I Never Said I Was Deep, Leftovers and Discosong were the three big ones for me before the album came out. I'm not entirely happy with the production and performance on I Never Said I Was Deep. I much prefer listening to the live debut of it in Shepherd's Bush last November. On the album the vocals are too quiet at the start, the backing singing is a bit dead, Jarvis' intonation is a bit too forced at times (''I dis-res-pected youuu''), the brass in the chorus makes me think of Van Morrison and the tempo just seems a wee bit slower than when played live. I still think it's a cracking song. Just seems ironic that for all of Albini's recording raison d'etre being to capture the ''live sound'', it's all the added in extras that make the song a bit too forced on record.
Leftovers is also much more of a behemoth live though the studio version at least comes close to replicating that (vocals still a bit too quiet though).
Which leaves Discosong, which to me, sounds great on the record. The two minute + fade-out is forgiven as it's the last song on the album and it is quite epic. Classic Cocker lyrics, gorgeous chorus and Mackey's bass to the fore brilliantly in the second verse jostling with the disco sample.
After those three, Hold Still comes closest. One of the three songs not to be played live before the album came out, this was most worthy of the wait. Just a great song. Tender melody, interesting rhythm and lovely harmonies on the chorus. Rather curious lyrics though.
This was very difficult! But i voted for never said i was deep, because that song is the one that have listen to the most.. at least in itunes, but "Slush" and "Discosong" are also good
But no! Here comes the closer, and it's somehow even worse, even more offensive, than everything that went before - what he's done here is, right, and you'll laugh at this, honest, it's brilliant, what he's done is make a record which sort of sounds like some Seventies disco records, because it's called "Discosong", and that's totally, like, off the wall, because the rest of the album is all MANLY ROCK and now here he's made a funny pastiche pop record, how awesome is that? Except that it isn't. Except that this man was responsible for some of the best indie-disco pop music ever made, and so there's no excuse for it sounding as though his only experience of the genre is some £2.99 compilation rescued in a Woolworths closing-down bargain bin. Except that it sounds like a cynical, half-hearted piss-take. Except that the sexy spoken-word bits cannot help but remind of the similar sexy spoken-word bits in "Street Lites" or "Seductive Barry" or especially "My Legendary Girlfriend" and you die a little bit inside. Except that it's fucking terrible.
I'm clearly in a minority though, looking at that poll!
The first song is my favourite one, followed by Hold Still and I Never Said I Was Deep, both of which I have found myself whistling (after a fashion, I can't really whistle, but never mind).
I still really don't think much of this album, but bits of it are growing on me.
It sounds cynical and half-hearted? The sexy spoken-word bits remind you of Street Lites and a couple of other Pulp tracks with deep-breathing monologues? Not sure that explains what's wrong with it.
I'd argue that none of the songs you mention have melodies nearly as strong as Discosong. Street Lites would come closest maybe. The sample, the tragi-nostalgia of the lyrics which I've not heard from Jarvis in a long time and the two-part chorus all sound quite glorious to these ears.
You're quoting what I said a little selectively there, but OK, I will elaborate. To me, it sounds like a pastiche of disco music, rather than something being played straight; I don't *think* it's a full-blown joke, though I'm not 100% sure, but I do think it's half-hearted; maybe he did put his whole heart and soul into it, but if that's the case then it was a bad idea to spend ten songs playing let-your-hair-down guitar music and then suddenly make a conscious effort to "go disco" right at the end. Further, I drew the inference, perhaps totally unfairly but it's how it strikes me, that it's being done almost as a throwaway, a knowing sort of thing, because he was mildly embarrassed doing that sort of song now and so had to dress it up in semi-tongue-in-cheek style instead of really going for it. I would cite Separations and the Gift singles as examples of brilliant indie disco music, and so any attempt to return to (or at least go back to the ballpark of) that kind of sound was probably always going to be found wanting. (By me, I mean - obviously lots of people disagree, which is what this place is all about, really).
