At the start of the month, Pulp play their first standalone gig in London since 2012. And it'll be nearly 25 years exactly since the day they played Finsbury Park last - at their first UK standalone concert touring This Is Hardcore. That performance was filmed and recorded, and released on DVD as The Park Is Mine.
Pulp will play their biggest gig so far of this long-awaited - possibly final - tour.
Wet Leg will provide support.
This is hardcore. So you'd better raise your arms and take it in, right down to the marrow.
Really hope they play a bit more from TIH. Jarvis is one for noatalgia at times and 25 years on from basically premiering almost the whole album live at their own outdoor show, it would be great, especially after hearing how good Glory Days was at Brid.
-- Edited by Eamonn on Wednesday 21st of June 2023 08:48:27 AM
Yeah, I thought that was pretty pointless. Starts when all the fans are at the actual, y'know, gig. By the time you trudge across after the curfew it'll be well gone 11.
Yeah - that is too bad! I'm coming thousands of miles - looking forward to meeting fellow fans. I still don't quite understand why they are not as popular here in the States. Or maybe I do...... and I just don't want to admit it. We did sort of elect Trump.
Apart from the very recent email from See Tickets shifting doors from 4pm to 3pm there's been *so* little info from the organisers/band so far...
We're five days away and we've got one confirmed support act (Wet Leg), one that's confirmed themselves (Baxter Dury), and doors now open at 3pm with a presumed 10.30pm curfew, and no whisper of what the stage times are.
If the organisers actually want people to rock up at 3pm to buy drinks (as they obviously do), then a bit more info would be somewhat helpful?
Absolutely. It's also annoying that we don't know if ticket transfer will become available from the Ticketmaster app (I've asked but don't expect a helpful reply). Just a bit rubbish that you've got a shiny app but can't do the basics like turn up at different times to your mates or work out a basic schedule of bands and times.
Apart from the very recent email from See Tickets shifting doors from 4pm to 3pm there's been *so* little info from the organisers/band so far...
We're five days away and we've got one confirmed support act (Wet Leg), one that's confirmed themselves (Baxter Dury), and doors now open at 3pm with a presumed 10.30pm curfew, and no whisper of what the stage times are.
If the organisers actually want people to rock up at 3pm to buy drinks (as they obviously do), then a bit more info would be somewhat helpful?
I wont be buying drinks as the facilities at Finsbury Park arent very good. Long queues for the portaloos or splashing around in the mud in the urinals. Will get there in time for Wet Leg (though hopefully not literally). Suspect they will be on about 7pm.
Thanks for the info. I'm coming so damn far - I will probably be jet-lagged and grumpy so less time waiting in line for a portaloo, the better. 7pm will be a good time. I'm on my own so I don't need to be jammed up front.
Brid was more like 1hr 45m - they came on just after 9 and finished ten or fifteen minutes before 11pm (presumably the curfew).
Dublin was at least 10 minutes at the beginning of all those screen-messages, curtain-pulling, and holding the opening note of I Spy before it finally kicked-off around 9.10pm and finished at about 10.40pm - so an hour and a half in all.
For Finsbury, presumably they'll continue with the long pre-amble/pissing-about with the atmos build-up so I'd imagine an hour an forty of choons (at least, hopefully).
FINSBURY PARK (July 25th 1998) (filmed and released as The Park Is Mine)
Spoiler
The Fear
Do You Remember the First Time? I'm a Man Dishes Seductive Barry Sorted for E's and Wizz TV Movie A Little Soul Party Hard Help the Aged Sylvia This Is Hardcore Glory People Laughing Boy Something Changed
BRIXTON ACADEMY (September 1st 2011) (with Russell Senior)
Spoiler
Do You Remember the First Time?
Monday Morning Razzmatazz The Trees The Fear Lipgloss Something Changed Disco 2000 Sorted for E's and Wizz Sheffield: Sex City Babies Live Bed Show This Is Hardcore Sunrise Bar Italia Common People Party Hard Countdown Mis-Shapes Wickerman
THEATRE ROYAL, DRURY LANE (December 18th 1994)
Spoiler
Love Is Blind
Death Comes to Town Razzmatazz Joyriders Underwear 59 Lyndhurst Grove Acrylic Afternoons We Can Dance Again Common People Lipgloss Do You Remember the First Time? I Want You Babies O.U. (Gone, Gone) Pink Glove
ROYAL ALBERT HALL (March 31st 2012) (in aid of Teenage Cancer Trust)
Spoiler
Do You Remember the First Time?
