Yep...something BIGger, alrite! 8:06 'skinda like a Camden-centered ...Kelvin, lyrically. I like it. Very disjointed sort of a thing, experimental. It's in sections, like a lot of Floyd stuff. Great B-side. So we DO get something new & worthwhile! Strangely, I can only find it on 7Digital. (Then again, it's only been out 90 minutes, maybe iTunes don't update 'til the morning...!) Sounds horribly like a goodbye 'tho. He is supposed to be doing another album, isn't he? & where's the Fat Children video?! Lazy sod.
Finally found an mp3 of this. It's good. Probably the most "Pulp" of the solo tracks. It's for fans of Wickerman, Catcliffe Shakedown and Deep Fried in Kelvin. Don't so much like Jarv's spoken intro though.
I still haven't heard this. For the Don't Let Him... last single I paid for the b-sides on HMV's digital download system but they never appeared on my computer, I had a similar experience with Woolworths, downloading songs that had a phsical 'vinyl only' release. Whether it's my technical ineptness or not, I'm not chancing it a third time.
Can you tell me where you tracked the mp3 down Fuss Free. That you compare it with Catcliffe Shakedown and Wickerman makes me even more intrigued.
iTunes has it for download. There is a full version of the album also with bsides. I saw it last week, but it was not live yet. However, the iTunes France store for anyone in France does have the same bonus album up and available.
Eamonn wrote:Can you tell me where you tracked the mp3 down Fuss Free. That you compare it with Catcliffe Shakedown and Wickerman makes me even more intrigued.
Eamonn, I'm sorry, but board rules prohit me from telling you where I found the mp3 and it's too big to share in the bar italia account.
I've listened to it a few times now, and I still haven't completely wrapped my head 'round the narrative of the song. But there is one part that I really like where Jarvis describes a meeting (a dream?) with a younger version of himself. He momentarily considers telling Young Jarv to "stay out of trouble", but then figures he'll find out soon enough.
I suppose it's also in the same vain as Last Days of the Miner's Strike. I should add that it the lyrics which are reminescent of Pulp, not so much the music. Musically, it's mostly just Jarvis singing over the piano, and the chorus (if you could call it that) sounds like a lullaby. At one point, he reuses a bit from From A to I. Appropriate, since both songs suggest the end is nigh.
I just transcribed the lyrics. They are more clear and straightforward than I originally realized, once you take the time to listen closely:
Sitting in The World's End with some indie friends A news flash on the TV says "the world's about to end".
Can't catch all the details cause the volume's turned down this is the last night on earth I spent in Camdentown.
There's no way to escape this is it tomorrow we will all be gone so check what time the band are on Let's go... outside
Yeah, and this is the night I was gunna balance the books. The night I turned a minus into a plus. The night my life became complete. I had started again. With a clean sheet.
Now I can't get through cause all the networks are down. And fires are starting all over town. And you've probably been gang-banged by a bunch of tattered locals.
damn those yokels damn those yokels
And a girl cries as she stumbles by "No the world can't end now! No it's got to wait! It can't end when I haven't got a boyfriend! And I'm half a stone overweight"
And the guys from Arlington House are marauding the streets and common girls are screwing every man they meet
and the album you just bought will never get heard Oh yeah, complete social breakdown has occurred
And then you find yourself thinking about Eygptian Sue. And all the evil things that she used to do. And the night you almost did it after the wedding reception but you didn't have any contraception and anyway you couldn't get an erection.
Now what the hell made you think of her Could it be that old saying coming true: That nothing could survive a nuclear holocaust except cockroaches and Egyptian Sue.
But even Sue won't make it through But even Sue won't make it through This time.
It was around this time that the levels of hysteria 'round the Kentish Town Road caused a warp in the space time continuum.
And I found myself standing face to face with a version of myself from 15 years earlier When I lived in the area. "Greetings indie legend" said I. "Fuck off" said the young guy at the end of the bar
I wanted to warn him about the rough times ahead, But for some reason he had his coat pulled over his head and wouldn't listen I left him trying to extricate a punctured space helmet foam rubber from is skin (???) "He'll find out soon enough." I thought.
Then suddenly I realized That I could no longer breath.
Here we go Move along One last time The Loss Adjuster lost his mind. Too many claims too little time. To follow.
And suddenly it was a Tuesday afternoon And I could see it all crystal clear. Like a giant chandelier turning slowly in the sideways sunlight. Hanging by a thread, With only seconds to last.
And each time he rang it was like an indian call centre on the line "Yes, I'm doing fine" "Just like the last time" "And the last time" Make this the last time.
We'll all be gone by monday morning This is it, your final warning. You never did see Dog Day Afternoon.
Here today, but gone tomorrow. You could hang your head in sorrow You could do it but you better do it soon.
We'll all be gone by monday morning. This is it, your final warning. You never did see Dog Day Afternoon. Here today, but gone tomorrow. You could hang your head in sorrow, You could do it but you better do it soon.
We'll all be gone by monday morning This is it your final warning You never did see Dog Day Afternoon. Here today, but gone tomorrow. You could hang your head in sorrow You could do it but you better do it soon.
Sitting in The World's End with some indie friends A news flash on the TV says "the world's about to end".
Can't catch all the details cause the volume's turned down this is the last night on earth I spent in Camdentown.
There's no way to escape this is it tomorrow we will all be gone so check what time the band are on Let's go... outside
Yeah, and this is the night I was gunna balance the books. The night I turned a minus into a plus. The night my adjustment became complete. I could start again. With a clean sheet.
