Mad to think that across the world (well, UK mostly), a couple of dozen or more music reviewers are currently enjoying the fruits of the official Pulp comeback and ready to file copy to give the album an 89% average on Rotten Tomatoes or whatever the music equivalent is (MetaCritic?)...
New edition of Mojo is out, no more Pulp peering out from magazine stands, sadly. Gallagher-time.
Also, this review of More is not the main one (Stereolab) or even the second or third longest. I don't know how they decide on coverage - we'll give them a cover story in advance but won't dissect the album when it's reviewed the following month?
The album is also on the back cover with a full page advert. Can't give it a bad review now, right?
Anyway...it's Four stars out of Five ("and that's unheard of" to quote their fellow-Sheffield brethren) - encouraging but c'mon John, why not the full five...
-- Edited by Eamonn on Tuesday 13th of May 2025 10:00:13 AM
I didn't know Subculture cause I'm not a big big New Order fan. It's great, very disco, could easily fit in Pulp discog
the world needs a new disco anthem.
I didnt know the song, i listened to one version, it sounded like a very unfinished vocals. Yet apparently its on an album. I get the Pulp comparison though, but of course Pulp will do better hehe
-- Edited by andy on Wednesday 14th of May 2025 07:14:22 AM
I wonder when the next review will hit. The monthly music mags tend to get in early. Online music websites, media outlets & newspapers generally publish their reviews on the week of release.
Uncut usually publish a couple of weeks after Mojo (I assume so as not to get in each other's way too much considering they must have a large cross-over in customers).
Record Collector...not sure when that goes to print.
Classic Pop will probably cover 'More' but I think they publish less than monthly now.
Are there any other music magazines left? What about France's titan - Les Inrockuptibles? I expect a 10 out 10 for old time's sake.
Yeah, NME.com has album reviews (there are certain bands to whom they're always nice. Pulp is one of them). Pitchfork will have their anal scoring system, to the nearest tenth ie 7.3 out of 10 and lots of zine-type sites and blogs (Brooklyn Vegan, God Is In The TV) will cover it. The Quietus too, they have some great writers who write meaty articles.
Oh wow, that is a great review. This album is going to be both emotional and blow the bloody doors off, live. Thanks so much for sharing.
I've bought the e-mag of Hot Press which has a really good Jarvis interview too, just not sure if it's iffy to share so soon (they published something I wrote once!).
I think reviews are fine to snip and paste but maybe cover stories/full articles... I dunno, can't remember if anyone shared the Mojo interview but most of us bought it for the free CD anyway.
As Liam and Noel Gallagher prepare to rake in millions from this summers much-fêted Oasis reunion shows, Manchesters favourite warring brothers risk being overshadowed by one of the Nineties most beloved other bands. Back with their first album in almost 24 years, Pulp prove once again that their title of Britpops wittiest and most intelligent chroniclers of everyday life (and sex) is in no danger of being snatched away.
Appropriately titled More, the album was written in the aftermath of Pulps own triumphant run of reunion shows beginning in 2023 (its also their first since the death of bassist Steve Mackey, that same year). Theres always a worry when a band as influential and brilliant as Pulp decides to release new music: will it be any good? Will the new songs have everyone heading off to the bar en masse? One only has to remember the Stone Roses tedious 2016 effort, Beautiful Thing, to be filled with dread.
But More is a supremely confident record, filled with lust, laughter and passion that hark back to Pulps glory days. Spike Island itself inspired by the Roses famous 1990 gig in Widnes is a sunny slice of pure pop that manages to sound like quintessential Jarvis ****er and co. without veering into nostalgic karaoke.
Thats not to say that loyal Pulp fans shouldnt be prepared to feel challenged by some of the tracks the youthful exuberance of 1994s His n Hers, and the anthemic power of Different Class, which followed a year later, has been replaced with tales of 61-year-old ****ers upper middle-class reality. Luckily, despite many of the songs focusing on farmers markets or conversations with friends about commute times, his irrepressible horniness (think of sex-fuelled classics like Acrylic Afternoons or Babies) is still present.
And so you move from Camden / Out to Hackney / And you stress about wrinkles / Instead of acne, he sings on Grown Ups, a thudding, synth-heavy reflection on ageing, while Farmers Market is ****er at his most ****er: a bit pretentious, a bit strange, but nonetheless intoxicating. Elegiac strings give way to his earnest vocals as he regales us with the tale of an intense love affair. You can readily picture massive crowds singing back the soaring bridge We thought that we were just joking / Trying dreams on for size / We never realised / Wed be stuck with them, for the rest of our natural lives just as loudly as they would that famous refrain in Sorted for Es and Wizz.
Its the slower tracks that take slightly longer to get on board with, from the ode to Steel City on Hymn of the North to melodic closer A Sunset (co-written with Richard Hawley), the latter of which wouldnt sound out of place on a church choirs Sunday setlist. In comparison, the stompers will have the biggest impact Spike Island, already making waves on radio, and the superbly funky Got to Have Love.
Perhaps its because they were never really Britpop, having started out too early, but Pulp is still the best thing to have come out of the era. Not as boisterous as Oasis, never as smug as Blur or Suede, their music remains an open window to everyday British life. Because whats more British than self-deprecation and a penchant for farmers markets?
More is released on June 6
-- Edited by Eamonn on Tuesday 20th of May 2025 05:19:43 PM