Mis-Shapes Razzmatazz Something Changed Sorted for E's and Wizz I Spy The Birds in Your Garden Bad Cover Version Like a Friend This Is Hardcore Sunrise Bar Italia Common People My Lighthouse Babies Disco 2000
And, of course, a throwback to Pulp's last time at Finsbury:
A legendary performance, that one.
Setlist? Well, 1hr 50 - it could be their longest yet this year. I'm expecting a mix of reminiscences/theatrics/teasing to eat into that, though, so perhaps the setlist will come in shorter than Bridlington. Maybe some more Hardcore tracks... as others have said, they have a set light show now, it's all programmed, but still, it's not too hard to imagine one of the non-title singles will come out. "Help the Aged" or "A Little Soul", maybe not both. (Whichever one they pick, if they do, is sure to be emotionally charged.) As they're playing in London - and not too far away from the song's subject - "Mile End" might be a goer, too.
And, well, London is where Jarvis met Steve, and where they lived together (and at their last gig, they played the album that Steve was proudest of)...if they don't play "Something Changed" early on - or they do it without really mentioning Steve - then you'll know something's planned.
Eamonn was talking about this, and it is pretty compelling. Of course I wouldn't want to pre-empt it too much -and I certainly wouldn't want to suggest that they ought to, not at all. It must be so difficult for them that perhaps they simply can't manage it, and why should they? It's hard enough for us as fans, and I wasn't even around back in 1998 - I've never seen or met Steve - but I can't hide that when the news came, it was one of those deaths that does hit you a little bit more than most. It's felt a little bit like the elephant in the room. Of course, most casuals just know Jarvis... Anyway, it would be the most fitting gig of the tour to pay particular tribute to Steve, given his artistic influence within Pulp was probably at its peak about the time they last played Finsbury Park. God, when you listen to Hardcore (and songs from that era, like "Like a Friend" and "The Professional"), you can feel Steve's presence. It's not just the great basslines, because they'd been there since Separations - and before then too, Manners was no slouch - but here, they're just so stylistically Steve Mackey, just the start of "Seductive Barry" just is him, so economical with it and so bloody groovy with it, suffused with certain 'other' tensions too, same with "Party Hard", then his bass is so integral to less 'sexy' songs like "A Little Soul" and "Help the Aged", it's the bass not just as a danceable rhythm counterpart to Jarvis and companion to Nick but also the bass as pregnant with meaning, as looming and ominous or allusive and flirtatious, bass that's at turns come-hither and fuck-off-all-the-way-over-thither, the most full-blooded component of Hardcore's musical mix. Sorry, there's a lot here but the bass on this album is so fucking fantastic, and then you add Smackey's part in the Hardcore video and you're just like. Damn.
Anyway, maybe they'll mention him more, maybe they won't - it's impossible hard either way - they deserve not to have to face that again. But still, he's a looming presence over these gigs. And such a presence he always had.
I do think we are going to be in for one *big* night, though. Expect comparisons to Pulp gigs past. The music press need something after Glastonbury, and after some of the headliners got slightly mixed reviews, you have the one band that probably bears the single greatest moment in Glasto's history (sorry Thom) off to the capital. Not everyone has been reacquainted with how good Pulp are, yet... the strength of their performances thus far has even taken this forum's older heads by surprise. I'm optimistic.
-- Edited by lipglossed on Thursday 29th of June 2023 12:54:47 AM
Don't know how many times I rewound the version of Laughing Boy from The Park Is Mine (taped on VHS from a TV broadcasr of it on New Year's Eve 1999!) just to hear it again.
Instantly became one of my fave Pulp songs (even though Mark's guitar cuts out early on and he's reduced to spectator until the last part!) and I didn't hear the official/studio version until a year or two later.
Always found it a little odd from then on, the actual B-Side being the easier version to find and listen to; because the stylings of the live rendition had already lodged themselves fully in my happy-brain area.
Yeah. Chris Thomas' production was ideal for Different Class, but some of the Hardcore tracks sound so stodgy on the album, and live they're absolutely different beasts, the band played them so much better.
I listened to some live bootlegs of 'I'm a Man' earlier, and wow - it could've been an absolute live staple. Would've been effective even for those who'd never heard it before.
