Thought I would create a new thread for thoughts on these now that the discs are actually out (nearly!).
"It" sounds incredible. The remaster job on this is immediately apparent, particularly on "Joking Aside", "Boats & Trains", "Love Love" and "In Many Ways". Sounds like a really well produced, classy record!
"Freaks" and "Separations" are not quite so obvious in my opinion. Maybe a little less tape-hiss here and there and sounds like the bass has been whacked up a bit.
The packaging on all the CDs is great...particularly "Freaks".
What do we all think?
Picked up the first two today. Separations seems harder to track down!
Not listened yet, but the packaging is really beautiful. Freaks contains several unseen (by me) photos and an alernate cover that's evocative and tasteful and, well, lovely!
Liner notes aren't necessary but are well written and warm.
I think you should refrain from posting the photos for a little while. I do think Fire have done a nice job here and it'd be nice to think that a few of us were making the effort to get these.
Certainly upload the photos at some point, but I think the day after release is a little too early.
Yeah, I suspected as much. Thought maybe it had been the product of duff mastering on the original release, but I guess it must be there on the actual recordings.
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"Yes I saw her in the chip shop / so I said get yer top off"
The packaging is great - Loving the photos in the Freaks booklet!
Strange thing I noticed on Seperations: The left and right channels seem to be the opposite way around to what I am used to.
(Previously I owned the blue 'Pulped' boxset from 1999 (Cook CD178), so these are the versions of these albums I am used to. All of the new remasters sound better, to varying degrees, with It being the most noticeable, but this left/right swap on Seperations is weird)
The swap is most noticeable on This House Is Condemned. The hi-hat comes in a 4 seconds on the left on the remaster, but on the right on my disc from the Pulped boxset.
Which is the correct version? I presume the new remaster... but you never know...
-- Edited by sbazb on Wednesday 15th of February 2012 10:18:25 PM
Good work sbazb. With a name like that you're not from the land of srpski jeb are you?!
He he he. No, nothing Serbian going on. I'm English. My initials are SB and I used to be in a band with Baz in the name, so I stuck it into the middle to make my online pseudonym ... That was 13 years ago, and its just stuck since then...
Had a look at Seperations in a wave editor. Thankfully there is no evidence of mega-compression going on, like a lot of other remastered albums these days, that have all the original dynamics screwed up just to make it louder. The volume on the remaster seems to be boosted a little (about 1-2db) but this may just be down to the slightly heavy-handed bass boost that has been slapped across the whole album. Swings and roundabouts.... I'd prefer a little more clarity in the treble, but the bass end did need boosting, compared to the old master. They can't please everyone's pedantic tastes! They've definitely done a sympathetic job across the range though.... Well done to Fire, for a change!
-- Edited by sbazb on Wednesday 15th of February 2012 11:05:07 PM
Thanks for posting those pics - looks like Fire have actually done a lovely job on these. So glad they managed to get hold of some more of Andy Gray's photos from the Freaks session (or maybe they had them all along) - I tried to get hold of him while we were putting the photos together for the book, to no avail. And keeping the misspelling of Steve's name from the original release of Separations is a nice bit of sort-of attention to detail! Speaking of which... "All songs written by Jarvis Cocker" on the Separations sleeve? Oh dear...
Anyone know which version of Manon they've used on Freaks?
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"Yes I saw her in the chip shop / so I said get yer top off"
I don't think they do, not without the say-so from Jarvis anyway. A shame that stuff like There Was, Maureen and Rattlesnake will likely never get a proper release.
I'll definitely be getting these. I probably was before but the lack of unreleased stuff on Freaks and Seppy put me off a bit. But the packaging and remastering seem to have been done really well.
Listening to Seperations and comparing it to my old version.
The new remaster is definitely a lot more bassy, and there is less treble end. Mostly, this suits the tracks, especially Countdown, but it makes the end of Death II sound a bit odd (4mins55 onwards)... When the doubled up and delayed kick drum starts moving across the speakers things all get a bit muffled underneath! Would be ok in a club I guess, but its maybe a bit much on a home system or in headphones! Will be interesting to look at it all in a wave editor and see if this album has become victim to the dreaded 'loudness war'. That might be whats going on. I'll report back with what I find...
Thanks for posting those pics - looks like Fire have actually done a lovely job on these. So glad they managed to get hold of some more of Andy Gray's photos from the Freaks session (or maybe they had them all along) - I tried to get hold of him while we were putting the photos together for the book, to no avail. And keeping the misspelling of Steve's name from the original release of Separations is a nice bit of sort-of attention to detail! Speaking of which... "All songs written by Jarvis Cocker" on the Separations sleeve? Oh dear...
Anyone know which version of Manon they've used on Freaks?
The version of Manon is the same as on 'Masters of the Universe', except without the first 5-6 seconds of silence at the start that you get on 'Masters...'
I just discovered, that if you turn the volume right up you can hear a weird sound like mains hum and distortion before the vocals start. Odd! Anyway, it's not there on the remaster, which starts at the vocal, but is still detectable underneath the whole track. Dodgy noise reduction technology? Dodgy tape transfer? Maybe the only surviving version is on vinyl ...??