I didn't cite those other songs for their melodies, I said they had infinitely superior spoken word bits which were called to mind by the similar, but considerably less good, bits in Discosong. I don't even think it's got that good a tune either, but this is probably more to do with me than any fault of Jarvis', as I spent much of the first couple of weeks after I bought Further Complications listening to a load of old Motown and Northern Soul records which really did have incredibly strong tunes, and it fared poorly in comparison.
But - and I'm really conscious about sounding like an arse here, having spent much text slagging off something you've just said you really like - variety is the spice of life. The last thing I want to do is ruin it for other people with my endless grousing. If you're all loving the song, and the album, more power to you, I'm insanely jealous; I just don't like it very much, but I really, really wish that I did. I think I'm just going to have to wait for the next one.
I always enjoy reading your reviews, it's why I started posting on here years ago after being so impressed by the song critiques on the original Bar Italia site. (Speaking of which, I guess now that you've done your bar exams, full-time work awaits, meaning less time to sort out the no-doubt time-consuming stuff it will take to get pulp.gb up and running in its full glory again). So, no worries on the being a kill-joy front. If you don't like something, you're always able to express it interestingly. I just wasn't too sure of your reasoning initially.
I agree that there is the sense of him setting himself up for a fall by recreating a similar style to the disco sound successfully mined on various songs on Seperations-Intro-HnH. But maybe we're reading too much into it. I've no reason to doubt his sincerity in the execution of the song. To me he seems quite proud of it, closing with it at all of his recent shows, giving it its own 7'' on the lp á la Running The World. In fact, the curveball of ending the album with something pretty non-consistant with what's gone before is not a new thing, I don't think. Running The World was a hidden track at the end of the first lp as it clearly didn't fit with the rest of the album, but Sunrise was also quite removed from the 10 songs that preceded it on We Love Life.
I think the inclusion of Girls Like It Too (and kicking out FuckingSong and possibly Caucasian Blues) might have helped You're In My Eyes make a bit more sense in the context of the album. Possibly Apparently, one of the other as-yet unreleased songs, aswell. (I only vaguely remember that song from hearing it live six months ago so couldn't say for sure)
Anyroad, it's a shame you're not keen on the album. I love half the songs, and enjoy the throwaway ones. I keep meaning to do a full review but my posts are generally long enough. Like this one, which has interrupted my viewing of Our Friends In The North on youtube. The joys of enjoying your last week of not working...
So the most hated songs are "Angela" (what a surprise), "Plichard" and "Fuckingsong". Doesn't look good for slush either...sadly. Discosong is fine but Leftovers, come on!
-- Edited by Perfect on Saturday 27th of June 2009 09:20:45 AM
I think Further Complications is splendid. I find it a tad troubling that it wasn't the single. I heard a single, as opposed to Angela. I'm somewhat comforted to know Wes Anderson agrees with me on this one.
Why put Pilchard on the album when you've got Girls Like It Too? I don't want a taste, I want the whole thing, Jarvis! I think it sounds good, but in the end I'm maddened by it.
I love the honesty, and vulnerability in his voice, on Leftovers and I Never Said I Was Deep. The lyrics are very maudlin, but solid overall. I love how Jarvis conveys his frustrations in these songs. From one time to another I think everyone can relate to the feeling of not understanding why you want something, or if you should.
I bet Homewrecker is pretty great live. I perked right up when I heard this song. It's really gritty, and by gritty I mean fast & dirty. Gotta love that sax....and the devastating man behind it!
Hold Still doesn't really keep my interest for too long, but it's touching. The story behind this song is more interesting than the song itself.
Fuckingsong: where to start. It sustains my unwavering crush, and I appreciated his sentiment as well *blush* Just as Jarvis is surprised by...err...the sap rising, I had to remind myself that this wasn't the cheeky 32 yr old Jarvis singing. He is sort of ageless to me. Not aged.
Slush is gorgeous. I voted for it. Most surprised by it. Henceforth, I shall equate this feeling called love to melting into slush.