Just been for my (semi-) regular run to Finsbury Park. They have everything set-up for the next few nights of gigs. Could just about see the stage over the high temporary walls they've put-up. All felt quite exciting, like the night before Christmas.
Plenty of security milling around doing checks. Jogged home a little faster with a spring in my step.
Well, have a great time at this tomorrow everyone. Can't wait to hear the reviews :) I'm still on a high after Dublin. You're in for something really special.
What an entrance. Possibly the most rock & roll moment Ive ever had the joy to witness. Mind, despite Finsbury Parks best efforts, I am a little drunk. Hope everyone made their trains okay!
The tribute to those attending London Pride ahead of Mis shapes was extremely welcome to all of the LGBT+ crowd members. For a band who have a predominantly straight (albeit ally) following , something as small as that can be extremely reassuring. Thank you, Pulp .
There was a missed opportunity for the Pride Misshapes tribute to blend in to Bar Italia... a song about the Italian cafe in the middle of London's gay district.
I also was suriprised we didn't get Mile End whilst American hit Like A Friend got another outing. Like A Friend has anthemic qualities, but tonight there were pockets of fans going delirious for it, surrounded by people who didn't seem to know it (though did give it a rapturous applause at the end). It's not an anthem if only 30% of the crowd know it. Frustrating I know as it has the qualities of one, but that's the reality.
All in all, another great gig, but diversity is needed now. Given the way tickets were sold, many hardcore are attending multiple dates. Manchester was one of the additional dates added. I look forward to hearing Turkey Mambo Momma and Duck Diving on Tuesday (joking aside... Countdown and Fear will be fine).
Thanks for a great night
-- Edited by Barcroft on Sunday 2nd of July 2023 11:06:57 AM
Very fair assessment I think. Bar Italia is a sad omission. But yes, joking aside, lets hope for something like Joking Aside at Sheffield and beyond for the cognoscenti
-- Edited by superchob on Sunday 2nd of July 2023 12:21:11 AM
All in all, another great gig, but diversity is desperately needed now, given the way tickets were sold, many hardcore are attending multiple dates.
Thanks for a great night to Pulp and all associate. Despite my constructive feedback I had a blast x
Yes, they were superb. I was hoping Dishes could have squeezed in as it was played in opening gigs and there were a few references to 25 years ago. I missed that one as I was on honeymoon.
As for set variety, that will happen at Hammersmith (and maybe Sheffield) in the same way it happened last time out at Brixton. There are probably only up to 18 songs that will be played at the other dates as the lighting is set up for them. The audience tonight was far from hardcore. Don't know why the couple next to me at barrier turned up, they left halfway through. Probably should have gone to Hyde Park.
Best show I have ever seen from Pulp, but what is it with Jarvis and stairs? Theatre Royal 1994, Different Class tour 1995 and now this tour.
PS when I wrote best show, I meant best stage, lights etc. However they probably will never be as exciting as they were in 1993 and 1994. But who was ever that good?
To think, a tea towel on the merch stand has raised hopes to be dashed. And a novelty tea for that matter. That said, Id have missed the lot if Id fancied queuing for merch tonight.
-- Edited by superchob on Sunday 2nd of July 2023 12:51:19 AM
From memory- the songs they played, in maybe not correct order:
I Spy
Disco 2000
Mishapes
Pink Glove
Something Changed
Weeds
Weeds 2 (truncated again)
FEELING
Sorted
This is Hardcore
Babies
Sunrise
Like a Friend
Underwear
Common People
Razzmatazz
They didn't play DYRTFT, or any I forgetting?
The only thing that might be considered a surprise was "Like a Friend", which it would seem has now become a new staple of their set lists. I've heard Like a Friend live a few times since the 2012 tour, and its previously never worked but they got it right this time.
They did play DYRTFT. Iirc it was just before Hardcore. I'm sorry that I missed meeting up with you guys, but I got there early and by some miracle ended up at the front.
Hope everyone got home OK. I didn't dare go back to Finsbury Park station, so I trudged to Manor House, which was temporarily closed when I got there, but thankfully I didn't have to wait too long before it reopened. As I was going away from London, neither the platform or the train were very full, but I'm just grateful I could bag a seat all the way home.
I'll try and post some photos later.
-- Edited by SarahAWilson on Sunday 2nd of July 2023 01:03:20 AM
Just back home now. Grateful to live this close to a Pulp gig having put many miles in for previous shows, this time round and especially during the last reunion (Spain, UK, Ireland and Italy).
