
I wasn't having a go, more the opposite. I meant that your reasoning is probably sound from a label's point of view.
I know it's not just a case of throwing a reissue out there with minimal thought and expecting enough people to buy it, there are costs involved like the ones you mentioned. I just think there's been enough examples of ''deluxe'' versions having being done for less than classic albums so it can't take many sales for the record company to recoup the initial outlay.
Or maybe just bundle it with a DVD of all the Glasto perfomances over the years/Summer 2011 footage from Wireless or something.
Or maybe just bundle it with a DVD of all the Glasto perfomances over the years/Summer 2011 footage from Wireless or something.
that's a good idea : do you mean on top of demos on 2nd disk have live performances you can view on computer which would, I think, definitely sway people towards buying it, or just making them separate items but releasing them together as some sort of deal?
The deluxe editions of HNH, DC and TIH have sold well enough to be sold out on amazon uk. If that means anything...
Surely that means Pulp are so far down on Universals list of priorities that they don't even bother to keep the most recently released Pulp cds in print??
Without knowing the sales figures I think the one indication that the previous deluxe editions may have fared well was that they were given an American release a couple of years ago (unless it was Universal using leftover stock from the original run).
Without knowing the sales figures I think the one indication that the previous deluxe editions may have fared well was that they were given an American release a couple of years ago (unless it was Universal using leftover stock from the original run).
Now that IS a good sign... also it's actually maybe good that the UK ones are sold out.. Because, and this is probably just wishful thinking, maybe Universal stopped manufacturing them because they're going to do a big re-release of all the albums, and want to give them a big push?! Maybe even do a vinyl re-release too?!
WWL tracks must someday get an official release! It'd be the next best thing to new material for me.
If they were to release a live dvd my wish would be something like the Leonard Cohen one from his last tour - Individual tracks from a range of all the different shows... perhaps with band members stories inbetween (a bit like feelingcalledlive) Not that I've put much thought into it!
I suppose Suede's rereleases is similar to the situation with Darren Hayman and the Hefner rereleases. The copyright having returned to them means that any time/effort they put into the project gets renumerated heavily by the heavy percentage of cash they'll get to take on each CD sold. No such luck for Pulp...
The band do want to do a deluxe WLL but Universal knocked the idea back - both in 2006 and this year. I agree with those who've said they're off the mark thinking there's no market for it. Maybe a petition would be the way forward.
__________________
"Yes I saw her in the chip shop / so I said get yer top off"
Interesting, Mark. Are you back in touch with Russell or Nick?
Still can't see a proper email address on the Universal Music Group site, just the general query form.
''If you have additional questions, please send us your feedback communications@umusic.com. Please realize that we receive many information requests and will only be able to answer questions for which we can provide answers.''
I don't think anything will get read there. Where's that nice Island A&R bloke, Nigel Coxon (?), you interviewed for your book, gone to?
i doubt they'd re-release WLL on its own anyway. It's their less famous records from the "golden" era so i suppose that if island cooked another re-release, it would be H&H, DC and TIH next to WLL. But It'll happen, it's only a matter of time. Now would have been good, but you can expect record companies execs to be smart.
I“m not that web-savvy and versed in english, but what about:
-starting a big, nicely designed petition on the startsite of PulpWiki -starting a thread on Pulps Facebook that calls on people to go on PulpWiki and sign the petition -renaming this thread "Universal, please release We Love Live Extended!", making it stick as the top topic on this forum
maybe we can build some momentum.
I recently stumbled upon this: "The band split during the final recording session for the album, leaving some unfinished tracks which weren't included on Kleptomania. The full reasons for the split have never been made public, but in a press release Paul Draper stated that the band had simply "grown apart".
EMI had originally not intended to release the material until an online petition, which gained over 4000 signatures, demonstrated that there was demand for it from fans. Draper was not in a positive frame of mind about Mansun at the time but agreed to work on the material after EMI contacted him, on the basis that the material would be released as part of a boxset featuring other material."
Am I the only one who isn't too bothered about a "We Love Life" reissue? I mean, yes I would buy it and yes it would be good but I just think that we should be greatful for what we have got and not complain about what we haven't. In all fairness, they have released pretty much everything from the "His 'n' Hers", "Different Class" and "This is Hardcore" sessions and I can remember the days when reviews on this site would end something like "nobody knows anything else about this song, nor will they ever" but now we do. Also, "Masters of the Universe" made the Fire singles available on CD for the first time and we got "Intro" so if you ask me, we've had more than our fair share...
I'm grateful that Jarvis decided to dig-up old demos when Universal told him they wanted to put out reissues. Otherwise it would have been just shitty remixes and live songs.
We all paid for those deluxe editions, (well, most of us), for some it was the second, third or moreth time of buying each album. It's not like they're doing us a favour - there's money to be made from this if they do it properly. Unfortunately, they don't seem to think enough money. But kissing major label arse when you see some of the absolute dross they have on their roster (take a look at their site) all in the name of profit...nah, I don't think so.