And finally....Death Goes To The Disco! Rather surprised Discosong came out on top here. I can't get past the 2 minute mark. I would go as far as to say that it's a tad boring, which is a word I never thought I'd use in refrence to Jarvis. How is it live? Same length? I shutter to think how I would dance awkwardly just to get through it.
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"I like the idea of being a Sheffield Wu-Tang. Especially if I can be Ol' Dirty Bastard."- Jarvis Cocker
Thanks. I was afraid it was long winded and I was too harsh on Discosong. It's not great but I guess I can't deny that I enjoy Jarvis' breahty voice on it. Just too bloody long.
I seem to have glossed over Caucasian Blues. I like the thought behind it, and how he elaborated on the annoying term 'credit crunch'.
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"I like the idea of being a Sheffield Wu-Tang. Especially if I can be Ol' Dirty Bastard."- Jarvis Cocker
Here's a fun exercise: Listen to this album right after Nick Cave' s Grinderman album. They're very similar thematically, but especially songs like "Pilchard" and "Homewrecker!" Maybe even "Angela." But "Leftovers" and "I Never Said I Was Deep" don't fit in quite as well.
Maybe a compare-contrast between the two albums would be worth undertaking, if there are enough people here who have heard both.
I voted for Leftovers but i was suprised that so many others did. I haven't really gotten into Slush - when he played it at Glasto I saw it as and opportunity to go for a wee.
Angela, I was bored with on first listen and the rest of the album I quite like.
Homewrecker has grown on me quite a bit since release. I really like Discosong too.
I feel like it's goona be one of those records that you can own for years, play from time to time and never get bored of it. That could be because you don't play it to death as when compared to most of Jarvis' other albums with or without Pulp it's not very exciting.
It's consisantly alright with the odd blip rather than consisantly great with the odd one that's not so great. In the past I've found that on release there's at least 2 tracks on the ablum you end up listening to 2 or 3 times a day at first, mainly because you can't get the damn tunes out of your head. On this one if I'm going to listen to it, I'll just play it from start to finish as nothing really leaps out as such.
These songs are for playing live in my opinion. They make more sense. Leftovers, I thought was awesome live.
Overall, I like the album. But if Jarvis was to release another solo album and it turned out the same as this one I'd be gutted!
Bring on a single release of 'Girls Like It Too'. If it coincides with the 5th anniversary of John Peel's passing this October it would be a nice sentimental touch too.
Am I the only one who likes F***ing Song? Gosh I feel like dirt. Hello all by the way... my first post...greetings :)
haha...hardly.
my opinion: "Fuckingsong: where to start. It sustains my unwavering crush, and I appreciated his sentiment as well *blush* Just as Jarvis is surprised by...err...the sap rising, I had to remind myself that this wasn't the cheeky 32 yr old Jarvis singing. He is sort of ageless to me. Not aged."
It's grit & sex. I get that same special feeling listening to Pencil Skirt or I Spy.
Upon my first listen to Fuckingsong I thought to myself, "Damn you, Jarvis! How dare you tell me what I can't have right off the top! That just makes me want it more." Cheeky buggar knows it too!
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"I like the idea of being a Sheffield Wu-Tang. Especially if I can be Ol' Dirty Bastard."- Jarvis Cocker
The Legendary Girlfriend of Troy Truelane..... Well said... and it looks like we are on the same wavelength :) Jarvis really knows how to give you a little something and then take it back with the next line... Luv it!
PULPED: that is a shame and I have to say I'm surprised... you don't like any of the songs?
I don't have a fave song on this CD. This album is too blues and too rock for me. The previous album was far better. I'm disapointed.
I completely understand where you're coming from, I felt the same way a few tracks in. I don't want to say better, but Jarvis (s/t) is the more cohesive record.
I was shocked when I first listened to Further Complications. I never expected I'd hear a more rock side of Jarvis, (aside from Relaxed Muscle and beyond Fat Children) but he pulls it off. It's progression, and I think he wears it extremely well. Even though I thought Jarvis(s/t) was near flawless, I would have been bored to tears if he made Jarvis II. I wanted to hear more songs like Fat Children on the record because it sounded so good on him and it was almost out of place (pleasantly so) on Jarvis (s/t), but I don't think he's one for a redux - of anything.