Of course they were fantastic again. Only slight moan is the lack of variation in the set but that's partly my own fault for having the time/money/privilege of being able to go and see them three times already this summer.
The twonks in charge put the "Goodnight and Safe Home" message on the big screens at a quarter past ten, presumably thinking that Common People was the last song and there was no encore. Understandable to a degree I guess, what do you do for an encore after that behemoth?
And then we got Razz, which again, is so much better live now that Jarvis doesn't play guitar to it, slowing the tempo down. I thought Emma's work on the guitar, playing slide, was fantastic and I don't recall that having been deployed previously on Razz live.
But the time was 22:22 when that song finished so they had time for two more songs or at least one and Jarvis looked like he wanted to continue. If it's a half ten curfew, keep it going until half fookin' ten! We've all paid a lot of money to be here...
And I'm still a bit sad that apart from the title track and a b-side nothing off This Is Hardcore is getting a look-in. The brilliant rendition of Glory Days at Brid has proved to be a false dawn. If any gig was gonna have more songs from the album, I thought tonight might be it as Jarvis alluded to the 1998 Finsbury Park gig more than once. Oh well...fingers crossed that when they go back indoors, and aren't beholden to the lighting bespoke to so many of these perfromances of the songs, we'll get tour debuts for a handful of other tunes.
Jarvis' reciting of that poem, an ode to the moon, was a bit random. Someone, should have told him (you had gone...).
And fair play to Baxter Dury for his little tribute to Pulp, Jarvis and Steve, especially considering the charmless London geeza he inhabits both when performing his songs and during the crowd interaction. It felt the most genuine thing he uttered through his whole set. I still rate him though.
-- Edited by Eamonn on Sunday 2nd of July 2023 01:28:19 AM
Though I wasn't there, I was secretly hoping that they would play the 1998 Finsbury set but drop "I'm a Man" and play "Sunrise" at the end of the main set.
I agree with the above, they need to start spreading their wings a bit. The Bridlington set is my favourite so far. Come on, where are these "deep cuts" that we were promised?
Yeah, sod the lighting, give us some different tracks! Not everyone can make it to Sheffield or Hammersmith, so concentrating all their setlist changes there isn't really fair. Blur have continuously introduced new songs on their tour - Pulp haven't played anything new since Dublin!
There are plenty of unplayed tracks that would go down a treat with punters. I have absolutely no hope at all that we'll hear anything we haven't yet at TRNSMT, even though obviously it'll still be an amazing gig it'd be nice they threw in a single curveball. They had the crowd eating out of their hands last night.
They were never going to stray far from the "hits" at a summer festival event. They were playing to a casual crowd. I gathered that a lot of people around me were seeing Pulp for the first time and I reckon they got exactlu the show they wanted.
They do have 2 more indoor shows in London at the end of the month that will be more intimate. I reckon you'll see more diverse setlists there. (Wish I had a ticket to one of those instead but they went on sale the very day I completed on a new flat so money is a bit tight)
I want to give props to the support acts. Pulp's support can be notoriously dodgy but I thought Baxter and Wet were quite enjoyable yesterday.
I have listened to Baxter Drury before but never really 'got' it until I saw him perform last night. Geeza legend.
Wet Leg may well be another flash-in-the-pan indie party band sensation destined to be forgotten in a couple years, but they were fun. I don't know their songs but the one with the primal scream in the middle struck me as really pretty great. From my vantage point I could see the singer (Rhain?) watching Pulp backstage the whole show. She seemed starstruck and studying him. The rest of her band turned up for Common People.
True but as much as I'm enjoying Weeds/Weeds II, they seem a random staple for 2023 when you have Help The Aged, Party Hard, A Little Soul, Mile End and possibly even Bad Cover Version which would all be far better known by casuals.
True but as much as I'm enjoying Weeds/Weeds II, they seem a random staple for 2023 when you have Help The Aged, Party Hard, A Little Soul, Mile End and possibly even Bad Cover Version which would all be far better known by casuals.
Similarly you have Pink Glove, fantastic, wonderful, hope they never stop playing it - but Razzmatazz, Lipgloss, Monday Morning are all likely more familiar with people. And Like a Friend is amazing, but not as well-known as, say, Bar Italia, or Pencil Skirt. It feels like less a 'Hits' setlist, more a selective Island cross-section.