Now I can't get through cause all the networks are down. And fires are starting all over town. And you've probably been gang-banged by a bunch of tattooed locals.
damn those yokels damn those yokels
And a girl cries as she stumbles by "No the world can't end now! No it's got to wait! It can't end when I haven't got a boyfriend! And I'm half a stone overweight"
And the guys from Arlington House are marauding the streets and convent girls are screwing every man they meet
and the album you just bought will never get heard Oh yeah, complete social breakdown has occurred
And then you find yourself thinking about Eygptian Sue. And all the evil things that she used to do. And the night you almost did it after the wedding reception but you didn't have any contraception and anyway you couldn't get an erection.
Now what the hell made you think of her Could it be that old saying coming true: That nothing could survive a nuclear holocaust except cockroaches and Egyptian Sue.
But even Sue won't make it through But even Sue won't make it through This time.
It was around this time that the levels of hysteria 'round the Kentish Town Road caused a warp in the space time continuum.
And I found myself standing face to face with a version of myself from 15 years earlier When I lived in the area. "Greetings indie legend" said I. "Fuck off, sad bellend" came the reply
I wanted to warn him about the rough times ahead, But for some reason he had his coat pulled over his head and wouldn't listen I left him trying to extricate a punctured space hopper from under some rubble in a skip "He'll find out soon enough." I thought.
Then suddenly I realized That I could no longer breath.
Here we go Move along One last time The Loss Adjuster lost his mind. Too many claims too little time. To file them.
And suddenly it was a Tuesday afternoon And I could see it all crystal clear. Like a giant chandelier turning slowly in the sideways sunlight. Hanging by a thread, With only seconds to last.
And each time he rang it was like an indian call centre on the line "Yes, I'm doing fine" "Just like the last time" "And the last time" Make this the last time.
We'll all be gone by monday morning This is it, your final warning. You never did see Dog Day Afternoon.
Here today, but gone tomorrow. You could hang your head in sorrow You could do it but you better do it soon.
We'll all be gone by monday morning. This is it, your final warning. You never did see Dog Day Afternoon. Here today, but gone tomorrow. You could hang your head in sorrow, You could do it but you better do it soon.
We'll all be gone by monday morning This is it your final warning You never did see Dog Day Afternoon. Here today, but gone tomorrow. You could hang your head in sorrow You could do it but you better do it soon.
For those of you desparate to hear it emusic.com have it, and they were doing a free 14 day trial last time i checked. It's worth a listen but IMHO everything on the album's better.
It would have been nice if Jarvis had just released the bloody thing on CD single or on the album properly, instead of those insulting 20 second excerpts. I mean, come on! Who the hell has a vinyl player anymore anyway? It's just unfair to people who don't want to download but don't have a vinyl player!
__________________
"I just want to sit here and die."
Gaius Baltar, "Exodus II", Battlestar Galactica, October, 2006.
Cheers for the heads-up on the emusic offer nomis.
I'm really enjoying this. The spoken-word intro had me fearing a 'Jarvcast Kids Stories' type trip but thankfully it's a rather intriguing account of our hero's reaction to an impending apocalypse as he whiles his time away in Camden. Initially seeking to atone for past failings, he drifts into nostalgia. The most humorous part sees his meeting with a version of himself from 15 years earlier. The self-deprecation he's perfected for years through the medium of song-writing comes to the fore. '' I left him trying to extricate a punctured Spacehopper from under some rubble in a skip'' scans as a great send-up of his 1970s loving-self from a past (and perhaps current) life. Ultimately the denouement of dooms-day is unclear and the piece (which seems to fit the track better as a noun than 'song' given its, even by Jarvis' standards, unusual structure) ends with Jarvis seemingly warning us to make the most of life in a thankfully more oblique manner. The modern hum-drum stuff that no one bats an eyelid at anymore such as "Indian call centres" and mobile "networks" fit in with the lyrical themes of From A To I and Running The World - economic/technological progress at the expense of good old-fashioned "treating each other as human beings" - Jarvis is clearly in despair.
In contrast, the references to teenage girl in crisis " No, the world can't end now no, it's got to wait. It can't end when I haven't got a boyfriend and I'm half a stone overweight" and 'naughty sex-lyric bit' - " the night you almost did it after the wedding reception but you didn't have any contraception, and anyway, you couldn't get an erection" do seem a little limp and token efforts to remind us that 'Hey! I'm still slighly pervy, observational Jarvis''. In a way perhaps the same could be said of the solo album - he comes across as being stuck between becoming a grumpy, old(er) 'serious musician' or staying funny and clever and a bit dirty with catchy tunes. Does the half-way house satisfy everyone? Possibly not...
Anyway, musically the song reminds me of - but sounds nothing like - both David's Last Summer and Catcliffe Shakedown. In fact I'm quite enjoying this tradition of lengthy songs welded by parts that were left over from their parent album's sessions and didn't fit anywhere else. (I could be completely wrong in Loss Adjuster's genesis). The Roadkill-ripping off piano parts which bookend the album are also used as a divider here - at the beginning, middle and end, simply given alternate vocal lines which follow the melody. The first part of the story is told with a sad soully guitar riff, and some accented piano. The time-warp tale is suitably sci-fi sounding with bare channel-to-channel distortion and an echo effect used (reminiscent of Space) for the call and response between 2006(7) version Jarvis and that from the early 90s (when Space came out, fittingly enough!*Geek alert*) while the final refrain where Jarvis eventually starts singing, or chants rather, is dramatically introduced by thumping drums and suddenly the guitars are turned up a notch.
Now I just have to give Dog Day Afternoon a viewing to see if it's much cop.