Now I have Party Hard stuck in my head! "You have to decide, are you ready to rock?"
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"I like the idea of being a Sheffield Wu-Tang. Especially if I can be Ol' Dirty Bastard."- Jarvis Cocker
'Jarvis' was pretty good. Black Magic is dull, & putting Running The World and Quantum Theory on the same track with a huge gap is incredibly irritating as it renders both (great) songs unsuitable for mp3 players & car compilations. I absolutely love Heavy Weather & Big Julie, wish he'd stop doing Black Magic live & replace it with Heavy Weather or even some of the covers from the previous tour. Oh, or Magic Works, that's fucking lovely.
Back on topic, I, like Steve, cannot understand the popularity of Discosong. It's like a bad demo of MLG without the melody, clever lyrics & cool bassline.
I'm also surprised at the lack of popularity for Pilchard. It's perfectly okay to have a piece of music, as opposed to a song, sometimes. Granted, you wouldn't pick it out to listen to by itself but in the right context, such as walking somewhere in the sunshine (or coming onstage at a gig!) it's great.
As one of the chief Angela-haters of yore, I have to admit it's grown on me a lot. Slush is poor, Hold Still is like a half-hearted, much less interesting version of Quantum Theory, Fuckingsong was great live but the recording doesn't really work.
The rest of the songs I like. It's not the revelation I thought it was initially, but to paraphrase the literature on the first LP, it works best 'when swallowed whole'.
Speaking of MLG i listen to it yesterday, and re-discovered what a wonderful little song it is, I should listen to it more often. Oh and also, you can edit the songs in audacity and make it to songs, it really makes life more simple and less frustrating
I still think FC only has a few tracks that are really good (Never said, slush and disco) and i think i can live with leftovers, starting to appreciate the title track a bit more the rest is quite boring, very often the horrible "music"(or noise) ruins the lyrics, sadly. But some of the acoustic versions of songs like Further complications is more likable without the meaningless screaming..
'Jarvis' was pretty good. Black Magic is dull, wish he'd stop doing Black Magic live & replace it with Heavy Weather or even some of the covers from the previous tour. Oh, or Magic Works, that's fucking lovely.
I love Black Magic! Maybe I'm just into Crimson and Clover, but I think it has something about it. That's the song, few and far between, that I sing along with. I have fond memories of doing so in an H&M with bewildered friends.
I agree 100% with mixing in Magic Works, fucking lovely indeed. When I heard it I thought it was the closest thing I'd ever get to a Jarvis Christmas song.
As for covers, I haven't heard many but I think A Cheat is great and I liked Purple Haze & Satellite of Love. Currently I'm partial to this little gem featuring one of my favourite expats:
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"I like the idea of being a Sheffield Wu-Tang. Especially if I can be Ol' Dirty Bastard."- Jarvis Cocker
Black magic is definitely one of my very top favourite songs...and Magic Works.. I agree is beautiful.. it could be my top #1 favourite song PS. yep, I do edit a lot don't I?
-- Edited by symphonie on Saturday 25th of July 2009 03:02:46 PM
-- Edited by symphonie on Saturday 25th of July 2009 03:03:53 PM
-- Edited by symphonie on Saturday 25th of July 2009 03:11:44 PM
-- Edited by symphonie on Saturday 25th of July 2009 03:35:53 PM
-- Edited by symphonie on Saturday 25th of July 2009 03:45:19 PM
Black magic is definitely one of my very top favourite songs...and Magic Works.. I agree is beautiful.. it could be my top #1 favourite song PS. yep, I do edit a lot don't I?