-- Edited by lipglossed on Sunday 2nd of July 2023 12:38:07 PM
Agreed, though I would cap the DC songs at the current number (8?) just so other eras get some respect.
Forgot about Lipgloss, feck sake, think I want to hear that one above everything else. C'mon, I'm sure Emma has the chops for it.
Agree about DC, they played enough of that last time. Although my gf wants to hear Bar Italia, so that gets an exception.
I agree on Lipgloss (and so does she) - Emma could absolutely do it (maybe better than Russell could live!). Adam could also add extra guitar if they need to beef out the sound. It's the one song I really, really want to hear...
Let's be realistic for a minute. A lot of the older songs are very keyboard heavy. I think it's not a case of Pulp being conservative, I think it's more a case of songs that Candida is able to physically play.
Seems to be that, rather than muddling their way through some obscurities, they have decided to go for quality over quantity and perfect the ones they are doing?
Agreed, though I would cap the DC songs at the current number (8?) just so other eras get some respect.
Forgot about Lipgloss, feck sake, think I want to hear that one above everything else. C'mon, I'm sure Emma has the chops for it.
Lipgloss is probably the most glaring omission for me as it is the breakthrough single (first to hit charts). For me, Razzmatazz, Babies, Lipgloss, DYRTFT?, Common People, Sorted & Disco 2000 should be in every set.
Was disappointed there were no other Hardcore songs other than Hardcore as it is 25 years old this year and I couldnt make it to Finsbury Park 25 years ago. Hasnt even figured in the Jarvis solo gigs. I wonder if the band dont really care to relive those days.
They do have 2 more indoor shows in London at the end of the month that will be more intimate. I reckon you'll see more diverse setlists there. (Wish I had a ticket to one of those instead but they went on sale the very day I completed on a new flat so money is a bit tight)
I didnt get a ticket at the time due to cost alono with something else that was happening that weekend which was subsequently cancelled. Should be some tickets on Twickets, seemed to be a lot for Finsbury Park in the last day or two. Will see how things are going at month end as July is pretty busy for me right now.
Was disappointed there were no other Hardcore songs other than Hardcore as it is 25 years old this year and I couldnt make it to Finsbury Park 25 years ago. Hasnt even figured in the Jarvis solo gigs. I wonder if the band dont really care to relive those days.
Decent theory for sure, and maybe especially without Steve it's hard playing songs from back then. Although, apparently Jarvis is very keen on Dishes.
ArrGee wrote:
Lipgloss is probably the most glaring omission for me as it is the breakthrough single (first to hit charts). For me, Razzmatazz, Babies, Lipgloss, DYRTFT?, Common People, Sorted & Disco 2000 should be in every set.
Yeah, Lipgloss is so important for Pulp - and it is one that casuals will know, too!
IMHO, they should always play Babies, Lipgloss, DYRTFT?, Common People, Sorted, Disco 2000, & Hardcore. (And probably Something Changed and Sunrise too.)
Pulp, Finsbury Park, review: A nostalgic celebration of one of the truly great Britpop-era bands 5/5
Jarvis Cocker was all energy as the thrillingly tight band took to the stage once again in a night fused with nostalgia
When Pulp last played Finsbury Park in July 1998, the Britpop movement to which they were attached had been all-but snuffed out by the pre-Millennium angst of OK Computer-era Radiohead. That night, the Sheffield band played 11 tracks from their downbeat recent album This is Hardcore, a record so bleak that Melody Maker described the songs as introverted chasms of torpor and despair.
Now on their second reunion after splitting up in 2002 and temporarily reforming in 2011 Jarvis Cockers troupe of outré outsiders are mercifully free from the vagaries of changing musical trends. This concert was a nostalgic celebration of their hits pure and simple. Finsbury Park became a Britpop temple for a fevered congregation of 45,000 believers with Cocker expertly orchestrating the ceremony from the Pulp-it.
Its hard to believe that Cocker turns 60 in September. He took to the stage in a dark corduroy suit and thick ad-exec-meets-Elton-John glasses. He was all energy - throwing spidery shapes, his twitchy fingers accentuated like an eccentric maths teacher.
As the whispered opening lines of I Spy - backed by a string section - gave way to a driving beat, it was as though the Pet Shop Boys Its A Sin had been reimagined by John Barry whilst being played by a lascivious gang of Scott Walker-inspired art school misfits.
