Going through the Wiki, there are nine songs that are so obscure that barely even the names are known:
Darren, M'Lady, Performance of a Lifetime, St. Just, Love You Baby, Six String, Last Song in the World, Medieval Owl, Dream Galaxy
But there are also eight songs that do exist in some form or other:
Yesterday (B Side), Quiet Revolution (live), Cuckoo Song (live), Got To have Love (instrumental), After You (leaked), Grandfather's Nursery (obscure, but exists!), Chordy/My Mistake (leaked), Forever in my Dreams (B-Side)...
I suppose that, given they were played live, Duck Diving and Road Dahl could also be added to this list from a bootleg.
Has anyone already compiled all of this as a ten track album or is there another leaked track or two out there that I've not accounted for...? Or are 'My Body May Die'/'Born To Cry' considered to be WLL era...?
Has anyone already compiled all of this as a ten track album or is there another leaked track or two out there that I've not accounted for...?
Just a few. Demos for "Cuckoo", "Quiet Revolution", "Wickerman" and "Yesterday" are floating around.
Are you including remixes in that? Here are the ones I can think of:
Sunrise (Fat Truckers Remix) Sunrise (All Seeing I Middle of the Road Remix) Sunrise (ALT / Dynamics Remix) Sunrise (Remake) The Trees (Felled by I Monster Remix) The Trees (Lovejoy No Jazz Remix)
Have I missed any? Radio edits exist for both of those as well as "Bad Cover Version" but I'm not sure if they are of any interest.
As for "My Body May Die" and "Born to Cry", they weren't b-sides but they weren't on the "This is Hardcore" deluxe CD either so I am guessing we can call them "We Love Life" era songs.
-- Edited by Ian on Thursday 14th of July 2011 04:00:42 PM
Stephen wrote:Or are 'My Body May Die'/'Born To Cry' considered to be WLL era...?
'My Body May Die' was Pulp's first collaboration with The Swingle Singers and one of their first experiments with the glass harmonica, so I consider it the first release of the WLL period.
I once corresponded with a member of the Swingle Singers who to me they recorded quite a lot of songs with Pulp. This was before Scott Walker got involved, so I wonder if any were lost with Chris Thomas' recordings.
-- Edited by Fuss Free on Thursday 14th of July 2011 04:39:52 PM
The appearance of Grandfather's Nursery was a particularly weird one, I remember.
Appeared out of nowhere on Amazon one day as a free MP3 on the album page if I remember correctly...?
Actually, did anyone ever get to the bottom of exactly how/why that happened? I vaguely remember reading a quote from a band member (Mark Webber?) about it, but can't think what he said.
Sturdy...?
-- Edited by LeoVK on Thursday 14th of July 2011 06:29:07 PM
Seriously, we have to do something about contacting Universal about a WLL deluxe (or at least digital downloads of the unreleased demos).
Anyone got contact details? I did a search on their website for the people who worked on the three previous reissues 5 years ago but nothing came up. If we got 50+ or whatever signatures off users on this forum and sent them a petitioning letter it might be a start anyway.
The drummer from the Seattle band Screaming Trees is putting out their never-released final album on his own label. It would be cool if someone in the band or Rough Trade could do this with the WLL outtakes if Universal can't be bothered.
-- Edited by Mike on Friday 15th of July 2011 04:35:16 PM
Ooh, I'll have to do a search for it later. Thanks!
Haha just realised my previous post sounded a bit abrupt! I THINK it may be on one of the baritalia accounts, but probs best to search on here as it was literally a few weeks back as far as I can remember.
is the decision really up to the band though? since WLL wasn't exactly a bestseller why would people pay double for the deluxe edition (referring to the majority of people here, clearly not the people of this forum)
is the decision really up to the band though? since WLL wasn't exactly a bestseller why would people pay double for the deluxe edition (referring to the majority of people here, clearly not the people of this forum)
Since WLL wasn't exactly a bestseller why would people pay double for the deluxe edition (referring to the majority of people here, clearly not the people of this forum)
Because it would be the best value of the lot - containing far more lost songs in demo form than the previous three reissues.
Deluxe editions are targeted at the likes of us anyway (of which there is an increasing number), the outlay is minimal and given Pulp's return to the spotlight it makes sense to do it now.