-- Edited by symphonie on Saturday 25th of July 2009 03:02:46 PM
-- Edited by symphonie on Saturday 25th of July 2009 03:03:53 PM
-- Edited by symphonie on Saturday 25th of July 2009 03:11:44 PM
-- Edited by symphonie on Saturday 25th of July 2009 03:35:53 PM
-- Edited by symphonie on Saturday 25th of July 2009 03:45:19 PM
How can one sentence require 5 edits?
I'm a bit surprise that Angela has not had even one vote - it's not that bad!
Well, I edited 5 times because I wrote something and then changed my mind and then I wrote it again and forgot what song I was referring to and then decided it was probably off topic.. etc etc..and maybe a spelling error...that really irks me.. oops! :)
I like Angela... maybe because we got to listen to it so often before the album release, we became a little saturated with it? I can't honestly say I dislike any of the songs on FC. I really hate it when you buy a CD and there are tracks you just have to skip.
One song I have to avoid... and its a PULP song...is 'silence'. It frightens me...I feel like Jarvis just yelled at me and I just want to run away and cry.. hahaha!
Haha, silence is i think, the most common Pulp song that people hate! Not even Angela is..or is it? I mean Silence is, at least original... witch i don't think you can say about Angela.
Having had a little break from listening to Further Complications (that's what I do - listen obsessively when a new album comes out - give it a break, and then come back to it a few weeks later to re-assess), I can now claim that I like it a lot. There's not one track on there that I feel the need to skip (no, not even Angela) - and I think I may even prefer it to Jarvis.
OMG! I was really hoping that in some kind of perverted way I would like this track - you know, supporting the underdog, going against the odds.................. but NO.
The vote profile pretty much sums up the album, no? I would have expected Angela to do a little better though, not that I'd rate it up there with the best performing tracks. It's better than Pilchard, which never worked for me. The recording doesn't capture the live performance at all, except for Further Complications, which got my vote.
OMG! I was really hoping that in some kind of perverted way I would like this track - you know, supporting the underdog, going against the odds.................. but NO.
Ha! I actually thought it was going to a good deal worse than that.
That said, the milk I was drinking spurted painfully out my nostrils when Jarv first starts to wail.
It's okay: they were just finding their parameters. Just painfully thrashing around for their parameters. Silence is a document of their search for excellence. This is Hardcore probably cancels it out. It all balances. In the end.
I've been listening to "Further Complications" a lot recently, even more so than when it came out. I don't know why, maybe it's something I have to be in the right mood for. Anyway, here's my thoughts...
Further Complications is quite a solid start and good choice for single. Certainly one of the better songs on the record. Angela - I don't have a problem with, I know it isn't well liked but I just can't see what is so bad about it. The lyrics aren't the best though. Pilchard, on the other hand is just plain horrible. If you ask me, it had scope to be a lot better but falls a long way short of being as good as Jarvis seems to think it is. As for Leftovers, well, it's my least favourite on the record. As Steve mentioned in a previous thread, it really smacks of b-side quality to me but not in the "it would have been a classic Pulp b-side" sense, more like "it really should have been a b-side because it sounds like a filler on the album".
I Never Said I Was Deep is pretty good, the intro reminds me of a song by the Super Furry Animals but I can't put my finger on which one. Maybe I'm just imagining things here. Homewrecker! to me is just pointless drivel and I find myself leaping for the skip button quite a lot, even before he's started singing. Hold Still is not too bad but let's face it, who would miss it if it wasn't here? Fuckingsong is pretty much the same as Homewrecker! in that I'll skip it quite a lot. Oh well.
I think that the last three songs are probably my favourites off the album. Caucasian Blues still falls a long way short of being the classic that it clearly had the potential to be but given the company that it's in, it doesn't come off too badly. Slush, I can listen to without sitting up and paying attention, so that's probably why I like it, it would probably be better if it was a minute or so shorter though. You're In My Eyes (Discosong) is my favourite song off the album. It marks a complete change from the preceding songs and hopefully is a sign of what is to come.
Overall, I'd give this record 5 out of 10. I don't think it's anywhere near as good as his first album or any of the Pulp albums. It would certainly be interesting to hear what a follow-up would sound like.