No-one does strings n sleaze like Pulp. I Spy, from the bands Mercury Prize-winning Different Class album, perfectly summed up the bands story-telling: it was a mini kitchen sink drama focusing on the minutiae of English working class life with an amorous bent (in this case, voyeurism and sex across the class divide).
Ive been sleeping with your wife for the past 16 weeks You see I spy for a living, disclosed our very own Peeping Tom Courtenay. And it continued from there. I dont know all your names, so Im going to call you Finsbury Park, he said dryly
Throughout, Cocker threw shapes like Robert Peston at a karaoke party during a Blair-era Labour Party conference. New technology was even ignored. His microphone had a cable. And how Nineties is that?
Disco 2000, an upbeat song released in 1995 about meeting up with friends in the year 2000 when were all fully grown, sent the crowd bananas (under a cloud of yellow and orange streamers). Its now, obviously, 23 years on from the year 2000 and fans sprightly reaction suggested that theyre not fully grown after all. Well, not all the time anyway. Perhaps there was so much abundant joy because the Nineties were a simpler time: pre-9/11, pre smartphones, pre social media, pre cancel culture paranoia.
Ballad Something Changed, about forks in the road and lifes grabbed opportunities, was lush and moving. The band were fantastic all the way through, particularly Candida Doyles synth and Nick Banks drums. Take nostalgia out of the equation and you still had a thrillingly tight band.
They finished the main set with Common People, probably the greatest large-crowd anthem to have been written in the last 30 years. It belted along, building to a stunning crescendo. Fans were treated to old favourite Razzmatazz at the very end.
The Britpop revival continues next weekend when Blur play two nights at Wembley Stadium. But a quarter of a century after their last Finsbury Park gig, this weekend unquestionably belonged to Pulp, pops most enduring and gloriously loveable nerds
-- Edited by ArrGee on Sunday 2nd of July 2023 03:15:18 PM
Was disappointed there were no other Hardcore songs other than Hardcore as it is 25 years old this year and I couldnt make it to Finsbury Park 25 years ago. Hasnt even figured in the Jarvis solo gigs. I wonder if the band dont really care to relive those days.
Decent theory for sure, and maybe especially without Steve it's hard playing songs from back then. Although, apparently Jarvis is very keen on Dishes.
ArrGee wrote:
Lipgloss is probably the most glaring omission for me as it is the breakthrough single (first to hit charts). For me, Razzmatazz, Babies, Lipgloss, DYRTFT?, Common People, Sorted & Disco 2000 should be in every set.
Yeah, Lipgloss is so important for Pulp - and it is one that casuals will know, too!
IMHO, they should always play Babies, Lipgloss, DYRTFT?, Common People, Sorted, Disco 2000, & Hardcore. (And probably Something Changed and Sunrise too.)
I do think it's good to hold back on big hit. It demonstrates depth of quality, and also leaves it as a rare surprise on the special occasion when it is pulled out. Supergrass used to do it with Alright.
Was disappointed there were no other Hardcore songs other than Hardcore as it is 25 years old this year and I couldnt make it to Finsbury Park 25 years ago. Hasnt even figured in the Jarvis solo gigs. I wonder if the band dont really care to relive those days.
Decent theory for sure, and maybe especially without Steve it's hard playing songs from back then. Although, apparently Jarvis is very keen on Dishes.
its one of those songs I like a lot which along with Live Bed Show that I have yet to hear live. Finally heard My Legendary Girlfriend at Roundhouse a couple of years ago. Doubtless they will play Dishes and Live Bed Show at Hammersmith as I havent got a ticket...
Pulp played a lot off TIH eventually in 2011/12 once the outdoor festivals died down. But Help The Aged is their only non-DC top ten hit and arguably resonates more 25 years on, when they and the fans are all getting on (or mostly - a teenager in front of me yesterday knew the words to all the songs which was equally scary/impressive).
But yeah...pretty sure they played The Fear, Dishes, Party Hard, Aged and A Little Soul in 2012.
Of course hearing Glory Days straight out of the gates in 2023 as the closer at Bridlington and the appearance of Dishes for the first two gigs also show that they don't necessarily have a downer on the era. So it's a bit of a head-scratcher. I take the point about what's comfortable for Candida being taken into consideration but I'm not sure these songs are any more demanding than others.
I do think it's good to hold back on big hit. It demonstrates depth of quality, and also leaves it as a rare surprise on the special occasion when it is pulled out. Supergrass used to do it with Alright.
Pulp didnt play Common People at Brixton in 2002. Imagine that!