Everything from the 90s is rereleased as a deluxe edtion. Sebadoh, JaMC, Nick Cave, The Cure, Boo Radleys, Smashing Pumpkins, Pavement, Suede. Even Mansun.
I dont think WLL sold worse than Munki or A New Morning.
Everything from the 90s is rereleased as a deluxe edtion. Sebadoh, JaMC, Nick Cave, The Cure, Boo Radleys, Smashing Pumpkins, Pavement, Suede. Even Mansun.
I dont think WLL sold worse than Munki or A New Morning.
There's no point comparing it though, cause in the context of Pulp, We Love Life is a completely unessential album for many people- there were no hits from it, and the band had quite a different sound to the one most people associate with them.
Suede released ALL of their albums as deluxe editions- the inclusion of Head Music and A New Morning was pretty much only for completists, would have been manufactured in relatively small quantities compared to the other three, and there would have been no way that re-releasing those two albums would have been financially possible if it wasn't for the fact that the first three records were also getting re-released/a huge promotional push.
Most people, even ones who are really quite into Pulp and know most of their albums, don't care THAT much about unreleased demos, sadly, and therefore I really can't see Island bothering to release a deluxe edition of WLL. That is, unless, they do a Suede and release ALL the albums again, maybe include a dvd and some live tracks too (re-releasing Intro too would be quite interesting).
Otherwise, a general Pulp 'Island years' rarities album? That would be pretty good.
-- Edited by calumlynn on Saturday 16th of July 2011 06:51:01 PM
Saint Etienne did a reissue programme recently with albums being individually released in stages over a couple of years which included their last studio album (which originally came out as recently as 2005) so there's many cases of ''unessential'' albums being remade/remodelled on their own.
Admittedly in the case of Etienne and Suede they did their reissues independently after the copyright on their catalogue reverted to them from the majors. I don't think that is the case/will ever be with Pulp.
But it's not expensive to do so ultimately it comes down to whether Universal are arsed. And they probably use logic like yours so it may not be likely.
If not just sell the demos on itunes and other sundry digital stores in their current state and it's all profit.
Saint Etienne did a reissue programme recently with albums being individually released in stages over a couple of years which included their last studio album (which originally came out as recently as 2005) so there's many cases of ''unessential'' albums being remade/remodelled on their own.
Admittedly in the case of Etienne and Suede they did their reissues independently after the copyright on their catalogue reverted to them from the majors. I don't think that is the case/will ever be with Pulp.
But it's not expensive to do so ultimately it comes down to whether Universal are arsed. And they probably use logic like yours so it may not be likely.
If not just sell the demos on itunes and other sundry digital stores in their current state and it's all profit.
I know what you're saying, but ultimately it IS expensive to do a re-release, it's not just a case of opening the Island record vaults, sticking the album and extra tracks on a disc and then just releasing it. Firstly the demos would have to be remastered, along with the whole album really as is usual for a re-release, then there is marketing and advertising costs, extra graphic design and artwork, manufacture costs- all in all we really can't expect it to be in Islands interests to put all that effort into re-releasing an album that is neither popular nor thought of as a classic.
I'd LOVE a WWL re-release for the extra tracks, but I can't see it happening any time soon, though I'd love to be proved wrong. However, I'm absolutely sure that those demos will get a release at some point. I'm not a massive fan of the 're-release' format anyway, I don't really want to buy an album I already own.
I'm not really sure what you mean by "logic like yours" mind, that's a bit of an arsey comment. I'm just being realistic.
-- Edited by calumlynn on Saturday 16th of July 2011 07:51:36 PM
I wasn't having a go, more the opposite. I meant that your reasoning is probably sound from a label's point of view.
I know it's not just a case of throwing a reissue out there with minimal thought and expecting enough people to buy it, there are costs involved like the ones you mentioned. I just think there's been enough examples of ''deluxe'' versions having being done for less than classic albums so it can't take many sales for the record company to recoup the initial outlay.
Or maybe just bundle it with a DVD of all the Glasto perfomances over the years/Summer 2011 footage from Wireless or something.
Or maybe just bundle it with a DVD of all the Glasto perfomances over the years/Summer 2011 footage from Wireless or something.
that's a good idea : do you mean on top of demos on 2nd disk have live performances you can view on computer which would, I think, definitely sway people towards buying it, or just making them separate items but releasing them together as some sort of deal?