Pip, I know it's a page back or so but thanks for the heads up on Nick's vid of the drum kit. It's so true what he's saying about using different types of cymbals and don't always crash on the same one. It's amazing the difference in cymbal sounds if you really listen to them and sometimes you can just hear where this specific cymbal would sound great at that point in the song or whatever or even a part of the cymbal like the bell on the ride cymbal. I'm wondering what sticks he uses. Must watch it again but don't think he says. Again, the difference the size or brand can make is mad. Good solid drummer, Nick. Love listening to the cymbals on the Countdown extended version.
Back on track - really enjoyed reading those reviews of last night. Similar theme of this being a particularly brilliant tour. Been watching bits on YouTube.
Was disappointed there were no other Hardcore songs other than Hardcore as it is 25 years old this year and I couldnt make it to Finsbury Park 25 years ago. Hasnt even figured in the Jarvis solo gigs. I wonder if the band dont really care to relive those days.
Decent theory for sure, and maybe especially without Steve it's hard playing songs from back then. Although, apparently Jarvis is very keen on Dishes.
its one of those songs I like a lot which along with Live Bed Show that I have yet to hear live. Finally heard My Legendary Girlfriend at Roundhouse a couple of years ago. Doubtless they will play Dishes and Live Bed Show at Hammersmith as I havent got a ticket...
Correction, they did play Live Bed Show at Brixton (twice) and Kentish Town when I was there though it was many years ago.
Live Bed Show's an interesting one. It was the most constant DC live album track (with F.E.E.L.I.N.G.C.A L.L.E.D.L.O.V.E.) after 1996, never really left the live setlists and then - with the 2011 reunion - never really came back. I mean they played it a bit, maybe Russell lobbied for it as I know he liked it, they had that wonderful extended version... but it was played very frequently in the late 90s, fitting in well with the Hardcore era, and then lost out a little to more upbeat tracks.
-- Edited by lipglossed on Sunday 2nd of July 2023 11:34:32 PM
Live Bed Show's an interesting one. It was the most constant DC live album track (with F.E.E.L.I.N.G.C.A L.L.E.D.L.O.V.E.) after 1996, never really left the live setlists and then - with the 2011 reunion - never really came back. I mean they played it a bit, maybe Russell lobbied for it as I know he liked it, they had that wonderful extended version... but it was played very frequently in the late 90s, fitting in well with the Hardcore era, and then lost out a little to more upbeat tracks.
Played it on night two of Brixton in 2011, but of course I was there for night one. Had a few airings in 2011-12, but mainly outside UK.
Would love to hear the extended version live. And yes, it is the one track from DC that could easily be on TIH.
It's my least favourite on DC. They have yet to play that, Pencil Skirt, Monday Morning and Bar Italia yet this summer but I'd take all of them ahead of LBS.
It's my least favourite on DC. They have yet to play that, Pencil Skirt, Monday Morning and Bar Italia yet this summer but I'd take all of them ahead of LBS.
I love Bar Italia, quite like Pencil Skirt then LBS, least a fan of Monday Morning.
It's my least favourite on DC. They have yet to play that, Pencil Skirt, Monday Morning and Bar Italia yet this summer but I'd take all of them ahead of LBS.
Live Bed Show is my favourite track on DC. My least favourite is Mis-shapes; must have had the whole bottle of brandy by the time he wrote that
I would say Live Bed Show is easily and by far the weakest song on Different Class. It's not bad but it's a dirge in the middle of an otherwise dirge-free album. It just slows things down a bit.
Having done Finsbury Park a couple of previous times, I just brought a small bottle of water. No queuing for bars nor toilets. Also I refuse to pay £7 plus for a pint!
Also there were complaints about how quiet the gig was. My advice would be to have got near the front. I thought the sound was pretty good.
I think Beaumont used to be a writer (or editor?) for the NME, who, for all their ick, have been consistent Pulp champions - even moreso in their post-print, .com days.
Yeah, sod the lighting, give us some different tracks! Not everyone can make it to Sheffield or Hammersmith, so concentrating all their setlist changes there isn't really fair.
I agree as I had hoped that this tour would be a little more Hardcore as it was 25 years ago, especially at Finsbury Park. That written, Saturday night was only disappointing in that it ended so soon. I was up for another hour or three.
Lots of moaning and groaning from residents on BBC London news about using Finsbury Park as a venue for Wireless. No one ever moans about Victoria Park